Sentences with phrase «introduction to the exhibition by»

Watch an introduction to the exhibition by curator Pablo Leon de la Barra, SLG Director Margot Heller, and artists Alfredo Jaar, Federico Herrero, David Lamelas, and Carla Zaccagnini.

This video provides you with a tour of the exhibition during the press preview, an introduction to the exhibition by Joan Young, and some atmospheric shots of the opening reception.

Not exact matches

As noted by curator George Kinghorn, in his introduction to Freeman's current exhibition Three Chords, the «forms that inhabit these canvases (several of which are elegantly shaped) create dynamic interactions — the hard - edged thickened lines quiver, rotate, stretch and sag.»

Three videos below, produced by Ben Tudhope for the show, provide an excellent introduction to the exhibition as well as more in depth features on Paul Resika and Stanley Lewis.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

Events Programme A programme of talks and performances expand on the themes of the exhibition, from an introduction to geometric abstract art by Whitechapel Gallery director and exhibition co-curator Iwona Blazwick (27 Feb, 3 pm) to a major two - day symposium on abstraction and society bringing together experts in the field including Doug Ashford, Tanya Barson and Briony Fer (Fri 13 & Sat 14 Mar, 11.30 am — 6 pm).

Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»

-- alien matter — An introduction by Inke Arns is published to accompany the transmediale 2017 exhibition catalogue.

The 1971 exhibition at the UCLA Art Gallery «Transparency, Reflection, Light, Space,» which included works by Larry Bell, Robert Irwin, Craig Kauffman, John McCracken, and Peter Alexander, was art history's formative introduction to the informal movement.

Online exhibition Listen to the exhibition audio guide narrated by co-curator and acclaimed novelist Colm Tóibín with an introduction by Colin B. Bailey, Director of the Morgan Library & Museum.

It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African art.

Inspired by the spoken, written, and performed introductions Conrad regularly used to help frame screenings and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the mediums of painting, sculpture, film, video, performance, and installation, tenaciously working to challenge the boundaries between artistic categories.

Listen to the exhibition audio guide narrated by co-curator and acclaimed novelist Colm Tóibín with an introduction by Colin B. Bailey, Director of the Morgan Library & Museum.

Eduardo Paolozzi, talks and events (February — May) A number of events expand on the themes explored in the exhibition, including an evening of performance featuring artist Anthea Hamilton (30 March, 7 pm, # 5 / # 3.50 concs) an introduction to Paolozzi with the exhibition curator Daniel F. Herrmann (18 February, 3 pm, # 12.50 / # 10.50 concs), and a day - long symposium inspired by the artist's 1985 exhibition Lost Magic Kingdoms and Six Paper Moons from Nahuatl (25 March, 2 — 6 pm, # 15.50 / # 13.50 concs).

An illustrated catalogue featuring an introduction by Arne Glimcher, a personal letter from Jean Dubuffet to Arne Glimcher and an essay by Dr. Kent Minturn will accompany the exhibition.

The exhibition, curated by the University of Arkansas's Alissa Walls, Ph.D, Assistant Professor of Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to study further.

Thurs, May 25, 7PM Swiss Institute / CONTEMPORARY ART, New York 102 Franklin Street, Front 1, New York NY 10013 Please join us for an evening to celebrate the launch of The Exhibitionist: Journal on Exhibition Making / / The First Six Years with an introduction by founding editor Jens Hoffmann, a discussion of the history of the history of exhibitions with Amara Antilla, and a roundtable conversation on exhibiting exhibitions with Ruba Katrib, Mia Locks and Lauren Cornell, moderated by Piper Marshall.

The exhibition opens with an introduction to monotype print — made by mechanically transferring to paper a drawing done on a metal plate.

The exhibition will be accompanied by a fully illustrated two - volume publication: a catalogue with an introduction by the three curators, and an essay by Briony Fer, and a subject index, a second volume in the form of a glossary that is devoted to important ideas in Horn's practice or that relate to individual works.

Curator Bernice Rose remarks in an introduction to this exhibition: «The capacities for the transformation of reality were later reinforced and enlarged by television, video and the computer, and its concomitant new space, the Internet.

This unique publication includes an introduction to themes presented in Rose's work and the exhibition Palisades by the exhibition's curator Emma Enderby, along with an essay by SculptureCenter curator Ruba Katrib that contextualises A Minute Ago and Palisades in Palisades.

Accompanying the color plates are an introduction and chronology of the artist's work by exhibition curator Rachel Hooper, an essay tracing Coolquitt's connections to other contemporary artists and designers by Frieze magazine senior editor Dan Fox, an in - depth exploration of Coolquitt's concepts and process by art writer Jan Tumlir, an interview with Coolquitt by director and chief curator of White Columns Matthew Higgs, and Coolquitt's biography and bibliography.

This project is followed up by WL14 / TC09 by Tyler Coburn in which he took the introduction to the MA written thesis which accompanies this exhibition and created a collaged manifesto / poem through a rule - based scrambling of the text.

This warm - hearted, pre-Christmas evening also offers an introduction of Sternfeld's work in the 2013 Carnegie International by co-curator Tina Kukielski, as well as a visit with Wade to the very exclusive Founders Room, where his second contribution to the exhibition is located.

The main part of the exhibition (a concise overview of the five decades of painting and sculpture curated by the British painter Peter Doig) presents an introduction to his work.

The final exhibition in this student - led format was staged in 1986 with a catalogue which contained a historical introduction (and post-script), to the exhibition by Andrew Lambirth, New Contemporaries Past and Present.

This video provides you with an exhibition walkthrough and an introduction to the show by Bruno Brunnet (Director, Contemporary Fine Arts).

A color catalogue expanding on Barrada's recent film - and - performance Tree Identification for Beginners (2017), with an introduction by Adrienne Edwards, will be published to coincide with the opening of the exhibition.

Broodwork: It's About Time (2011) / $ 25 / Available on Amazon.com and in Gallery Softcover / 40 pages / 35 color plates / 7 X 10 inches ISBN 978 - 0930209308 Produced by: OTIS Ben Maltz Gallery Exhibition curated by: Rebecca Niederlander and Iris Anna Regn Exhibition dates: April 30 - June 11, 2011 Introduction by: Rebecca Niederlander and Iris Anna Regn Description: An exhibition that explores what family life can provide to creative profExhibition curated by: Rebecca Niederlander and Iris Anna Regn Exhibition dates: April 30 - June 11, 2011 Introduction by: Rebecca Niederlander and Iris Anna Regn Description: An exhibition that explores what family life can provide to creative profExhibition dates: April 30 - June 11, 2011 Introduction by: Rebecca Niederlander and Iris Anna Regn Description: An exhibition that explores what family life can provide to creative profexhibition that explores what family life can provide to creative professionals.

Kambalu's co-current exhibition Introduction to Nyau Cinema at the Whitechapel Gallery is inspired by early cinema and the experience of watching films as a child in Malawi.

Victoria Miro presents British artist David Harrison's second solo exhibition at the gallery to coincide with the publication of a major monograph on the artist with texts by Alistair Robinson, an introduction by Lucinda Lambton and an interview with Peter Doig.

The catalog is by Karen K. Butler in collaboration with Renée Maurer and includes contributions by Karen K. Butler, Patricia Favero, Uwe Fleckner, Gordon Hughes, Narayan Khandekar, Renée Maurer, Erin Mysak, and Éric Trudel, as well as first - time English translations of Jean Paulhan's Braque le Patron (1945) and Carl Einstein's introduction to Braque's 1933 retrospective exhibition at the Kunsthalle Basel.

«Some deep, heavy Mississippi Delta type shit» mumbled Robert Crumb, hunched over his mandolin, by way of an introduction to a song midway through his performance at the opening of his exhibition at David Zwirner.

In 1953 he was at the Gallery of the Naviglio in Milan, with an introduction by Peggy Guggenheim and Virgilio Guidi and he was also invited to the Italy - France exhibition in Torino, where he exhibited in the room near that of Hans Hartung.

The massive exhibition feature overs 80 local and international artists and serves as introduction to the burgeoning New Contemporary art movement for art lovers in the Midwest, handpicked by one of the scene's most prolific galleries.

This video provides you with an exhibition walkthrough, and an introduction to Noah Purifoy and his work by Franklin Sirmans, Co-curator of the exhibition.

«The 10th Gwangju Biennale reflects on this spiral of violent or symbolic events of destruction or self - destruction — setting fire to the home one occupies — followed by the promise of the new and the hope for change,» wrote Morgan in the introduction to the exhibition.

Accompanying the exhibition will be an illustrated catalogue, designed by Lorraine Wild of Green Dragon Studio and featuring essays by Bohn - Spector, Mellon, Kenneth Allan (Seattle University, WA), and an introduction by Tosh Berman, reassessing Berman's significant contributions to the history of 20th century American art.

Lecture by Merlin James Monday, May 6, 5:30 pm Logan Center for the Arts Exhibition co-curator Merlin James gives an introduction to the unique achievements of Serge Charchoune.

The inaugural show, appropriately called «First Exhibition,» offers an introduction to the gallery by featuring several of Ms. Dee's longtime artists, like Carl Ostendarp, Miranda Lichtenstein and John Giorno.

The exhibition was funded by Eddie Chambers through the New Institute of Visual Arts (INIVA) and was accompanied by a catalog featuring an introduction and essays on each of the artists that explored their relationship to the concept of home from their different cultural perspectives.

My first introduction to Matt Noonan's paintings was an eclectic arrangement of oils with dense imagery and rich colors on wood or canvas in the group exhibition Arcadia: Thoughts on the Contemporary Pastoral, curated by Steve Locke and recently on view at the Boston Center for the Arts.

New York, NY Short Stories, Epoche Gallery, Brooklyn, NY 1989 Vulgar Realism, Hallwalls Contemporary Art Center, Buffalo, NY No Relief, Ridge Street Gallery, New York, NY 1988 Sculpture 1988, White Columns Gallery, New York, NY Annual Small Works Show, Sculpture Center, New York, NY 1987 Small Wonders, Barry Whistler Gallery, Dallas, Texas Introductions, Barry Whistler Gallery, Dallas, Texas VIDEO EXHIBITIONS 2012 Hermaphrodite video, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of their desperation, by Sean Griffin.

Systemic Painting, according to Auping (1989) «was the title of an highly influential exhibition at the Guggenheim Museum in 1966 assembled and introduction written by Lawrence Alloway as curator.

The publication documents Pier 24 Photography's unique installations, and includes titles and dates for the works on view, quotes by many of the exhibited artists, and a brief introduction to the exhibition.

• Introduction • Early Life & Training • Artistic Career 1955 - 1959 • Nouveau Realisme (New Realism) • Accumulations • Moves to the United States • Exhibitions of Works by Arman • Public Collections in America

Joey Holder has created a new work that provides an immediate introduction to the exhibition; visitors are required to literally step onto a terrain that has been created by Holder and which covers one third of the gallery floor.

I mention all these details as an introduction to the exhibition Ed Clark: Paintings at the Tilton Gallery (January 10 — February 18, 2017), three years after his first show with the same gallery, Ed Clark: Big Bang, which was organized by David Hammons.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, LondTo..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, Londto the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London