Sentences with phrase «invisible adversaries»

It certainly pervaded «Invisible Adversaries» at the CCS Bard Hessel Museum of Art, where about 100 works — mostly from the museum's collection, supplemented by a few loans — dealt with unseen threats from government surveillance to racism and sexism.

«Invisible Adversaries» was a show about abstractions — that is to say, general ideas not based on any particular real persons, things, or situations.

As Johanna Fateman points out in the «Invisible Adversaries» catalogue, in her work, Lee herself became an alien.

This summer CCS Bard presents Invisible Adversaries, a group exhibition of works from the Marieluise Hessel Collection (on view through September 18).

Image: Installation view of Hito Steyerl: Factory of the Sun in Invisible Adversaries, June 25 — September 18, 2016.

Leigh Ledare in Invisible Adversaries: Marieluise Hessel Collection at Hessel Museum of Art, Annandale - On - Hudson, USA 25 June — 18 September 2016

«Invisible Adversaries: Marieluise Hessel Collection,» Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, June 25 — September 18, 2016; catalogue

She co-organized the Hessel Museum's tenth anniversary exhibition, «Invisible Adversaries» (2016) with Tom Eccles.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

Fondation Louis Vuitton, Paris, France Invisible Adversaries: Marieluise Hessel Collection, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale - on - Hudson, NY USA My Body Is a Cage.

Installation view: Invisible Adversaries, Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York, 2016.

[6] In 2016, Cornell co-curated Invisible Adversaries with Tom Eccles in 2016.

Invisible Adversaries is inspired by the eponymous 1976 feature film by the radical Austrian artist Valie Export.

In addition to works by Valie Export, Invisible Adversaries draws primarily from acquisitions of the Marieluise Hessel Collection over the past decade, with works by over 50 artists including Chantal Akerman, Ida Applebroog, Lynda Benglis, Barbara Bloom, Patty Chang, Anne Collier, Reneke Dijkstra, K8 Hardy, Roni Horn, Glenn Ligon, Leigh Ledare, Helen Marten, William Pope.L, Hito Steyerl, Magali Reus, Rachel Rose, Thomas Ruff, Lorna Simpson, Diane Simpson, Jo Spence, and Gillian Wearing.

Invisible Adversaries tours will begin at 1 pm and last 45minutes, followed by a tour of Tony Oursler: The Imponderable Archive at 2 pm, also lasting 45minutes.

The 1976 feature film Invisible Adversaries (1 hr 52 mins) by VALIE EXPORT will be screened daily at two hour intervals beginning at 11:30 am.

Invisible Adversaries, curated by Tom Eccles and Lauren Cornell, Hessel Museum of Art, Annandale — On — Hudson, NY

Since then, Cornell has co-curated a solo show of Puerto Rican artist Beatriz Santiago Muñoz's films at the New Museum and a stunning group show, «Invisible Adversaries,» which used the work of radical feminist artist VALIE EXPORT as a jumping off point, at Bard College's Hessel Museum of Art.

Invisible Adversaries was chosen as a touchstone for the exhibition because the condition it describes, where a hostile force (what EXPORT in her film describes as «Hyksos») circles around the protagonist and also infiltrates her mind, connects with the ways artists approach their adversaries: not as obvious enemies to overthrow but as complex relationships that are a profound part of our history and personal lives.

The Hessel Museum of Art marks its tenth anniversary with a major exhibition of works from the Marieluise Hessel Collection curated by Lauren Cornell and Tom Eccles entitled Invisible Adversaries.

NEW YORK - Diane Simpson's group exhibition Invisible Adversaries: Marieluise Hessel Collection on view at the Hessel Museum of Art at Bard Collage, Annandale - on - Hudson, New York, from June 25 to September 18, 2016.

Invisible Adversaries also features works on loan by Emily Jacir and Trevor Paglen; a major installation by Carrie Mae Weems; and a specially commissioned painting by Cheyney Thompson (in collaboration with Amy Sillman).

Often juxtaposing works from diverse artists and periods and persistently focusing on the social content of imagery, Invisible Adversaries aims to reintroduce the striking contentiousness of the Hessel Collection.

Not exact matches

The futility of war... An invisible, indiscriminate enemy, striking without mercy... Hearts broken, then restored and sustained by love... A story of two worlds — one at war on the Western Front, the other grappling with an unseen adversary at home.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.