Newsha Takavolian, a female photojournalist from Tehran, also addresses women's roles in
Iranian society in her potent series of portraits, Mothers of Martyrs.
As capitalism's sway over contemporary
Iranian society grows ever more pervasive, there is housing shortage, the real estate market booms, houses make way for towering new apartment buildings and shopping malls.
In If You Could Be Mine by Sara Farizan, Sahar contemplates gender reassignment in order to marry her best friend and girlfriend, Nasrin, in
an Iranian society where homosexual relationships are forbidden.
TEHRAN — The crowds in colored dresses entering Tehran's Imam Khomeini Mosalla to visit the Tehran International Book Fair suggest a warm welcome to reading books by
Iranian society.
Asghar Farhadi offers another astute look at contemporary
Iranian society in this compelling relationship drama.
In a series of tautly constructed dramas that imbue the everyday struggles of married life with suspense and tragedy, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary
Iranian society.
His camera, placed on the dashboard of his mobile film studio, captures a spirited slice of
Iranian society while also brilliantly redefining the borders of comedy, drama and cinema.
For every interesting point about women being second class citizens in
Iranian society, it's undermined by the basic logic of the plot.
The complexities of patriarchy and corruption in
Iranian society form the backdrop to this and all of Farhadi's films, and while The Salesman is not quite as good as his other Oscar - winner, A Separation, it's a very strong piece of work.
For Western audiences, the film also documents — without overtly critiquing — the role of religion, and the power dynamics between men and women, in contemporary
Iranian society.
Other films from Cannes making their US debut at Telluride include the Russian «Loveless,» directed by Andrey Zvyagintsev, about an unhappy couple searching for their son, and winner of Cannes» Jury Prize; «A Man of Integrity,» by Mohammad Rasoulof, set in corrupt
Iranian society, which won the Grand Prize of the Un Certain Regard section; «The Rider,» by Chloe Zhao, about a badly injured young South Dakotan rodeo rider, which won the top prize, the Art Cinema Award, of the Director's Fortnight; «Tesnota (Closeness),» about a Jewish family forced to try to ransom their son and his new bride, also in Un Certain Regard, by Kantemir Balagov; and Barbet Schroeder's documentary about a Buddhist monk, «Le venerable W.»
Underneath, the film is a subtle examination of class and gender in
Iranian society.
The clerical regime has shown itself capable of crushing the mass protests, but it may have stifled the last attempt of
Iranian society to gasp for breath.
Not exact matches
Only a few months before he met with me, Cohen was planning a trip to the edge of Iran in Azerbaijan to «engage the
Iranian communities closer to the border,» as part of a Google Ideas» project on «repressive
societies.»
We are just as bad as the
Iranians — a
society committed to its executions.
Today Freedom from Torture joined thirty - three civil
society organisations to call on the UN to continue to pressure the
Iranian Government to end human rights abuses including torture.
Letter from AAAS CEO Rush Holt to Deputy Attorney General Rod Rosenstein Regarding Fingerprint Reporting Guidelines [March 28, 2018] AAAS Statement on FY 2018 Omnibus Bill Funds for Scientific Research [March 23, 2018] AAAS Statement on FY 2018 Omnibus Funding Bill [March 22, 2018] AAAS CEO Rush Holt Statement on Death of Rep. Louise Slaughter [March 16, 2018] AAAS CEO Urges U.S. President and Congress to Lift Funding Restrictions on Gun Violence Research [March 13, 2018] AAAS Statements on Elections and Paper Ballots [March 9, 2018] AAAS Statement on President's 2019 Budget Plan [February 12, 2018] AAAS Statement on FY 2018 Budget Deal and Continuing Resolution [February 9, 2018] AAAS Statement on President Trump's State of the Union Address [January 30, 2018] AAAS Statement on Continuing Resolution Urges FY 2018 Final Omnibus Bill [January 22, 2018] AAAS Statement on U.S. Government Shutdown [January 20, 2018] Community Statement to OMB on Science and Government [December 19, 2017] AAAS CEO Response to Media Report on Use of «Science - Based» at CDC [December 15, 2017] Letter from AAAS and the American Physical
Society to
Iranian President Hassan Rouhani Regarding Scientist Ahmadreza Djalali [December 15, 2017] Multisociety Letter Conference Graduate Student Tax Provisions [December 7, 2017] Multisociety Letter Presses Senate to Preserve Higher Education Tax Benefits [November 29, 2017] AAAS Multisociety Letter on Tax Reform [November 15, 2017] AAAS Letter to U.S. House of Representatives Ways and Means Committee on Tax Cuts and Jobs Act (H.R. 1)[November 7, 2017] AAAS Statement on Release of National Climate Assessment Report [November 3, 2017] AAAS Statement on EPA Science Adviser Boards [October 31, 2017] AAAS Statement on EPA Restricting Scientist Communication of Research Results [October 25, 2017] Statement of the Board of Directors of the American Association for the Advancement of Science on Scientific Freedom and Responsibility [October 18, 2017] Scientific Societies» Letter on President Trump's Visa and Immigration Proclamation [October 17, 2017] AAAS Statement on U.S. Withdrawal from UNESCO [October 12, 2017] AAAS Statement on White House Proclamation on Immigration and Visas [September 25, 2017] AAAS Statement from CEO Rush Holt on ARPA - E Reauthorization Act [September 8, 2017] AAAS Speaks Out Against Trump Administration Halt of Young Immigrant Program [September 6, 2017] AAAS Statement on Trump Administration Disbanding National Climate Assessment Advisory Committee [August 22, 2017] AAAS CEO Rush Holt Issues Statement On Death of Former Rep. Vern Ehlers [August 17, 2017] AAAS CEO Rush Holt and 15 Other Science
Society Leaders Request Climate Science Meeting with EPA Administrator Scott Pruitt [July 31, 2017] AAAS Encourages Congressional Appropriators to Invest in Research and Innovation [July 25, 2017] AAAS CEO Urges Secretary of State to Fill Post of Science and Technology Adviser [July 13, 2017] AAAS and ESA Urge Trump Administration to Protect Monuments [July 7, 2017] AAAS Statement on House Appropriations Bill for the Department of Energy [June 28, 2017] Scientific Organizations Statement on Science and Government [June 27, 2017] AAAS Statement on White House Executive Order on Cuba Relations [June 16, 2017] AAAS Statement on Paris Agreement on Climate Change [June 1, 2017] AAAS Statement from CEO Rush Holt on Fiscal Year 2018 Budget Proposal [May 23, 2017] AAAS thanks the Congress for prioritizing research and development funding in the FY 2017 omnibus appropriations [May 9, 2017] AAAS Statement on Dismissal of Scientists on EPA Scientific Advisory Board [May 8, 2017] AAAS CEO Rush Holt Statement on FY 2017 Appropriations [May 1, 2017] AAAS CEO Statement on Executive Order on Climate Change [March 28, 2017] AAAS leads an intersociety letter on the HONEST Act [March 28, 2017] President's Budget Plan Would Cripple Science and Technology, AAAS Says [March 16, 2017] AAAS Responds to New Immigration Executive Order [March 6, 2017] AAAS CEO Responds to Trump Immigration and Visa Order [January 28, 2017] AAAS CEO Rush Holt Statement on Federal Scientists and Public Communication [January 24, 2017] AAAS thanks leaders of the American Innovation and Competitiveness Act [December 21, 2016] AAAS CEO Rush Holt raises concern over President - Elect Donald Trump's EPA Director Selection [December 15, 2016] AAAS CEO Rush Holt Statement Following the House Passage of 21st Century Cures Act [December 2, 2016] Letter from U.S. scientific, engineering, and higher education community leaders to President - elect Trump's transition team [November 23, 2016] Letter from AAAS CEO Rush Holt to Senate Leaders and Letter to House Leaders to pass a FY 2017 Omnibus Spending Bill [November 15, 2016] AAAS reaffirms the reality of human - caused climate change [June 28, 2016]
He is a member of the council of the
Iranian - American Physicists group, a body set up in 2007 to represent
Iranian members of the American Physical
Society.
A taut, involving drama centered around the mysterious disappearance of a young woman, About Elly confirms director Asghar Farhadi as a major talent in
Iranian cinema whose ability to chronicle the middle - class malaise of his
society is practically unrivaled.
Iranian director Asghar Farhadi's powerful drama is a prime example of how a smallscale domestic crisis can stand as a microcosm for a much larger crisis within
society.
The Online Film Critics
Society gave one of its three special awards to the the pair for their act of protest against the
Iranian government.
FLEMING: For at least the last thirty years, most of what we hear in western
society about
Iranian culture is not positive.
Hong Sangsoo takes Manhattan, Ruben Östlund's The Square, Alain Gomis's Félicité, Twin Peaks: The Return, report from Tehran on
Iranian cinema post-Kiarostami, Jafar Panahi, campus film
societies, John Frankenheimer's Playhouse 90 episodes, I, Tonya, Call Me by Your Name
Reza Javalchi, the secretary of the
Society to Defend the Rights of Animals, says dog ownership, more common in the West, is considered by
Iranian officials to be a sign of Western influence.
New York based
Iranian artist Shirin Neshat creates video and photos that portray issues of gender and
society, the individual and the group.
The limited Edition Reflections / Refractions, 26 Oct 2014, 2015 is part of a series of collages created from an
Iranian newspaper, which has been printed on aluminium printing plates and produced exclusively for the Whitechapel Gallery to accompany Ansarinia's work in the exhibition: Adventures of the Black Square, Abstract Art and
Society 1915 — 2015, from 15th January — 6th April 2015.
79.89.09, 7:30 p.m. April 13, Asia
Society Texas Center, 1370 Southmore Blvd.: 79.89.09 looks at two key modern moments — the
Iranian Revolution of 1979 and Poland's Solidarność movement in the 1980s — as bookends to the two major geopolitical narratives of the 20th and 21st century, respectively — Communism and political Islam.
Shirin Neshat (b. 1957) is an
Iranian - born artist whose works often focus on the mores of Muslin
societies, especially as they affect women.
The exhibition offers an unexpected insight into the artistic energy of a culture that is constantly evolving as
Iranians living both in and out of the country, come of age living and working in contentious
societies.
The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia
Society, New York (2013); Spectacular of the Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of
Iranian Artists, House of World Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual American Exhibition, Art Institute of Chicago, IL (1982); Biennial of American Art; Whitney Museum of American Art, New York (1981); 39th Venice Biennale, American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.
In 2013 she co-curated IranModern, the first major exhibition devoted to
Iranian Modern Art for the Asia
Society Museum, New York (Sept. 5, 2013 - January 5, 2015) and coedited the accompanying publication.
Today,
Iranian women are more educated and active in the
society, and they work alongside men outside their homes.