Sentences with phrase «irma blank»

And though the crosses might be seen as meaningless writing, Ding's marks remain more separately nuanced than in work — such as Irma Blank's or even some of Cy Twombly's — which accumulates writing into abstraction.
My favourite works are all by female artists, who are so often absent from Italian art history: Carla Accardi's fluorescent and candy - coloured Rotolo Arancio and Rotolo Verde (Orange Roll and Green Roll, both 1967), painted on sheets of rolled - up transparent plastic sheeting; Irma Blank's Twelve Chapters (1977), 12 laboriously hand - written books filled with the artist's elegant abstract signs, and Lisetta Carmi's I Travestiti (Transvestites, 1965 — 71), a pioneering and much censored photographic project about the trans community in Genoa.
Works in the genre of concrete and visual poetry include those by Vincenzo Agnetti, Julien Blaine, Mirella Bentivoglio, Irma Blank, Jean François Bory and Ugo Carrega.
Agial Art Gallery, Beirut, Aref Rayess, Galeria Berenice Arvani, São Paulo, Rubem Valentim Luciana Brito Galeria, São Paulo, Liliana Porter, galerie frank elbaz, Paris, Tomislav Gotovac Espaivisor, Valencia, Nil Yalter, Henrique Faria Fine Art, New York, Alejandro Puente, Frittelli Arte Contemporanea, Florence, Georges Adéagbo, Goodman Gallery, Johannesburg, Willem Boshoff, Grosvenor Gallery, London, Francis Newton Souza, Alison Jacques Gallery, London, Lygia Clark, Sean Kelly, New York, Joseph Kosuth, Johann König, Berlin, Kiki Kogelnik Andrew Kreps Gallery, New York Martin Barré, Galerie Lelong, New York, Nancy Spero Galeria Millan, São Paulo, Anna Maria Maiolino, P420, Bologna, Irma Blank, Riflemaker, London, Judy Chicago, Galeria Nara Roesler, São Paulo, Julio Le Parc, Richard Saltoun, London, Bob Law, Karsten Schubert, London, Rose English, Galerie Thomas Schulte, Berlin, Alice Aycock, Thomas Solomon Gallery, Los Angeles, Gordon Matta - Clark, Galerie Barbara Thumm, Berlin, Anna Oppermann
Irma Blank, Global Writings, La lingua ritrovata, poesia minima, 19-2-04, digital writing and silkscreen print on canvas, diptych, 30.5 x 43.5 cm each, 2004
Both the exhibition and the series Global Writings is the recent research of Irma Blank's extensive body of work.
With an emphasis on the heritage of conceptual movements, the gallery has developed step by step towards a wider context, with artists like Primož Bizjak, Irma Blank, Vadim Fishkin, Marcius Galan, Alexander Gutke, Anne Neukamp, Marzena Nowak, Tobias Putrih, Ariel Schlesinger, Francisco Tropa and B. Wurtz.
Irma Blank, Global Writings, La lingua ritrovata, poesia minima, 29-2-2004, digital writing and silkscreen print on copper - coated aluminium, diptych, 63 x154 cm each, 2004
Irma Blank is participating at this year's 57th International Art Exhibition La Biennale di Venezia curated by Christine Macel.
Expect a reassessment of Irma Blank, an artist born in Germany in 1934 who now lives in Italy and is known for transcribing entire books and newspapers into slender script that's unreadable — a gesture that turns language into line.
Installation view Irma Blank, Book crossing (Attraversare il libro), 2015.
Exhibitions at Alison Jacques Gallery include the solo shows Life Time (2017), Irma Blank: To be (2014) and the group show Matter & Memory (2014).
Galerija Gregor Podnar presents Global Writings, Irma Blank's second solo exhibition with the gallery.
P420 GALLERY This gallery from Bologna, Italy, devotes its booth entirely to Irma Blank's gorgeous «Eigenschriften» (or «Self - Writings») series, made between 1968 and 1973 in Siracusa, Sicily, where this German - born artist moved in the 1950s.
Titled after Irma Blank's seminal series Radical Writings, the exhibition offers seven parentheses across generations of artists whose work stand on the border between drawing, knitting and writing.
The group show which reflects on color and on the investigation of modern art as well, taking as the starting point the followers of Hindu Tantric art (17th - century) and the Theosophists (19th - century) who used forms - colors as sources of meditating and immaterial transmission of thought, features the works of: Carla Accardi, Bas Jan Ader, Etel Adnan, Hilma af Klint, Josef Albers, Giovanni Anselmo, Karel Appel, Arman, Ed Atkins, John Baldessari, Giacomo Balla, Robert Barry, Lothar Baumgarten, Claude Bellegarde, Annie Besant (with Charles W. Leadbeater / painted by Lady MacFarlane & Mr Prince & John Varley), Jakayu Biljabu, Irma Blank, Norman Bluhm, Mel Bochner, Alighiero Boetti, Kerstin Brätsch, Alberto Burri, André Cadere, Corrado Cagli, Alexander Calder, Carlo Carrà, Felice Casorati, Enrico Castellani, Aslı Çavuşoğlu, Michel Eugène Chevreul, Mikalojus Konstantinas Čiurlionis, Tony Cragg, Carlos Cruz - Diez, Giuliano Dal Molin, Sonia Delaunay, Nicola De Maria, Fortunato Depero, Nicolas de Staël, Piero Dorazio, Olafur Eliasson, Bracha Ettinger, Lara Favaretto, Oskar Wilhelm Fischinger, Dan Flavin, Lucio Fontana, Katharina Fritsch, Vittorio Gallese, Giuseppe Pinot - Gallizio, Theaster Gates, Rupprecht Geiger, Leo Gestel, Piero Gilardi, Liam Gillick, Johann Wolfgang von Goethe, Gotthard Graubner, Giorgio Griffa, Gruppo MID, Paul Guiragossian, David Hammons, Camille Henrot, Auguste Herbin, Arturo Herrera, Damien Hirst, Channa Horwitz, Johannes Itten, Alexej von Jawlensky, Asger Jorn, Donald Judd, Wassily Kandinsky, Anish Kapoor, Ellsworth Kelly, Paul Klee, Yves Klein, František Kupka, Wolfgang Laib, Jim Lambie, Basim Magdy, Alberto Magnelli, Estuardo Maldonado, Antonio Mancini, Édouard Manet, Henri Matisse, Gustav Metzger, Piet Mondrian, Maria Morganti, Edvard Munch, Gabriele Münter, Bruce Nauman, Sir Isaac Newton, Mario Nigro, Otobong Nkanga, Kenneth Noland, Hélio Oiticica, Giulio Paolini, Tancredi Parmeggiani, Pino Pascali, Eugénie Paultre, Giuseppe Pellizza da Volpedo, Heather Phillipson, Francis Picabia, Michelangelo Pistoletto, Sigmar Polke, Lea Porsager, Alejandro Puente, Walid Raad & The Atlas Group, Edi Rama, Gerhard Richter, Hans Richter, Gerwald Rockenschaub, Mark Rothko, Thomas Ruff, Friedlieb Ferdinand Runge, Luigi Russolo, Anri Sala, Mario Schifano, Shōzō Shimamoto, Ettore Spalletti, Simon Starling, Haim Steinbach, Hito Steyerl, Mika Tajima, Atsuko Tanaka, Cheyney Thompson, Warlimpirrnga Tjapaltjarri, Luis Tomasello, Giulio Turcato, Joseph Mallord William Turner, James Turrell, Viktor Vasarely, Alfredo Volpi, Franz Erhard Walther, Andy Warhol, Liu Wei, Lawrence Weiner, Marianne Werefkin, Ye Xianyan, Fahrelnissa Zeid, Gilberto Zorio.
Darboven's characteristic conflation of an abstract, overarching framework and individual self - assertion are resonant in the sign structures conceived, for example, by Channa Horwitz or Michael Müller, as well as in the textual works and writing systems of Fiona Banner, Irma Blank, and Natalie Czech, in the temporal processes of Sigrid Sigurdsson, the appropriation of history practiced by Daniela Comani, Lia Perjovschi, and Rayyane Tabet, or in the collages conjoining current events and popular culture created by Isa Genzken and Robert Heinecken, as well as in the encyclopedic, material - based classification systems of Henrik Olesen and Joëlle Tuerlinckx.
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