Sentences with phrase «italian arte»

The artist, a member of the Italian Arte Povera movement, lined up stacks of Italian and Arabic dailies from March 2003, when President George W. Bush issued an ultimatum before the invasion of Iraq.
The Minus - Objects — a blow for freedom in the art system at that time — were a decisive contribution to Italian Arte Povera.
As one of the most celebrated works of the 20th century Italian Arte Povera movement, experts had said it was difficult to put a price on the piece.
Pistoletto is acknowledged as one of the main representatives of the Italian Arte Povera.
While working in the lineage of 20th century abstraction and installation such as Brazilian Concrete and Neo-Concrete art and Italian Arte Povera, Costa pursues an irreverent, and very current, path.
In the 60s Alberto Biasi was one of the exponent of Padua's Gruppo Enne which, together withTurin's Gruppo T, has contributed to the international expansion of Italian Arte Programmata (a special branch of Optical Art).
Art Informel was related stylistically to other groups and styles, including the Danish / Dutch / Belgian CoBrA group, the German groups Zen 49 and Quadriga, the Canadian Automatistes, the Italian Arte Nucleare and the Japanese Gutai association.
Italian Arte Povera artist Alighiero Boetti, for example, famously used embroidery in his series of world maps and text pieces (made by Afghan craftswomen), and New York - based contemporary artist Angelo Filomeno uses the medium in his goth - inspired canvases.
A founding father of Italian Arte Povera, Michelangelo Pistoletto, will be presenting a solo show of his work at Blenheim Palace from 15 September.
It currently houses an exhibition of new wood sculpture by Italian Arte Povera artist Giuseppe Penone.
Meaning «the school of things», it was a movement in late 1960s Japan, in which a group of artists, inspired Italian Arte Povera and American minimalism and land art, created sculptural works from natural and industrial materials
Its Manhattan branch will host an exhibition of works by the Italian Arte Povera artist Giuseppe Penone from Sept. 20 - Oct.
The Greek works of the 1970s, in particular, many of which represent a more politically and socially pointed variant on an idiom of found - object assemblage similar in sensibility to Italian Arte Povera, share an aesthetic as well as a range of references common to much of the more recent work seen throughout the Documenta proper — though expressed in a far more rigorous and authentic manner.
One of the founding figures of Italian Arte Povera, Jannis Kounellis had spent the past 50 years creating works about everyday life, mixing found objects with handmade elements.
The 1960s saw the advent of the Italian Arte Povera movement — coined as such by Germano Celant in 1967.
The work, animale 2584, is by Italian artist Mario Merz (1925 - 2003), who was a key member of the radical Italian Arte Povera («poor art») movement of the late 1960s.
By 1985, the year after she moved into the building on West 57th Street that still houses her gallery, her program was strongly focused around post-minimalist, conceptual work, with Italian Arte Povera sculptors such as Giuseppe Penone and Giulio Paolini, and a lot of young Germans, including the installation artist Lothar Baumgarten, a former student of Beuys, and the then little - known painters Anselm Kiefer and Gerhard Richter.
Fontana was trained as a sculptor and later found fame as a painter and an inspiration to the Italian Arte Povera artists.
You can also relate it to Italian arte povera of the same period.
The Estorick Collection is a small building, and Italian arte povera was often big and sprawling, so the smallness of the Italian contribution may be down to practical issues.
Mario Merz, to my mind the most archetypal of the Italian arte povera artists, is represented by two works.
In the mid-1960s, Merz was one of the founders of the Italian arte povera movement and throughout his working life remained one of its pivotal figures.
John Weber, an art dealer known for his early advocacy of Conceptual Art, Post-Minimalist sculpture and Italian Arte Povera, died on May 23 at his home in Hudson, N.Y..
A series of trees cast in bronze by the Italian Arte Povera artist Giuseppe Penone are on view this summer in the formal gardens of Versailles, just outside Paris.
Since the 1990s, the Walker has begun collecting works representing less mainstream art movementss, such as the Japanese Gutai group, Italian Arte Povera, Viennese Actionism, and Fluxus, all of which emerged during the 1950s and 1960s.
Famous modern installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of Monumental Sculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes with lights.
The only female artist associated with the Italian arte povera group, Marisa Merz remains an important reference point in modern art — she won a Golden Lion at the Venice Biennale for lifetime achievement in 2013 and has been the subject of a number of solo shows.
Dickinson: sold the 1969 painting «Shirt Collar 14 1/2» by the Italian Arte Povera artist Domenico Gnoli, priced at 2.5 million pounds ($ 4 million).
Pascali is associated with Post-Minimalism and, specifically, with the Italian Arte Povera movement, whose protagonists sought to incorporate everyday life into art through the use of natural, organic and, often, unorthodox materials.
Gilberto Zorio is an Italian sculptor, installation, and Conceptual artist associated with the Italian Arte Povera movement.
Renowned for her ambassadorial role in bringing new art across the Atlantic, Sonnabend was instrumental in introducing American Pop art and Minimalism to Europe and Italian Arte Povera to the United States.
Other works call to mind the aesthetic of the Italian Arte Povera artists active in the 1970s, or that of Minimalist artists such as the American Sol Le Witt.
The included works were all exemplary of post-minimalist strategies, growing out of conceptual practices like Italian Arte Povera, Process Art, and Land Art.
One of the leading figures of Italian Arte Povera (an art movement that flourished during the 60's, which literally means poor art) proves to be an ever inspiring creative and one of the most prominent artists of his generation.
A significant chunk of the collection is devoted to the northern Italian Arte Povera movement of the 1970s and»80s, which has been having a renaissance on the secondary market over the past decade, with numerous works by leading names like Mario Merz, Michelangelo Pistoletto, and Jannis Kounellis.
In the 1980s the gallery discovered and promoted painters from the «Mühlheimer Freiheit» group (Bömmels, Dokoupil et al.), documented the further development of Anselm Kiefer and helped Italian Arte Povera to acquire an international profile (Chia, Clemente, Cucchi, De Dominicis, Paladino, Paolini, Penone).
She has used 16 mm film to picture subjects who are, more often than not, elderly men, from the Italian Arte Povera artist Mario Merz, in 2002, to her fellow Angeleno David Hockney RA in 2016 (the NPG and RA have jointly acquired her film of Hockney).
Known for his participation in the Italian Arte Povera movement this exhibition features calendar collages and postal drawings from the LeWitt Collection.
Penone was a member of the Italian Arte Povera movement, which was comprised of artists who sought to dissolve divisions between art and life by using commonplace subjects and materials in their work.
Alighiero Boetti was one of the most important artists associated with the Italian Arte Povera movement.
Although rejected by many American critics for the anti-formal nature of his work, European curators, already primed for critique of formalism by artists like Joseph Beuys and the Italian Arte Povera group, embraced Nauman's work, particularly his alternative media.
If Minimalism had placed value on industrially produced objects, Italian Arte Povera confronted this technological determination with the value of natural substances and their poetic legacy, engaged in a critical dialectic.
Merz began her career in the late 1960s as the only female member of the Italian Arte Povera movement, which advocated the use of «poor» materials in fine art, as well as the revealing of process and experimentation as a counter to the tyranny of the perfected, painted canvas and the elevated, pedestalled sculpture.
These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of abstraction, deploying visual signals of Suprematism, color - field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.

Not exact matches

The Italian crisis — the country's powerful political leader, the comedian Beppe Grillo, would probably call it «commedia dell «arte» — offers plenty of interesting trading opportunities as long as you don't fall for the incongruous idea that this is the end of the euro area.
In Italian they use compound prepositions - so: of = Del, lo = the, compounded should be DELLO but since «Arte» begins with a vocal, they leave off the last vocal on the compound preposition and put an apostrophe in it's place.
The Museum of the Twentieth Century is located in the Palazzo dell» Arengario and displays approximately four hundred of the nearly four thousand Italian 20th - century works of art belonging to the Civiche Raccolte d' Arte milanesi.
She used this time to meticulously research the 16th - century Italian Renaissance art form of the commedia dell» arte, with its exaggerated expressions and gestures and tales of subterfuge and misrecognition at a time when rapid social and economic change were bringing about anxieties regarding status.
Previous group exhibitions include The Knot: Arte Povera (1981) and Minimalia: An Italian Vision in 20th Century Art (1999).
Hoskote, in the book, notes the influences of abstract artists like Frantisek Kupka, or Alberto Burri, the Italian creator of post-Second World War Arte Informale, Shahane sees in his practice Arte Povera or «poor art» of the 1960s.
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