Sentences with phrase «italian exhibition this year»

The show will be their third post-war Italian exhibition this year.

Not exact matches

Opening: Alberto Burri at the Guggenheim This exhibition, titled «The Trauma of Painting,» represents the first U.S. survey in over 35 years — and the most comprehensive show — of the works of post-World War II Italian painter and sculptor Alberto Burri.
The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.
In the past year she has contributed essays to Peripheral Visions: Italian Photography in Context, 1950s - Present, published by Charta in association with an exhibition at the Bertha and Karl Leubsdorf Art Gallery at Hunter College.
Referred to as the «New School's Head of Class» by V Magazine, her exhibitions are regularly featured in the Top Ten art show to see, including Terence Koh's performance «Art History» in The New York Times and New York Magazine, the best show of the summer by The Huffington Post for «Contemporary Magic» at the Virginia MoCA, as well as placement in the top art / fashion crossover shows of the year by Italian Vogue for ART CAPSUL at the Palais de Tokyo, Paris.
Later that year participated in an exhibition at Galleria La Bertesca in the Italian city of Genoa, with a group of other Italian artists that referred to their works as Arte Povera, or poor art, a term subsequently widely propagated by Italian art critic Germano Celant.
In this video, Emi Fontana, an Italian curator who lives in Los Angeles and worked closely with Mike Kelley during the last fifteen years of his life, provides us with a short introduction to the exhibition.
After a group exhibition in Monaco in 2014, the following year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «between space and light»).
MILAN — For more than 20 years, the Prada Foundation has been staging contemporary art exhibitions in abandoned warehouses and disused churches here, bringing contemporary artists like Anish Kapoor and Michael Heizer to Italian audiences, often for the first time.
This exhibition, entitled The Dance of the Machine Gun & other forms of unpopular expression after the «Futurist Manifesto» by Italian poet F.T. Marinetti, is his first solo show in four years and coincides with the artist's retrospective at the Brooklyn Museum, taken from the Rubell Collection of Miami.
This is the first exhibition in the UK to be devoted to the Italian painter, who was greatly admired by the founder of the collection, Eric Estorick, who included Pirandello's paintings in the touring exhibitions he organised during the post-war years (to 6 September).
This year's Italian Futurism show at the Guggenheim Museum in New York was the first such comprehensive exhibition ever held in the United States; previous shows have avoided dealing with Futurist works created during the l930s.
Published to accompany a major retrospective exhibition — the first in the United States in more than 35 years and the most comprehensive ever mounted — this title showcases the pioneering work of Italian artist Alberto Burri (1915 - 95).
Alongside the exhibition of the finalists, this year's edition will also present two sections by invitation; the «foreign presences» will bring together the works of Greg Colson, Kim Dorland, Franklin Evans, Jason Tues - tin, Eric Mistretta and Katy Moran, while «Appearances Italian» will break off in a solo show of Gabriele Arruzzo and a memorial hall dedicated to Anselmo Bucci, a leading exponent of the historical group twentieth century.
The exhibition focuses on his work in 1967 and 1968, the years in which the artist became associated with the phenomenon of Arte Povera, the radical trend in Italian art towards using everyday materials in resonant and seemingly unambiguous combinations.
This was Italian photographer Luigi Ghirri's first New York solo exhibition in over seven years, and coincided with Aperture's publication of the first English - language monograph dedicated to the artist.
David's plans for the future include another solo show, this time in Cologne at the Buchholz Gallery as well as his inclusion in a touring exhibition of the best Italian Art of the past 40 years.
He has been the subject of major international exhibitions over the last 40 years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).
I Still Love is Italian artist Franko B's first solo exhibition in London for seven years and features a series of embroidered canvases, never before shown in the UK.
-LSB-...] from Italian street artist Basik is being featured at Graffuturism 5 Year Anniversary Exhibition at 886 Geary Gallery.
Mazzoleni is delighted to announce the exhibition Mazzoleni 1986 - 2016: 30 years of art 30 Italian artists, which will open in... Read more
I had never been crazy about Forge's work — it seemed a little dry and more than a little academic, a failing perhaps reflexively ascribed to someone who spent nearly twenty years as the dean of the Yale School of Art — until I saw a solo show at Betty Cuningham Gallery in 2007 (the above - cited interview, for an Italian magazine, is excerpted in that exhibition's catalogue).
During the last year, the Gallery has organized the first Italian exhibition of Lynda Benglis, followed by a great retrospective exhibition of Klaus Rinke and the second solo show of Erik Saglia, while in 2018 it will be organized the very first solo show in Italy by David Novros, followed by a solo show by Simon Linke.
Maria Lai was born in 1919 in Ulassai and this exhibition the Italian - based gallery showcases the last work that she created before being bedridden in these later years of her life.
Not «one» exhibition of Italian art but, literally, an «exhibition of exhibitions» that, via seven paths, tries to explore the last fifty years of contemporary art in Italy, collecting more than one hundred and seventy works and over seventy artists, from the early Sixties through to the present day, in a display extending over the whole first floor of the Milan Triennale.
Upon exiting the Giorgio Morandi exhibition at the Center for Italian Modern Art last November, Dutch artist Jan Dibbets returned to one of Morandi's late paintings, an almost - square, beige - on - beige Still Life, 1963, and murmured: «This is the perfection of what Morandi pursued over 50 years
During these years Winarts organized many exhibitions with Italian and foreigners artists in their own gallery and in different unconventional spaces in Milan.
Along with art exhibitions, the Prada Foundation in Milan organizes guided tours, talks, special programs, interviews, and is particularly committed in film screenings which in the last year included special events dedicated to Italian, Russian and Asian cinema from the 30s to the 70s, and to the work of Roman Polanski.
Collection and exhibitions The Maramotti collection — which comprises paintings, sculptures, and installations by more than 120 Italian and international artists — spans over seventy years, from the end of the World War Two to the present.
Renowned internationally for co-founding the design collective Archizoom and Domus Academy as well as for his role in Italian Radical Architecture, Superarchitettura, Alchimia, and the Memphis Group, Branzi was celebrated with a solo exhibition at the Fondation Cartier in 2008 and more recently with a 50 - year retrospective at Musée des arts décoratifs, Bordeaux in 2014 - 2015.
The idea was to unite the most representative trends in Italian contemporary art in a single group exhibition every four years.
They remind us of the artwork of the sculptor Medardo Rosso (1858 - 1928), which the New York public had a chance to discover last year in New York, thanks to the exhibition organized by the Center for Italian Modern Art (CIMA).
Sperone Westwater Gallery presents an exciting and challenging exhibition of Italian abstract art, bringing together fifty years of history over two floors.
Exhibition participant in figurative art «1946-2016 100 Years of Boxing» show beginning in Italian Boxing Federation at Palagio di Parte Guelfa, Florence and continuing throughout Italy and ending in Rio De Janeiro in 2016
You opened your own gallery earlier this year with the inaugural exhibition Verba Volant, Scripta Manent, pairing the Italian artist Alighieri Boetti with the American Mel Bochner.
For last year's Maurizio Cattelan exhibition at the Menil Collection, the internationally heralded Italian artist dispersed his often - provocative sculptures throughout the museum rather than gathering them in a single gallery.
In 1948, he held his first one - man exhibition at the Fiore Gallery, Florence, and in the same year he was awarded first prize for an Italian artist at the Venice Biennale, and elected a member of the Academy of Art, Rome.
The Serpentine Sackler Gallery will hold exhibitions that will resonate with its sister gallery, which has concurrently launched a retrospective exhibition by Italian artist Marisa Merz — recently awarded the lifetime achievement award at this year's Venice Biennale.
Another great honour was given this year as Alfred East was was made president of the Venice Biennale's overall Jury, meaning he also judged the Italian and international exhibitions.
REVISITING THE YEAR»S MOST MEMORABLE EXHIBITIONS The Editors Lina Bo Bardi The Watari Museum of Contemporary Art, Tokyo December 4, 2015 — March 27 This compact overview of the work of the Italian - born Brazilian architect Lina Bo Bardi was vintageView More >
The project is given an unmistakable touch by Emi Fontana — an Italian curator who lives in Los Angeles and worked closely with Mike Kelley during the last fifteen years of his life — and by Andrea Lissoni's unique experience in devising unconventional exhibition formats at HangarBicocca.
As the title suggests, this exhibition represents a homecoming for the Italian artist, who has spent the majority of the past two years exhibiting abroad.
Exhibitions of the modern Italian master's work occur too seldom in America, but this was Thiebaud's second in three years.
The Olnick Spanu collection is active, and examples of work by younger Italian artists can be seen in the final gallery, whose exhibitions will rotate twice a year.
In ten years, Dorothy Circus Gallery brought to the Italian art scene more than 60 solo shows, group and museum's exhibitions.
The «Italian Landscapes» exhibition on view through June 4, 2016 is a series of plein air studies Horowitz made last year at Lake Como, a scenic spot about 80 km north of Milan that has been popular with painters for centuries.
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