The show will be their third post-war
Italian exhibition this year.
Not exact matches
Opening: Alberto Burri at the Guggenheim This
exhibition, titled «The Trauma of Painting,» represents the first U.S. survey in over 35
years — and the most comprehensive show — of the works of post-World War II
Italian painter and sculptor Alberto Burri.
The
exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of
Italian abstract art, bringing together fifty
years of history over two floors.
In the past
year she has contributed essays to Peripheral Visions:
Italian Photography in Context, 1950s - Present, published by Charta in association with an
exhibition at the Bertha and Karl Leubsdorf Art Gallery at Hunter College.
Referred to as the «New School's Head of Class» by V Magazine, her
exhibitions are regularly featured in the Top Ten art show to see, including Terence Koh's performance «Art History» in The New York Times and New York Magazine, the best show of the summer by The Huffington Post for «Contemporary Magic» at the Virginia MoCA, as well as placement in the top art / fashion crossover shows of the
year by
Italian Vogue for ART CAPSUL at the Palais de Tokyo, Paris.
Later that
year participated in an
exhibition at Galleria La Bertesca in the
Italian city of Genoa, with a group of other
Italian artists that referred to their works as Arte Povera, or poor art, a term subsequently widely propagated by
Italian art critic Germano Celant.
In this video, Emi Fontana, an
Italian curator who lives in Los Angeles and worked closely with Mike Kelley during the last fifteen
years of his life, provides us with a short introduction to the
exhibition.
After a group
exhibition in Monaco in 2014, the following
year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (
Italian, «between space and light»).
MILAN — For more than 20
years, the Prada Foundation has been staging contemporary art
exhibitions in abandoned warehouses and disused churches here, bringing contemporary artists like Anish Kapoor and Michael Heizer to
Italian audiences, often for the first time.
This
exhibition, entitled The Dance of the Machine Gun & other forms of unpopular expression after the «Futurist Manifesto» by
Italian poet F.T. Marinetti, is his first solo show in four
years and coincides with the artist's retrospective at the Brooklyn Museum, taken from the Rubell Collection of Miami.
This is the first
exhibition in the UK to be devoted to the
Italian painter, who was greatly admired by the founder of the collection, Eric Estorick, who included Pirandello's paintings in the touring
exhibitions he organised during the post-war
years (to 6 September).
This
year's
Italian Futurism show at the Guggenheim Museum in New York was the first such comprehensive
exhibition ever held in the United States; previous shows have avoided dealing with Futurist works created during the l930s.
Published to accompany a major retrospective
exhibition — the first in the United States in more than 35
years and the most comprehensive ever mounted — this title showcases the pioneering work of
Italian artist Alberto Burri (1915 - 95).
Alongside the
exhibition of the finalists, this
year's edition will also present two sections by invitation; the «foreign presences» will bring together the works of Greg Colson, Kim Dorland, Franklin Evans, Jason Tues - tin, Eric Mistretta and Katy Moran, while «Appearances
Italian» will break off in a solo show of Gabriele Arruzzo and a memorial hall dedicated to Anselmo Bucci, a leading exponent of the historical group twentieth century.
The
exhibition focuses on his work in 1967 and 1968, the
years in which the artist became associated with the phenomenon of Arte Povera, the radical trend in
Italian art towards using everyday materials in resonant and seemingly unambiguous combinations.
This was
Italian photographer Luigi Ghirri's first New York solo
exhibition in over seven
years, and coincided with Aperture's publication of the first English - language monograph dedicated to the artist.
David's plans for the future include another solo show, this time in Cologne at the Buchholz Gallery as well as his inclusion in a touring
exhibition of the best
Italian Art of the past 40
years.
He has been the subject of major international
exhibitions over the last 40
years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three
Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).
I Still Love is
Italian artist Franko B's first solo
exhibition in London for seven
years and features a series of embroidered canvases, never before shown in the UK.
-LSB-...] from
Italian street artist Basik is being featured at Graffuturism 5
Year Anniversary
Exhibition at 886 Geary Gallery.
Mazzoleni is delighted to announce the
exhibition Mazzoleni 1986 - 2016: 30
years of art 30
Italian artists, which will open in... Read more
I had never been crazy about Forge's work — it seemed a little dry and more than a little academic, a failing perhaps reflexively ascribed to someone who spent nearly twenty
years as the dean of the Yale School of Art — until I saw a solo show at Betty Cuningham Gallery in 2007 (the above - cited interview, for an
Italian magazine, is excerpted in that
exhibition's catalogue).
During the last
year, the Gallery has organized the first
Italian exhibition of Lynda Benglis, followed by a great retrospective
exhibition of Klaus Rinke and the second solo show of Erik Saglia, while in 2018 it will be organized the very first solo show in Italy by David Novros, followed by a solo show by Simon Linke.
Maria Lai was born in 1919 in Ulassai and this
exhibition the
Italian - based gallery showcases the last work that she created before being bedridden in these later
years of her life.
Not «one»
exhibition of
Italian art but, literally, an «
exhibition of
exhibitions» that, via seven paths, tries to explore the last fifty
years of contemporary art in Italy, collecting more than one hundred and seventy works and over seventy artists, from the early Sixties through to the present day, in a display extending over the whole first floor of the Milan Triennale.
Upon exiting the Giorgio Morandi
exhibition at the Center for
Italian Modern Art last November, Dutch artist Jan Dibbets returned to one of Morandi's late paintings, an almost - square, beige - on - beige Still Life, 1963, and murmured: «This is the perfection of what Morandi pursued over 50
years!»
During these
years Winarts organized many
exhibitions with
Italian and foreigners artists in their own gallery and in different unconventional spaces in Milan.
Along with art
exhibitions, the Prada Foundation in Milan organizes guided tours, talks, special programs, interviews, and is particularly committed in film screenings which in the last
year included special events dedicated to
Italian, Russian and Asian cinema from the 30s to the 70s, and to the work of Roman Polanski.
Collection and
exhibitions The Maramotti collection — which comprises paintings, sculptures, and installations by more than 120
Italian and international artists — spans over seventy
years, from the end of the World War Two to the present.
Renowned internationally for co-founding the design collective Archizoom and Domus Academy as well as for his role in
Italian Radical Architecture, Superarchitettura, Alchimia, and the Memphis Group, Branzi was celebrated with a solo
exhibition at the Fondation Cartier in 2008 and more recently with a 50 -
year retrospective at Musée des arts décoratifs, Bordeaux in 2014 - 2015.
The idea was to unite the most representative trends in
Italian contemporary art in a single group
exhibition every four
years.
They remind us of the artwork of the sculptor Medardo Rosso (1858 - 1928), which the New York public had a chance to discover last
year in New York, thanks to the
exhibition organized by the Center for
Italian Modern Art (CIMA).
Sperone Westwater Gallery presents an exciting and challenging
exhibition of
Italian abstract art, bringing together fifty
years of history over two floors.
Exhibition participant in figurative art «1946-2016 100
Years of Boxing» show beginning in
Italian Boxing Federation at Palagio di Parte Guelfa, Florence and continuing throughout Italy and ending in Rio De Janeiro in 2016
You opened your own gallery earlier this
year with the inaugural
exhibition Verba Volant, Scripta Manent, pairing the
Italian artist Alighieri Boetti with the American Mel Bochner.
For last
year's Maurizio Cattelan
exhibition at the Menil Collection, the internationally heralded
Italian artist dispersed his often - provocative sculptures throughout the museum rather than gathering them in a single gallery.
In 1948, he held his first one - man
exhibition at the Fiore Gallery, Florence, and in the same
year he was awarded first prize for an
Italian artist at the Venice Biennale, and elected a member of the Academy of Art, Rome.
The Serpentine Sackler Gallery will hold
exhibitions that will resonate with its sister gallery, which has concurrently launched a retrospective
exhibition by
Italian artist Marisa Merz — recently awarded the lifetime achievement award at this
year's Venice Biennale.
Another great honour was given this
year as Alfred East was was made president of the Venice Biennale's overall Jury, meaning he also judged the
Italian and international
exhibitions.
REVISITING THE
YEAR»S MOST MEMORABLE
EXHIBITIONS The Editors Lina Bo Bardi The Watari Museum of Contemporary Art, Tokyo December 4, 2015 — March 27 This compact overview of the work of the
Italian - born Brazilian architect Lina Bo Bardi was vintageView More >
The project is given an unmistakable touch by Emi Fontana — an
Italian curator who lives in Los Angeles and worked closely with Mike Kelley during the last fifteen
years of his life — and by Andrea Lissoni's unique experience in devising unconventional
exhibition formats at HangarBicocca.
As the title suggests, this
exhibition represents a homecoming for the
Italian artist, who has spent the majority of the past two
years exhibiting abroad.
Exhibitions of the modern
Italian master's work occur too seldom in America, but this was Thiebaud's second in three
years.
The Olnick Spanu collection is active, and examples of work by younger
Italian artists can be seen in the final gallery, whose
exhibitions will rotate twice a
year.
In ten
years, Dorothy Circus Gallery brought to the
Italian art scene more than 60 solo shows, group and museum's
exhibitions.
The «
Italian Landscapes»
exhibition on view through June 4, 2016 is a series of plein air studies Horowitz made last
year at Lake Como, a scenic spot about 80 km north of Milan that has been popular with painters for centuries.