The famed
Italian film composer, Ennio Morricone at age 87 received the music award for his score to Quentin Tarantino's «The Hateful Eight.»
Not exact matches
«Pino Donaggio» (15:41) lets the
film's
composer speak in his native
Italian, with English subtitles translating his remarks, about his work with De Palma on this and other thrillers.
The competition panel will be headed by French
film composer Alexandra Desplat, and includes Chinese actress / director Joan Chen, German director Philip Groning, Austrian director Jessica Hausner, Indian Writer Jhumpa Lahiri, British costume designer Sandy Powell, British actor Tim Roth, Palestinian director Elia Suleiman, and
Italian director and author Carlo Verdone.
Bava's choice of music (and
composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the
film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original
Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that
film in North America.
There's a bold
film score from Oscar - winning
Italian composer Dario Marianelli (Atonement) and the set decorators and costumers deserve praise in recreating key locations such as the inside of Buckingham Palace and the House of Commons.
Consider popular portrayals of envy, and you'll come up with a list of pretty objectionable characters: the step mother in Snow White, the
Italian composer Antonio Salieri, who was portrayed in the play - turned -
film Amadeus as a man possessed by his dark envy of Mozart, or Tonya Harding, who was implicated in the 1994 attack on her figure skating rival Nancy Kerrigan.