The sequence of immaterial documents from the Teche Rai archives combined with the materiality of paintings, sculptures and installations l develop in three separate sections and analyze the relationships between
Italian public television with visual art, politics and entertainment.
At the Fondazione Prada, the impish artist Francesco Vezzoli curated an ingenious history of
Italian public television of the 1970s, mixing shimmying showgirls with footage of feminist protests and the murder of a prime minister.