Sentences with phrase «joan mitchell»
JOAN MITCHELL WHITNEY MUSEUM OF AMERICAN ART, NEW YORK BRENDA RICHARDSON Joan Mitchell dismissed her works on paper - even painting - scale pastels of four - foot dimensions - as «lady paintings.»
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Tagged as: clouds, grid, grids, hair, img mgmt, joan mitchell foundation, Katie Bell, Mixed Greens, paint, pink, tiles, wood
WORKS BY ANDY WARHOL, ROY LICHTENSTEIN, ED RUSCHA, GERHARD RICHTER, GEORGIA O'KEEFFE, MARK ROTHKO, ELLSWORTH KELLY, DAVID HOCKNEY, JOAN MITCHELL, JEAN - MICHEL BASQUIAT, RICHARD PRINCE, CINDY SHERMAN, DAMIEN HIRST, WADE GUYTON, KELLEY WALKER, TOM FRIEDMAN, MARK BRADFORD, LOUISE NEVELSON, ROBERT RYMAN Contemporary Art Part I «The quality selection of the May auction reflects the discerning standards -LSB-...]
Tagged as: Abstraction, bjork, curating, Donelle Woolford, DUMBO, Germany, jerry saltz, joan mitchell foundation, Joe Scanlan, Kara Walker, karen rosenberg, marinetti, moma, Nazis, notorious big, Peter Schjeldahl, ryan wong, studios, Terry Richardson, The Frick, Two Trees, zombie abstraction
Tagged as: 9/11 museum, christie's, David Cameron, f.c.c., Holland Cotter, joan mitchell, Kelly Crow, The Onion
JOAN MITCHELL: Although that one Grande Vallee series did have a, but they were easel paintings, you know what I mean.
JOAN MITCHELL: And then I worked — I never finished them — two etchings at Hayter's when I first went, that one week at Hayter's.
JOAN MITCHELL: Yes.
JOAN MITCHELL: Yeah, well that's....
JOAN MITCHELL: Oh, it's wonderful form, but I've got to get it right; I don't have it right.
JOAN MITCHELL: But turpentine and the oil that's in the paint, which is very good paint, is sufficient to keep it... [I don't have to add medium to the turpentine.]
JOAN MITCHELL: I hesitate and I just love that, «Dear God,» her letters, you know, and I often think....
JOAN MITCHELL: Well, I lost my Saint Mark's studio and that, it was a hundred and sixty bucks and, you know, they wanted, after thirty - some years, they wanted $ 3,000 for it, I guess.
JOAN MITCHELL: Well, I don't think one expected to make money, to sell out a show.
JOAN MITCHELL: Well, I think there's some lively, there's some manifestations going on.
JOAN MITCHELL: [Jean] Fournier [my French dealer] had never been to the States before, and he said, «My God!»
JOAN MITCHELL: And that's the way I got....
JOAN MITCHELL: Yeah, I felt....
JOAN MITCHELL: Maybe not, I don't know.
JOAN MITCHELL: Watercolor.
JOAN MITCHELL: I liked — it was more psychological, but I liked it — Marcia Tucker and the Whitney catalogue — about territories and isolation.
JOAN MITCHELL: Oh, sure!
JOAN MITCHELL: It got sort of fun, and then on little paintings, one doesn't work too well, then you add on another, keep hoping.
JOAN MITCHELL: Oh, that was a.... [editor Richard Miller].
JOAN MITCHELL: Yeah, before, in France — well, they still do — they buy a certain amount of work for the year at a much cheaper price.
JOAN MITCHELL: And she's a very good painter [26 years old], sort of A.E. [Abstract Expressionist — Ed.]
JOAN MITCHELL: Usually in conjunction with, but this one he [Fourcade] put up and I walked in, hobbled in, and said, «Change two,» and he said, «Of course,» and «Put that one in instead of that one,» because they weren't all hanging.
JOAN MITCHELL: I'm always looking for an excuse.
JOAN MITCHELL: And Bill deKooning is a.... Well, I certainly like his work, and I suppose that's expressionist.
JOAN MITCHELL: Yes, or courage or, «God damn, I, so it doesn't, come on do something to it,» that kind of feeling.
JOAN MITCHELL: Well, Malcolm told me to get those bamboo brushes that you know about, and he gave me some technical know - how.
JOAN MITCHELL: And then it's quite a narrow studio.
JOAN MITCHELL: Oh, just in there as a subject, I have a good friend who has a house and a swimming pool, and a lovely thing, looking right at the Mont Ste. Victoire.
JOAN MITCHELL: I wouldn't do it like that.
JOAN MITCHELL: I don't think it's inspiring.
JOAN MITCHELL: Yeah, I did too.
JOAN MITCHELL: Oh, I might be six hours, but three if I'm working, four.
JOAN MITCHELL: I mean, but I'm so used to it.
JOAN MITCHELL: Well, I've got, you know, in the hospital I was reading good books since mysteries are sort of boring me (laughs)-- in my old age.
JOAN MITCHELL: I don't....
JOAN MITCHELL: No, in this show, I was....
JOAN MITCHELL: But I'm on consignment with [Jean] Fournier [Paris], also.
JOAN MITCHELL: No, I didn't say against.
JOAN MITCHELL: And the paintings.
JOAN MITCHELL: Well, this show I had an awful lot going at once.
JOAN MITCHELL: [thoughtful pause] Well, I would go back to my word «feeling» that Shirley can't bear.
JOAN MITCHELL: I think there's a general kind of valuelessness... I don't know what it is.
JOAN MITCHELL: Not at all.
JOAN MITCHELL: I've pasted the poems on.
JOAN MITCHELL: I'm not so sure I could have done otherwise, but I wish I.... I'm regoing to a French shrink now, and she's helped me a lot.