Sentences with phrase «japanese print culture»

Not exact matches

She is heavily influenced by Japanese culture and her fashion is often in a range of floral prints and candy shades.

On Monday, China's Ministry of Culture announced a ban on 38 Japanese anime and mangas that will no longer be allowed to be distributed in the country whether it be online or in print.

1DollarScan, the increasingly popular service provider who will create digital editions of print materials for its users at both a high turnover rate and an accessible price point, announced that it is going to be showcasing its platform at an upcoming Japanese culture event in San Francisco next month.

WEB OTAKU provides in - depth coverage by expanding on stories in the magazine, along with daily updates of what's hot in Japanese pop culture, additional manga chapters, game coverage, interviews with artists and writers too extensive to fit in print pages, writing contests, drawing contests, web - only reviews and tips, reader forums and an online community program, bringing an immediacy to the market that has never before been seen.

Vertical, Inc., one of North America's premiere publishers of Japanese printed pop - culture returns to New York Comic Con to reveal a handful of new additions to what is already a critically acclaimed comic catalog.

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

In the second series of Edo Ball prints by illustrator Andrew Archer — described as art for the ultimate hoop fan — he once again combines his passions for basketball and Japanese culture.

1986 The Frederick R.Weisman Foundation Collection of Art Laforet Harajuku, Tokyo, Japan Institute of Contemporary Arts Nagoya, Aichi, Japan Navio Museum, Osaka, Japan Sogo Museum of Art, Kanagawa, Japan Original Works for the Picture Books, Niigata City Art Museum, Niigata, Japan Today's Watercolor» 86, Kaneko Art Gallery, Tokyo, Japan The 14th Ryu Contemporary Art Sakaide Civic Art Museum, Kagawa, Japan Contemporary Japanese Art, The Taipei Fine Arts Museum, Taiwan Black and White in Art Today, The Museum of Modern Art, Saitama, Japan Kanagawa Art Dialogue for Peace, Okurayama Memorial Hall, Kanagawa, Japan Culture of Water, Effects of Trees, Ishinomaki Culture Center, Hokkaido, Japan Twelve Months by Twelve Artists, Tokyo Gallery, Tokyo, Japan 1985 Japanese Prints, Tochigi Prefectural Museum of Fine Arts, Japan A Panorama of Modern Japanese Prints from the Museum Collection, Niigata City Art Museum, Niigata, Japan Reconstructions: Avantgarde Art in Japan 1945 - 1965, Museum of Modern Art Oxford, Oxford, England Fruitmarket Gallery, Edinburgh, England

The collection spans five millenniums, from the art of early Japanese cultures around 3000 B.C. through that of the Edo period of the 17th to 19th centuries A.D. -LSB-...] Assembled over half a century and exhibited throughout the world, Mrs. Burke's collection comprises about a thousand artifacts, including paintings, prints, sculpture, textiles, lacquerware, ceramics and calligraphy, collectively worth tens of millions of dollars.

1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War Art, The Museum of Modern Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo ／ Pinnar Gallery, Tokyo ／ Saikodo Gallery, Tokyo, Japan The 10th Contemporary Art Exhibition of Japan: Humans and Nature, Tokyo Metropolitan Art Museum, Japan Kyoto Municipal Museum of Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of Art, Japan Contemporary Japanese Prints, Yokohama Civic Art Gallery, Kanagawa, Japan Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, February 20 － March 21 The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

Meanwhile, other examples of woodblock prints can be seen at Lady Lever Art Gallery in the autumn, where works owned by local collector Frank Milner reveal the celebrities, sports champions, fashion icons and villains of 19th century Japanese culture.

Transcending and merging their cultures» printmaking traditions, these artists too moved «beyond East» and «beyond West, «Japanese pictorial traditions, including expressive sumi - e brush painting and Zen calligraphy, the use of un-sized supports, and ukiyo - e printing, inspired artists such as Sam Francis, Helen Frankenthaler, Willem de Kooning, Joan Mitchell, and Robert Motherwell and influenced their development as Abstract Expressionists, American ceramists Gertrud and Otto Natzler, Glenn Nelson, and William Wyman looked to Zen - inspired ceramics.

Known for his imaginative depictions of Chinese and Japanese folklore, culture and history, especially Kabuki — a classical Japanese art form of dramatic dance and song, Yoshitoshi presented the intensity and height of action in his woodblock prints.

The installation features woodblock prints, hand - painted scrolls and wood carvings with a focus on the rich artistic traditions from the historic eras of Japanese cultures spanning more than 400 years.

In some ways, this was the result of a process that had been building up for decades: The modern art movements of the early 20th century can be defined by their struggle with the legacy of Western Art; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prints.

«Land of the Rising Sun: Art of Japan» features woodblock prints, hand - painted scrolls and wood carvings with a focus on the rich artistic traditions from the historic eras of Japanese cultures spanning more than 400 years.

Visual influences stemming from Japanese art and visual culture such as ukiyo - e prints, fashion, anime and manga are especially prominent in this body of work and further support the emotional vestiges encountered and expressed by these figures.

Ganesh's works harness a broad range of visual referents, drawing equally from German expressionism and Japanese woodblock prints, and contemporary visual idioms such as psychedelic print culture, anime, and comics.