Sentences with phrase «japanese avant»

Although there were some disappointments, there were also some record prices for artists, including the Japanese avant - garde painter Kazuo Shiraga; the American installation artist, performance artist and sculptor David Hammons; as well as some of today's trendier names, like Jacob Kassay, Nate Lowman and Lucien Smith.

INNSBRUCK, AUSTRIA Atsuko Tanaka GALERIE IM TAXISPALAIS On the occasion of her seventieth birthday, this forty - two - work show pays tribute to Japanese avant - garde artist Atsuko Tanaka, best...

Taken as a whole, Hawkins's exhibition highlights the ways in which the recurring motifs in Western art found an unlikely migratory influence in the form of Japanese avant - garde performance, through to the work of Hawkins himself as a contemporary American artist.

He eventually continued his studies in Germany, where he experimented with performance art, and then became interested in the history of the avant - garde in Japan, going so far as to organize an exhibition, «Dada in Japan: The Japanese Avant - Garde 1920 — 1970: A Photo - Documentation» at Kunstmuseum Düsseldorf, before returning to Japan and settling in Maebashi.

Gutai (concrete)(1954 - 72) The Gutai Bijutsu Kyokai (Gutai Art Association), a Japanese avant - garde group, was founded in 1954 in Osaka by Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo, and Shimamoto Shozo.

Japanese avant - garde artist Yayoi Kusama answers questions during a press preview for an 32 - hour art event at Roppongi shopping district in Tokyo on March 22, 2012.

In 1965, Kawaguchi established himself as a key figure in the postwar Japanese Avant - Garde by co-founding Group «i», a collective that sought to eliminate emotion and subjectivity from their work in favor of an «impersonal,» cerebral art.

The project, called Art Vending Machine (2015), is the brainchild of Sadaharu Horio, a member of the Japanese avant - garde movement Gutai.

Vervoordt will present a solo show at Frieze of the Japanese avant - garde artist Masatoshi Masanobu, a founder of the movement called Gutai; prices for Masanobu's work at the booth will start at $ 40,000, a comparatively small amount, given that art by such Masanobu peers as Kazuo Shiraga regularly sell for millions.

In a recent interview, he discussed his beautiful works on paper from the Music for Minor Planets series, describing them as a way to represent musical scores in an abstract way, specifically referencing John Cage and 1960s Japanese avant - garde artists.

Fergus McCaffrey is pleased to present an exhibition surveying the bold and experimental work of renowned Japanese avant - garde collective Gutai (1954 — 72).

Last night's auction promoted some desirable if little - known artists like Kazuo Shiraga, a Japanese avant - garde expressionist painter.

Niwa deploys a nonsensical vernacular to examine culturally diverse social realities, an artistic strategy whose roots can be traced to the post-war Japanese avant - garde.

As a founding member of the Gutai movement, one of the most important artist collectives in postwar Japan, alongside his mentor Jiro Yoshihara, Shozo Shimamoto emerged as a key figure in the Japanese avant - garde by the mid-1950s.

Another potential candidate for the best - curated booth, the galley, which specializes in postwar Japanese art, brought together paintings by the Japanese avant - garde Gutai group including artists Toshio Yoshida, Kazuo Shiraga — famous for painting with his feet — and works on paper by Shiraga's wife Fujiko Shiraga.

Opening: «Gutai, 1953 — 59» at Fergus McCaffrey In its newly expanded space, Fergus McCaffrey gallery will showcase some 70 large - scale artworks from the Gutai movement, a Japanese avant - garde swell that experimented with ideas related to chance and performance.

Japanese avant - garde artist Yayoi Kusama, whose work commands some of the highest prices of any living female artist, said on Tuesday that at age 88, she still fills her days painting and has no intention of slowing down.

From the notorious queues at her museum shows to hundreds of thousands of images of her artworks flooding social media, the Japanese avant garde artist inspires a kind of fan mania rarely witnessed in the art scene today.

Born in Tokyo in 1933, Yoko Ono moved to New York in the mid-1950s and became a critical link between the American and Japanese avant - gardes.

This exhibition offers a timely re-evaluation of his practice following significant recent re-appraisals of Japanese avant - garde art across the world.

Atsuko Tanaka was a pioneering Japanese avant - garde artist, whose abstract works rejected conventional ideas of how art should appear or «perform.»

Shiraga was one of the founding members of the Gutai Art Association, a Japanese avant - garde movement that was active in the 1950s and»60s.

It is a dizzying experience for those uninitiated in the works of Japanese avant - garde artist Yayoi Kusama.

Kazuo Shiraga (1924 — 2008) is an artist respected as a key figure of Japanese avant - garde art.

Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation for the Japanese avant - garde, and features essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter, Curatorial Fellow for the Visual Arts, Walker Art Center, and the late Takamatsu.

He has exhibited in many international exhibitions including «Japanese Avant - Garde 1910 - 1970» (Centre Pompidou, Paris, 1986), «Japanese Art After 1945: Scream Against the Sky» (Yokohama Museum of Art, Japan, before travelling to the Guggenheim Museum, New York), and «Requiem for the Sun: The Art of Mono - ha» (Blum & Poe, Los Angeles, 2012), to name only a few.

2001 Small, Very Small Exhibition, Anatomy and Its Expressions, Fukui City Art Museum, Fukui, Vision, Selected Works from the Collection, Toyota Municipal Museum of Art, Aichi, Japan Permanent Collection Hiroshima City Museum of Contemporary Art, Hiroshima Enlarged Exhibition from the Museum Collection Site of Thought, Iwaki City Museum of Art, Fukushima, Japan Shuzo Takiguchi Floatage in Dreams, Toyama Citizens» Hall Art Museum, Japan Try, Letters Exhibition from the Collection of Hakodate Museum of Art, Hokkaido Kushiro City Museum of Art, Hokkaido, Japan Invitation to Contemporary Art Japanese Avant - garde in 1960s, Tottori Prefectural Museum, Japan Permanent Display Ⅰ, Niigata City Art Museum, Niigata, Japan Permanent Display II, Niigata City Art Museum, Niigata, Japan

So is there a distinctly Japanese avant - garde — or a «third mind» between East and West?

Not exact matches

The less - is - more philosophy has remained a strong theme throughout the Spring 2014 collections, from Rick Owens neutral palette and JW Anderson's «avant - garde bland» Japanese deconstruction to staple minimalists Jil Sander and Helmet Lang.

It's anti-music that simultaneously repels and intrigues with the warped equivalent of rave beats, door - slamming percussion and anguished, neo-classical chamber music that recalls the seminal Avant - garde music of Japanese composer Toru Takemitsu.

Part bar, part restaurant, part music venue, part avant garde art space, serving yummy Japanese soul food and hosting all sorts of «happenings», it's a unique experience, yet typically Melbourne.

Avant - garde Japanese artist Yayoi Kusama with recent works at her new museum in Tokyo..

Throughout the exhibition, visitors will see the particular ways in which Japanese artists have contributed to the betterment of New York City's cultural landscape — from mid-century avant - gardes to emerging contemporary artists pushing new boundaries.

Some Kabinett galleries have opted for the historical approach: Kukje Gallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as the 1960s.

Many of the greatest avant - garde photographs of the early twentieth century were produced by young Japanese Americans on the West coast of the United States between the two World Wars.

Gregg Baker, a leading dealer in antique Japanese screens, stages an exhibition of paintings by the Japanese post-war avant - garde artist, Suda Kokuta.

On February 8, 2013 at SFAI's Walter & McBean Galleries exhibition devoted to Gutai (an avant - garde post war Japanese art group 1954 - 1972), Jenkins was asked to re-interpret Kazuo Shiraga's Challenging Mud.

She has worked on over forty exhibitions and is recognized for establishing international critical acclaim for artists Cai Guo Qiang, Daido Moriyama, Yayoi Kusama, Lee Ufan, Mu Xin, and Yoko Ono, among others, and of bringing such historic avant - garde movements as Gutai, Mono - ha, Japanese otaku culture, and Korean Tanseakwa to international attention.

Besides a strong interest in Asian avant - garde and minimalism, particularly Japanese and Korean Dansaekhwa, the Rachofsky's are also fascinated with sculptural installations and large - scale painting.

This major retrospective represents the first comprehensive overview of the work of Shomei Tomatsu (born 1930, Nagoya) and bears witness to his status within the Japanese post-war avant - garde and his role in the development of modern Japanese photography...

The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.

He continues, «Not only is this rediscovery timely — with a renewed interest nationally and internationally in Gutai and other lesser - known Japanese art — but the exhibition's focus on contemporary response and avant - garde performance is a natural extension of SFAI's boundary - pushing, renegade culture.»

Ulterior Gallery is pleased to present a screening of video documentation of the Japanese artist Minoru Yoshida's New York - based performances of 1974 and 1975, which include Yoshida's performances at Artists Space in SoHo, at the 11th and 12th Annual Avant Garde Festival of New York, and his Epicurism of Space Universe conducted on a street corner in SoHo.

In her early career, she immersed herself in the study of art, integrating a wide range of Eastern and Western influences, training in traditional Japanese painting while also exploring the European and American avant - garde.

In the late 1950s, she and her then - husband, Japanese experimental musician Ichiyanagi Toshi, became part of the constellation of creative types around avant - garde musician John Cage, and Ono began experimenting with «instruction works» or «event scores.»

BLACK AND WHITE: JAPANESE MODERN ART The austere aesthetic of traditional Zen ink painting intersects with the influence of Western modernists in a grouping of avant - garde Japanese works centered on Inoue Yuichi's large calligraphy of a character meaning «filial pietyJAPANESE MODERN ART The austere aesthetic of traditional Zen ink painting intersects with the influence of Western modernists in a grouping of avant - garde Japanese works centered on Inoue Yuichi's large calligraphy of a character meaning «filial pietyJapanese works centered on Inoue Yuichi's large calligraphy of a character meaning «filial piety.»

In recent months Japanese modern and contemporary art has seen a fair amount of attention when New York's Museum of Modern Art (MoMA) opened its special exhibition titled Tokyo 1955 — 1970: A New Avant - Garde.

A major figure in contemporary Japanese photography, Daido Moriyama is one of the founders of the avant - garde movement, Provoke, which came to life in the 1960s.

After finishing his studies and starting to paint full - time, Ufan would go on to become a key theorist and establishing member of the Mono - ha, an avant - garde materials - based art movement in 1960s Japan and the first Japanese contemporary art movement to gain international recognition.

The Mead holds the art collection of Amherst College, celebrated for its American and European paintings, Mexican ceramics, Tibetan scroll paintings, English paneled room, ancient Assyrian carvings, Russian avant - garde art, West African sculpture and Japanese prints.