The undisputed champion of
Japanese dog movies.
Not exact matches
Wes Anderson's «Isle of
Dogs» has received near universal acclaim from film critics (the
movie currently has a 93 % on Rotten Tomatoes), but even some who have enjoyed the stop - motion film have taken issue with the director's representation of
Japanese culture.
No such drastic punishment awaits Wes Anderson's («The Grand Budapest Hotel») modern day Isle of
Dogs, however, though there are some who would be inclined to banish it to
movie purgatory for its many
Japanese cultural references that tread a thin line between homage and appropriation.
While I'm not as negative as some have been about Isle of
Dogs «cultural appropriation — admittedly due to the fact I'm not as familiar with
Japanese culture as I'd like to be — there were some things that Wes Anderson did with the
movie that left me feeling uneasy.
Anderson has made it no secret that Isle of
Dogs is his own idiosyncratic salute to the collective works of iconic
Japanese filmmaker Akira Kurosawa (Seven Samurai, Rashomon), so the hope is that the
movie will also be culturally sensitive in its westernized take on
Japanese cinema tropes.
This week, I stumbled across a trailer for a
Japanese movie called Quill: The Life of a Guide
Dog, which had even more weight than it would have before learning of Orlando's story.