Sentences with phrase «japanese painting style»

Raised in Matsumoto, Kusama trained at the Kyoto School of Arts and Crafts in a traditional Japanese painting style called nihonga.

His painting style is a blend of traditional Japanese painting style and contemporary aesthetics.»

Not exact matches

When Okami was first released on the PlayStation 2 more than 10 years ago, it was universally praised for its visual style, which looks like traditional Japanese sumi - e paintings brought to life.

Working with their teacher, middle school science students identify the parts of a fish before painting it to make a Japanese - style gyotaku print.

They have rooms for guests in traditional wood buildings with tatami mats, painted sliding doors, and Japanese - style beds, and including elaborate dinners and breakfasts served in your room.

The vanity has twin basins and there's a separate Japanese - style deep soaking tub with Jacuzzi jets and its own TV / VCR, adorned by striking custom hand - painted tiles by local artist Susan Conway.

Finally, Okami HD is coming to Switch, bringing its joyous Japanese paint art style to the Switch's screen.

They're both into high and low fashion: Maezawa is partly responsible for bringing the street style of Harajuku to high - end Japanese retailers, and Basquiat went from dressing like a gutter rat to splattering paint on his five - figure Armani and Comme des Garçons suits.

Murakami employs his «Superflat» style in his dragon paintings which is a combination of a highly refined classical Japanese painting technique and a wide range of subject matter from Pop, animé and otaku.

At nineteen, following World War II, she moved to Kyoto to study a traditional Japanese style of painting known as Nihonga that is typically made on washi paper or silk.

Are the Asian - American artists inspired by abstract expressionists, or are they drawn to the Asian elements of the style, in turn appropriated from Chinese, Japanese and other non-western art and culture, from calligraphy, Sung painting and Zen Buddhism, from John Cage and DT Suzuki, from the Gutai artists and Sung painting?

(She also links the birth of the Mungnimhoe style to a traumatic period of Korean history, noting that the Ink Forest painters grew up under Japanese occupation and that for them «ink painting was an opportunity through which to free the mark from what its members saw as the obligations imposed on it via the dominance of nihonga, the body of paintings made according to traditional Japanese artistic conventions.»)

During his early years, Hasui studied the ukiyo - e style of Japanese painting in Tokyo and traveled around the country.

Inokuma, 1902 — 1993, along with artists such as Kenzo Okada, Yayoi Kusama, Minoru Kawabata, and Atsuko Tanaka — currently exhibiting at the Grey Art Gallery — who showed extensively in the United States and Europe, synthesized the flat, decorative, and suggestive style of traditional Japanese painting with Western abstraction in ways which were recognized at the time as international, innovative, and influential.

Originally trained in traditional Japanese Nihonga and Western - style Yoga painting, by the time Shiraga joined Gutai he had begun to experiment with oils, spreading thick impasto across the canvas using his fingers, hands and feet.

1640) emerged during a turbulent period in Japanese history to create bold, vibrant paintings later called the rinpa style.

By borrowing from the traditional iconography of 18th century Japanese painting and combining it with the style of the great historical frescoes, the artist delivers a contemporary version of the Eight Immortals of the Taoist religion.

Japanese artist Hiroshi Senju is a celebrated master of the 1,000 - year - old Nihonga style of painting, which uses natural ingredients, such as ground rocks, shells and coral as materials.

His 1984 visit to an exhibition of Japanese calligraphy triggered a dramatic shift in style that culminated in a masterful series of gestural paintings and drawings entitled Cold Mountain.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Iona Rozeal Brown's transnational paintings blend African - American and Asian cultural attributes and reference the appropriation of hip - hop style among Japanese youth.

The Arhat paintings conflate historical, contemporary, and futuristic Japanese references with a myriad of styles, methodologies, and forms into single picture planes.

The Untitled painting from 1982 featuring dominant blue hues and a bold skull in his signature style was bought by the Japanese billionaire Yusaku Maezawa for $ 110.5 million, doubling its high estimate!

She studied traditional Japanese - style «Nihonga» painting early on but came of age as a boundary - pushing, feminist artist in New York's avant - garde scene in the»60s.

However, the trend to consider those paintings and techniques from the past as traditional Japanese, in comparison with the new styles imported from overseas, has continued.

Holzman draws upon Renaissance art, Chinese and Japanese scroll painting as well as Cezanne's life studies to create a style all his own.

Claude Monet (1840 - 1926) devoted the last 25 years of his career to paintings of the Japanese - style pond and gardens of his house in Giverny, France.

All three of them studied in Japan and created a New National Painting movement, influenced by the Japanese style.

Phillips was influenced by Japanese landscape painting and woodcut style ukiyo - e — which translates as «floating worlds» — evidenced in the flattened depth and bright colours of his work from the 1920s onward.

Francis also incorporated the spirit and aesthetic of haboku, a Japanese style of drips and flung ink, in his paintings and prints.

The artist borrows from a multiplicity of styles, including Persian miniatures, Japanese illustrations, and Italian Renaissance paintings in the composition of the woman's poses and appearance, creating a discourse between Eastern «otherness» and Western concepts of beauty.

He used thin texture paint, a drip and splash technique, leaving large areas of the canvas blank - which led critics to speak of traditional Japanese influences, notably of Haboku, a Japanese style of dripping ink.

Kahraman's unique intensely lyrical style borrows from female representation in Renaissance compositions, Japanese painting, and Persian miniatures.

An exhibition of Nihonga, contemporary Japanese paintings in the traditional style, goes on exhibition Sept. 27 in the Japanese American Cultural and Community Center's Doizaki Gallery.

Monet also designed his own Japanese - style water garden at Giverny, where he painted a huge number of aquatic landscapes, including the Japonist Water Lily Pond (1899, Philadelphia Museum of Art), and The Japanese Bridge (1918 - 24, Musee - Marmottan, Paris).

In portrait art, for instance, we have his Madame Monet in a Japanese Costume (1875, Museum of Fine Arts, Boston); while his Japonist - style landscape painting is exemplified by Apple Trees in Blossom (1873, Private Collection), with its lightness of touch, and gentle colouring.

A recognized member of two avant - garde groups that are synonymous with post-war Japanese art: the Pan-real Art Association and Gutai Art Association, Tanaka's legacy lies in his desire to evolve a unique artistic style that is at once experimental, and yet deeply rooted in the traditional Japanese - style painting - nihon - ga.

Wooden and bamboo blinds, curtain panels, decorative screens, floor rugs, Asian decor accessories, paintings and ornaments in Japanese style create distinct oriental interior decorating.