Sentences with phrase «japanese woodcut»

Among the media Close has investigated are etching, aquatint, lithography, ink and fingerprints, traditional Japanese woodcut and reduction linocut.

The artist wryly refers to her compositions as «arranged marriages» — an eighteenth century ukiyo - e Japanese woodcut is forced to coexist with a watermarked stock image that may have been snapped and uploaded to Shutterstock a day earlier.

Featuring approximately one hundred works dated from 1972 to 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese woodcut, and reduction linocut.

Exposed to the elements Teresita Fernández captures the force of nature by surprisingly minimal means, says Lauren Stakias Artistic investigations into the power and sublimity of the natural world encompass everything from Japanese woodcut prints and the landscapes of the Hudson River School to the earthworks of the 1960s.

Featuring more than 100 works dating from 1972 — 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese woodcut, and reduction linocut.

«In terms of form, I absorb everything I admire,» explains the artist, «from Japanese woodcut prints, to early Manga comics, and concept artwork for science fiction movies.

My feeling is that Pangburn's influences, which include the Ab - Ex inheritance and the Japanese woodcut - print practice (Pangburn was trained as a printmaker), are internalized so that they belong to his own creativie repertoire.

Diverse influences such as the Japanese woodcut prints of Katsushika Hokusai and Ando Hiroshige, Chinese scroll paintings, and the decorative illustrations of Arthur Rackham are all visible in his design work from this time.

Katsushika Hokusai's The Wave (1830 - 32) is probably the best - known example of a Japanese woodcut.

Wissemann is known for his large - scale improvisations and transformations of Japanese woodcut prints.

Diverse influences such as the Japanese woodcut prints of Katsushika Hokusai and Ando Hiroshige, Chinese scroll paintings, and the decorative illustrations of Arthur Rackham

Over an opening animation styled after eighteenth - century Japanese woodcut illustrations, a narrator (Courtney B. Vance) relates the legendary history of the «cat - loving Kobayashi clan» and its violent subjugation of dogs.

The «Persepolis» books are drawn in a deceptively simple, stark style, all in black - and - white: They're captivating and elegant in their austerity, like Japanese woodcuts.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

Focusing on the fundamentals of Japanese woodcuts, the instructor presents examples of woodcut prints, demonstrates cutting and printing blocks with a baren, and with her guidance, allows students to design, transfer, cut, and print a small edition of prints.

In the three most recent works, from 1974 and» 75, forms are simplified into funky yet elegant figures that call to mind Renaissance portraiture and Japanese woodcuts.

In the exhibition Sol och stål — krigarens väg / Sun and Steel — The Warrior's Path, a tension is created between Söderberg's violent, meticulous watercolours based on Japanese woodcuts and the serenity of large - scale abstract oil paintings.

Summoning a kinship with the kaleidoscopic mosaics of the Byzantine era, the erotic paintings of the Middle East, and the compositional flatness of Japanese woodcuts, Iannone's paintings, video, wood cutouts and illustrated text pieces, primarily from the artist's early career, reveal the visions of a matriarchal high priestess.

Inspired by Japanese woodcuts, Byzantine mosaics, and Indian erotic paintings; Iannone's figures flaunt their sexual prowess with strength and grace.

Rail: I know your work has been discussed in terms of Japanese woodcuts and the Hudson River School painters like Thomas Cole and Albert Bierstadt.

Not exact matches

TAG Fine Arts is exhibiting the brand new woodcut prints from highly acclaimed Japanese artist Katsutoshi Yuasa at the 33rd London Original Print Fair.

A CURIOUS HAND: THE PRINTS OF HENRI - CHARLES GUÉRARD (1846 - 1897) Guérard made etchings for Manet and a variety of innovations within modern printmaking based on the 19th - century French craze for Japanese ukiyo - e woodcuts.

Four additional prints are also included in the exhibition; Geisha (2003), Snow Pines (2004), Japanese Maple (2005), and Weeping Crabapple (2009), which were all printed using only the ukiyo - e woodcut technique.

Donald Judd Untitled, 1988 complete set of ten woodcuts printed in ivory black on Japanese wove Okawara paper paper: 23 1/2 x 31 1/2 inches (59.7 x 80 cm) each framed: 26 x 34 1/4 inches (66 x 87 cm) each edition of 25 with 10 APs and 4 PPs DJ - EPR - 01C

In turn, he was inspired by the woodcuts produced by Japanese artist Kitagawa Utamaro.

She became fascinated with the 17th century Japanese Ukiyo - e woodcuts and in the 1970s studied with Japanese artisan woodcarver Yasuyuki shibata.

Willie Cole, Stowage (1997), woodcut on Japanese paper, image 126.2 x 241.2 cm, sheet 142.4 x 264 cm.

During his time in Paris (1886 — 88) he became fascinated by ukiyo - e, nineteenth - century Japanese colour woodcuts, and began to collect them on a large scale.

Artist: Keisuke Serizawa, Japanese (1895 - 1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...

Woodcut on Japanese rice paper mounted on reclaimed lumber mounted on a birch and oak support.

«The achievement of such nuanced sexuality may well be indebted to Lautrec's study of Japanese erotic woodcuts..., of which he owned a collection.

The Henry's print collection tells the history of artists and ideas starting in the 16th century Europe and America, and also of Japanese ukiyo - e color woodcut prints.

It was Miró, looking back to Gauguin and Japanese print - making, who decided on the labour intensive practice of woodcutting in pursuit of a book as sculpture.

Our collection features works by artists from many countries such as the 16th century German Renaissance woodcut artists, Conrad Faber von Kreuznach, «Konrad Faber von Creuznach», the 17th century French artists, Antoine Masson and Francois Bignon, the British Artist, author and lithographic printer, Thomas Robert Way, the nineteenth century Norwegian painter, Anders Monsen Askevold, Anders Askevold, the British artists, Francesco Bartolozzi, George Percy Jacomb Hood, Sir Francis Seymour Haden, Luigi Schiavonetti and Donald Wilkinson, the French artists, Pierre Bonnard, Pierre Gusman, Othon Friesz and Gustave Adolphe Simonau, or the American artists such as Martin Lewis, Elmer William Brown, Elmer Brown, Jon Corbino, Robert Cumming, Erika Kahn, Louise Nevelson, Arthur Litt, James Craig Nicoll, Margaret Sargent, Margarett Sargent, Raphael Soyer and Federico Castellon, the Mexican artists, Jose Guadalupe Posada, and Francisco Dosamantes, and Jose Ignacio Aguirre, the Japanese artists, Hokusai, Kuniyoshi, Toshi Yoshida, and Yoshitoshi, the Austrian artist, Hans Gerstmayr, the German artists, Hilde Goldschmidt, Peter Ackermann and Hanns Anker, the Israeli artists, Abel Pann, David Sharir, Mireille Kramer and Yigal Zemer, the Satirical artists, James Gillray, George Cruikshank, William Hogarth Thomas Rowlandson and many others.

Phillips was influenced by Japanese landscape painting and woodcut style ukiyo - e — which translates as «floating worlds» — evidenced in the flattened depth and bright colours of his work from the 1920s onward.

This scene was inspired by a famous woodcut by the Japanese artist Hokusai (1760 — 1849).

Other highlights include A sudden gust of wind (after Hokusai)(1993) based on a woodcut from a famous portfolio, The Thirty - six Views of Fuji, by the Japanese painter and printmaker Katsushika Hokusai (1760 - 1849).

Stylistically, the artist's work is informed by a diverse range of sources, including Abstract Expressionist painters such as Franz Kline and Clyfford Still, Japanese calligraphy and woodcuts, and pop - era artists such as Rauschenberg and Warhol, who recontextualized commercial techniques within the paradigm of painting.

BAAS GALLERY: 2703 E. Madison St. Life - size woodcut prints of human figures printed on heavy Japanese paper by Tracy Lang.

[13] A key source of inspiration is the woodcuts produced by Japanese artist Kitagawa Utamaro.

A key source of inspiration is the woodcuts produced by Japanese artist Kitagawa Utamaro.

She draws aesthetic inspiration for her animated videos from a combination of Japanese art forms — ukiyoe woodcuts, manga, and anime — while she often sets her layered, surrealistic narratives in domestic interiors and communal spaces such as public restrooms, commuter trains, and bathhouses.

Inspired by Japanese ukiyo - e woodcuts of the 17th, 18th and 19th centuries, Frankenthaler studied and created woodcuts that reflected, not only the ukiyo - e tradition, but the unique use of color that is a signature of all of her work.