Sentences with phrase «jim jarmusch»

The first trailer has arrived online for the upcoming drama Paterson, which is written and directed by Jim Jarmusch and stars Adam Driver, Golshifteh Farahani and the 2016 Palm Dog award winner Nellie; watch it below after the official synopsis... «Paterson (Adam Driver) is a bus driver in the city of Paterson, New Jersey — they share the name.

Our first new Criterion release this week is a collaboration between filmmaker Jim Jarmusch and then hardly A-list star Johnny Depp.

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Jim Jarmusch, the world's coolest man, presented a second special award to the world's coolest company, Janus Films and its associated Criterion Collection.

His work for a couple of trusted directors (Wes Anderson, Jim Jarmusch) has won him admiration and respect even if it continues to drag down his box office averages from his lucrative days as a multiplex attraction.

The writer - director of «Loving,» «Mud,» and «Midnight Special» screened a selection of smart movies, including Jim Jarmusch's «Paterson» and J.J. Abrams» «Star Wars: The Force Awakens,» hosted by star Adam Driver, whose family spent summers in Arkansas.

The flagship of the Festival, section Oficial Fantàstic, presents some of the most eagerly awaited movies of the year, such as Only God Forgives by Nicolas Winding Refn - director of Valhalla Rising and Drive; Jim Jarmusch's latest film Only Lovers Left Alive, an eternal love story between two vampires; A Glimpse Inside the Mind of Charles Swann III, a surrealist comedy by the hand of Roman Coppola; The Congress, a spectacular adaptation of Stanislaw Lem directed by Ari Folman - responsible for Vals with Bashir -, that combines animation with a science - fiction story starring Robin Wright and Harvey Keitel; Sitges 2013 will also represent the return of Kiyoshi Kurosawa to the fantastique genre with Real.

It will also be the Sitges that showcases the latest films of emblematic directors such as Takashi Miike, Johnnie To, Jim Jarmusch, and Nicolas Winding Refn.

A Girl Walks Home Alone at Night by Hope Madden Earlier this year Jim Jarmusch released his vampire film, Only... read more →

Critics also loved Jim Jarmusch's Paterson, starring Adam Driver as a bus - driving poet, as well as the last competition title screened, Paul Verhoeven's rape - revenge thriller Elle.

The other films rounding out that category were Japanese legend Koreeda's AFTER THE STORM; LITTLE BOXES, starring Nelsan Ellis in his last role; and Jim Jarmusch's PATERSON, which was the 3rd most nominated film, garnering 6 nods.

New films from Jonathan Glazer, Jean - Marc Vallée, Alphonso Cuaron, Richard Ayoade, Kelly Reichardt, Jim Jarmusch, Roger Mitchell, Bertrand Tavernier, Lukas Moodysson, Kiyoshi Kurosawa, Don McKellar, Hirokazu Kore - Eda and Sylvain Chomet!

Paul Schrader's often outrageous crime thriller, the romantic struggles of four Polish women, a Stooges doc by Jim Jarmusch, a distasteful Mexican horror and a body - swapping anime

All of these films will join the others we've been announcing over the last few months at this new edition of the Festival, marked by the new manifestations of evil, as is the case with Only God Forgives, the new film from Nicolas Winding Refn; Jim Jarmusch's most recent work, Only Lovers Left Alive, a unique story of eternal love between two vampires; a bizarre, surreal, comedy from Roman Coppola, A Glimpse Inside the Mind of Charles Swann III; The Congress, the spectacular Stanislaw Lem adaptation directed by Ari Folman; Real, director Kiyoshi Kurosawa's return to fantastic cinema; or La danza de la realidad, the new work by multifaceted Alejandro Jodorowski.

There are the dozen or so Cannes imports, including Andrea Arnold's «American Honey,» Park Chan - wook's «The Handmaiden,» Jim Jarmusch's «Paterson,» Cristian Mungiu's «Graduation,» Jeff Nichols» «Loving,» Olivier Assayas» «Personal Shopper,» Paul Verhoeven's «Elle,» and many more.

Person to Person starts off feeling like a Jim Jarmusch - Noah Baumbach hybrid, a series of vignettes that send signals that they will converge in a manner we've come to expect from «hyperlink cinema.»

This is an extremely Jim Jarmuschy Jim Jarmusch film, and if that's right up your alley, then you'll dig this.

Release Date: December 28, 2016 (Limited) Studio: Amazon Studios, Bleecker Street Director: Jim Jarmusch Screenwriter: Jim Jarmusch Starring: Adam Driver, Golshifteh Farahani, Barry Shabaka Henley MPAA Rating: R (for some language)

Jim Jarmusch can often be a bit hit or miss with me, as he definitely has a few tics that he hammers home from time to time, and his homespun style can often grate.

Special Features New 4K digital restoration, supervised and approved by director Jim Jarmusch, with 2.0 surround DTS - HD Master Audio soundtrack New Q&A in which Jarmusch responds to questions sent in by fans Rarely seen footage of Neil Young composing and performing the film's score New interview with actor Gary Farmer New readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop New selected - scene audio commentary by production designer Bob Ziembicki and sound mixer Drew Kunin Deleted scenes Jarmusch's location scouting photos PLUS: Essays by film critic Amy Taubin and music journalist Ben Ratliff

Paterson Rated R for some language Rotten Tomatoes Score: 96 % Adam Driver (Silence, The Force Awakens) stars in this indie Jim Jarmusch film about a bus driver named Paterson, who lives in Paterson, NJ and who likes to write poetry.

We know it really hasn't been that long since the comedian dove into more serious film roles - which is the lone reason for his second coming — but it's hard not to like the consistent work he's done for indie directors Wes Anderson and Jim Jarmusch.

After casting a wide net, the roles of Ben and Jaime — the independent New York City kid Ben befriends — went to «veterans» Fegley, recently seen in Disney's Pete's Dragon, and Jaden Michael, of Jim Jarmusch's Paterson.

Jim Jarmusch is one of my favorite filmmakers even if his beloved postmodern western with Johnny Depp was never a film that really worked for me.

American Honey (Andrea Arnold, 2016) Bamui haebyun - eoseo honja (On The Beach At Night Alone, Sang - soo Hong, 2017) / Geu - hu (The Day After, Sang - soo Hong, 2017) Gok - seong (The Wailing, Hong - jin Na, 2016) Hell or High Water (David Mackenzie, 2016) Jeune Femme (Montparnasse Bienvenue, Leonor Serraille, 2017) Paterson (Jim Jarmusch, 2016) Silence (Martin Scorsese, 2016) Valley Of Love (Guillaume Nicloux, 2015) Western (Valeska Grisebach, 2017) Zama (Lucrecia Martel, 2017)

Jim Jarmusch's late - phase experiments in genre continued this year: having previously played with the Western (Dead Man) and hit men (Ghost Dog, The Limits Of Control), he finally turned his attention to horror.

Others, like Jim Jarmusch, have more or less stayed in a similar caliber of lo - fi cinema.

Digital Editor Violet Lucca spoke with FILM COMMENT and Artforum contributing editor Amy Taubin; Brandon Harris, assistant professor at SUNY Purchase and Vice contributor; and FILM COMMENT editor Nicolas Rapold about films including Jim Jarmusch's Paterson, Michael O'Shea's The Transfiguration, Asghar Farhadi's The Salesman, Albert Serra's The Death of Louis XIV, Alain Guiraudie's Staying Vertical, The Romanians, and more.

Another film I turned out to adore in the festival's closing days was «Only Lovers Left Alive» [A], the latest from Jim Jarmusch, which stars Tom Hiddleston and Tilda Swinton as vampiric rock stars Adam and Eve, dividing their time between Detroit and Tangier, whose comfortable, if ennui - filled, lives are upended by the arrival of Eve's sister Ava (Mia Wasikowska).

(Liz Garbus, 2015) Midnight Special (Jeff Nichols, 2016) Le secret de la chambre noire (Daguerrotype; Kurosawa Kiyoshi, 2016) The 50 Year Argument (Martin Scorsese & David Tedeschi, 2014) Anquanto la lhéngua fur cantada (Enquanto a língua for cantada, João Botelho, 2012) Waiting (Anu Menon, 2016) Correspondências (Correspondences, Rita Azevedo Gomes, 2016) Migas de pan (Breadcrumbs, Manane Rodríguez, 2016) Me Before You (Thea Sharrock, 2016) CC1682 (David Reznak, 2015) João Bénard da Costa: Outros Amarão as Coisas que Eu Amei (Others Will Love the Things I Loved, Manuel Mozas, 2014) A Death in the Gunj (Konkona Sen Sharma, 2016) Pessoa / Lisboa (Alberto Ruiz de Samaniego & José Manuel Mouriño, 2016) Sully (Clint Eastwood, 2016) Blood Ties (Guillaume Canet, 2013) Magallanes (Salvador del Solar, 2015) Paterson (Jim Jarmusch, 2016)

«Only Lovers Left Alive» Unlike Rod, who named «Only Lovers Left Alive» among his favorites of the New York Film Festival, I wouldn't generally consider Jim Jarmusch among one of my favorites.

by Walter Chaw The title refers to a New York Museum of Natural History diorama called «Clash of the Titans» that proposes what a tussle between a sperm whale and a giant squid would look like — and it functions as the final, stirring tableaux of a 16 mm film self - consciously shot in the manner of early Jim Jarmusch or Spike Lee joints.

All of this with Jim Jarmusch, indie auteur extraordinaire and the ultimate purveyor of modern disinterested cinematic cool, at the helm.

This Article is related to: Reviews and tagged Anton Yelchin, Cannes Film Festival, Jim Jarmusch, Mia Wasikowska, Only Lovers Left Alive, Review, Reviews, Tilda Swinton, Tom Hiddleston

And who better to direct them than Jim Jarmusch, the indie godfather who always seems to be ahead of the curve stylistically, speeding down the roadway we call cinema in his own lane?

Director Jim Jarmusch once told me at a film festival (with a not completely straight face) that he had founded a group called the Sons of Lee Marvin for tall dudes with deep voices.

The 2013 vampire romance Only Lovers Left Alive is one of veteran hipster Jim Jarmusch's best movies.

«Ever since his 1984 breakthrough Stranger Than Paradise, Jim Jarmusch has been finding transcendence in stasis and Paterson is nothing if not a movie about the wonders of routine.

On the documentary front, there is as ever simply too much for us to be able to cover, but a few potential standouts are «Uncle Howard,» about a New York filmmaker who died of AIDS which features footage of William S. Burroughs, Jim Jarmusch, Tom DiCillo and more; «Zero Days,» Alex Gibney «s investigation of malware used for international espionage; two docs on famous photographers in «Don't Blink — Robert Frank» and «Mapplethorpe: Look at the Pictures ``; and finally «Strike a Pose,» a film catching up with the original dancers from Madonna «s «Vogue» video, which sparked a craze and defined an era in pop.

Here's another icon: punk - rock godfather Iggy Pop, who gets the documentary treatment from Jim Jarmusch (who's also at Cannes with his fictional feature film «Paterson»).

January Dog Day Afternoon (1975, Sidney Lumet) 35 mm — 5.6 Always Shine (2016, Sophia Takal)-- 6.1 The Other Side (2015, Roberto Minervini)-- 6.7 Silence (2016, Martin Scorsese) DP — 8.6 Hidden Figures (2016, Theodore Melfi) DP — 3.9 Lumière and Company [segment](1995, Zhang Yimou) + Café Society (2016, Woody Allen)-- 6.2 [up from 5.7] Valley of Love (2015, Guillaume Nicloux)-- 6.0 Happy Hour (2015, Ryûsuke Hamaguchi)-- 7.6 + Moonlight (2016, Barry Jenkins) DP — 6.8 [up from 6.4] Red Sorghum (1987, Zhang Yimou)-- 6.7 Live by Night (2016, Ben Affleck) DP — 4.4 Paterson (2016, Jim Jarmusch) DP — 7.2 Don't Think Twice (2016, Mike Birbiglia)-- 3.6 A Monster Calls (2016, J.A. Bayona) DP — 4.9 + Silence (2016, Martin Scorsese) DP — 8.7 [up from 8.6] Indignation (2016, James Schamus)-- 5.9 + Elle (2016, Paul Verhoeven) DP — 7.3 [same] Split (2016, M. Night Shyamalan) DP — 5.8 Ju Dou (1990, Zhang Yimou)-- 7.0 Chronicle of a Summer (1961, Jean Rouch & Edgar Morin)-- 6.9 + The Nice Guys (2016, Shane Black)-- 5.8 [down from 5.9] Hunt for the Wilderpeople (2016, Taika Waititi)-- 5.2 + Cemetery of Splendour (2015, Apichatpong Weerasethakul)-- 7.4 [up from 7.2] Throne of Blood (1957, Akira Kurosawa) 35 mm — 7.0 20th Century Women (2016, Mike Mills) DP — 6.9 Tampopo (1985, Juzo Itami) DP — 6.2 Swiss Army Man (2016, Daniel Scheinert & Daniel Kwan)-- 3.1 The Bad Sleep Well (1960, Akira Kurosawa) 35 mm — 7.0 The Mermaid (2016, Stephen Chow)-- 6.0 Black Girl (1966, Ousmane Sembène)-- 7.0 Christine (2016, Antonio Campos)-- 4.4 Resident Evil (2002, Paul W.S. Anderson)-- 6.3 Resident Evil: Apocalypse (2004, Alexander Witt)-- 5.4 Resident Evil: Extinction (2007, Russell Mulcahy)-- 6.6 Resident Evil: Afterlife (2010, Paul W.S. Anderson)-- 6.9 Resident Evil: Retribution (2012, Paul W.S. Anderson)-- 7.3 Resident Evil: The Final Chapter (2016, Paul W.S. Anderson) 3D — 7.2 Raise the Red Lantern (1991, Zhang Yimou)-- 7.2 Julieta (2016, Pedro Almodóvar) DP — 6.5

If a man is going to win the Palme, potential contenders in a tight race could include Jim Jarmusch for the quiet, understated character study «Paterson,» Park Chan - wook for the wildly stylish and erotic «The Handmaiden» or past Palme winner Christian Mungiu for «Graduation,» one of the final films to screen.

Other cast members include Giancarlo Esposito, Jim Jarmusch, Madonna, and Roseanne.

In fact, Amazon is kicking off the whole show, having already snapped up the rights to opening night film, Woody Allen's Cafe Society, but that's just the first of many Amazon acquisitions to air on the Croisette: Amazon is also behind Nicolas Winding Refn's The Neon Demon, Jim Jarmusch's Paterson and Iggy Pop documentary Gim me Danger, plus Park Chan - wook's The Handmaiden.

The NYFF Retrospective showcases 24 of his finest performances and spans 50 years, from his first major role in The Story of G.I. Joe, which earned him an Academy Award nomination, to his late - career appearances in films by Martin Scorsese and Jim Jarmusch, with all but two screening on celluloid.

These are the movies» most sucked - dry genres, done to undeath very recently by Tim Burton, Jim Jarmusch and Marlon Wayans, because Burton and Jarmusch had forgotten to include fart jokes.

The online retailer, which launched its VOD service only a matter of years ago, has rapidly stepped up its feature film game, courting such filmmakers as Terry Gilliam, Spike Lee and Jim Jarmusch.

Dead Man Jim Jarmusch, USA, 1995, 35 mm, 121m Jim Jarmusch's hypnotic, parable - like, revisionist Western follows the spiritual rebirth of a dying 19th - century accountant (Johnny Depp) named William Blake (no relation to the poet... or is there?).

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Rated R Opens: May 9, 2014 Studio: Sony Pictures Classics Starring: Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, Anton Yelchin Directed by: Jim Jarmusch