Sentences with phrase «jim white work»

Geoscientists like lab director Jim White work primarily with one raw material: ancient ice, in...

Not exact matches

Interviewing noted legal thinkers like Michelle Alexander (author of The New Jim Crow), the documentary argues that this «loophole» — allowing forced labor for criminals — enabled resentful white society to imprison black citizens on minor charges and put them to work.
Jim Cramer sat down with IBM CEO Ginni Rometty to get her take on the state of work and Monday's White House technology council meeting.
Jim White took the conversation in another direction and then asked David why he made the switch from buying not - so - great players last window to the proven English players he's been working on in this window.
WHITE PLAINS, NY — After more than a month of working to deliver on his promise of returning Westchester County government to the people, County Executive George Latimer continued this mission by naming longtime County Legislator Jim Maisano (R - N
Frank Williams was recognized for his work with the White Plains Youth Bureau, while Dr. Jim Bostic was honored for his work with children in Yonkers.
Jim Eckles worked for decades for the White Sands Missile Range Public Affairs Office, managing open houses and tours of the Trinity site, where the world's first nuclear test took place.
I began working out at Jim White Fitness & Nutrition Studios in 2012.
When Jim White — in one of the film's best scenes — volunteers to work on the fields with the students one day, he sees the dedication that the students have exhibited throughout their lives.
A newcomer to a predominantly Latino high school in the small California town of McFarland, Coach Jim White (Costner) recognizes the boys» exceptional running ability, their unwavering commitment to family and each other, and their impressive work ethic.
Based on the true story of Jim White (Costner), director Niki Caro's («Whale Rider») film works as both inspirational sports drama and quasi-documentary ethnic anthem.
But Jim White knows this is his last chance, and so tries to make it work.
Related Reviews: Mia Farrow: Crimes and Misdemeanors • New York Stories • Rosemary's Baby • The Last Unicorn Woody Allen: Midnight in Paris • Annie Hall • Whatever Works • Blue Jasmine • To Rome with Love • You Will Meet a Tall Dark Stranger New: Chances Are • The 400 Blows • Fargo • Jim Gaffigan: Obsessed • Grudge Match • You, Me & Them: Series 1 Life with Mikey • The Producers Modern Black and White: Nebraska • Frances Ha • Dead Man 1980s on Blu - ray: Blood Simple.
Been working on it for a few years, and hired a freelance editor, author Jim Whiting.
Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels of paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and Black Shroud with lithograph portraits by Kitaj.
Tagged as: A.K. Burns, AC Institute, aldo tambellini, Alex P. White, Angel Nevarez, Anicka Yi, Art + Feminism Wikipedia Edit - a-thon, Brooklyn Museum, Carolee Schneemann, Carolyn Lazard, carroll dunham, CENTRAL BOOKING, Constantina Zavitsanos, Deborah Freedman, Desiree Des, Dianne Bowen, e.s.p. tv, Evelyn Donnelly, Gregg Lefevre, harry dodge, Heide Hatry, Herbert Pföstl, Interference Archive, Jennifer Elster, Jes Fan, Jill Pangallo, Jim Peters, John Schlesinger, Julia Kissina, Kate Millet, Kathline Carr, Laurie Simmons, Linda Herritt, Linda Weintraub., marilyn minter, Marjorie Van Dyke, Maxwell Gimblett, Michelle Ross, New Museum, Pascual Sisto, Pelenakeke Brown, Pioneer Works, printed matter, Rebecca Goyette, Richard Humann, Richard Tyler, Roberta Allen, Sigrid Sarda, SKOTE, Smack Mellon, SOHO20 Gallery, Theresa Byrnes, Tra Bouscaren, Uranian Press, Valerie Tevere, Women's History Month Invitational, Željka Blakšić
So it's unusual then, that a number of big - name contemporary U.S. artists — Ruscha, Jim Shaw, Lita Albuquerque, Catherine Opie, Diana Thater, Kenny Scharf, Alex Israel and Pae White among them — have decided to contribute their work to an exhibition named exactly that.
1993 Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, USA Our Perfect World, Grey Art Gallery, New York, USA Opening Exhibition, Rowles Studio, Hudson, USA The Animal in Me, Amy Lipton, New York, USA Arachnosphere, Ramnarine Gallery, Long Island City, USA Beyond Attrition: Art in the Era of Aids, Washington Project for the Arts, Washington, D.C., USA The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana - Champain, Urbana - Champain, Illinois, USA Museo Statale d'Arte Mediovale e Modema, Arezzo, Italy It's Really Hard, Momenta Art, New York, USA Brooke Alexander, New York, USA Outside Possibilities, The Rushmore Festival, Woodbury, USA Sculpture & Multiples, Brooke Alexander, New York, USA Selections / Spring «93, The Drawing Center, New York, USA 1992 Collector's Show, Arkansas Arts Center, Little Rock, Arkansas, USA Healing, Rena Bransten Gallery, San Francisco, California, USA An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, New York, USA The Temporary Image, S.S. White Building, Philadelphia, Pennsylvania, USA Update 1992, White Columns, New York, USA
Recently, she has focused the scope of her work regionally to her homebase of North Texas with her work, «Drinking Fountain # 1,» a new media monument to the American civil rights movement, past and present activists / organizers, and the spirit of resistance, located underneath the remnants of a rediscovered Jim Crow «White Only» sign.
The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a film work.
The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a new film work.
This past weekend, Jonathan LeVine opened their five - year anniversary group show, featuring works from an extensive list of artists who have been instrumental in the New York gallery's success, including Adam Wallacavage, AJ Fosik, Andrew Brandou, Andy Kehoe, Blek le Rat, Chris Mars, Dan Witz, Date Farmers, Dave Cooper, Doze Green, Eric White, Erik Mark Sandberg, Esao Andrews, Gary Baseman, Gary Taxali, Invader, Isabel Samaras, James Jean, Jeff Soto, Jim Houser, Josh Agle (aka Shag), Kathy Staico Schorr, Mark Dean Veca, Miss Van, Natalia Fabia, -LSB-...]
The exhibition includes work from Alec Soth, Alison Elizabeth Taylor, Brea Souders, Cheryl Kelley, David Ellis, Ed Ruscha, Eileen Quinlan, Evan Hecox, James Hoff, Jim Mangan, Justine Kurland, Letha Wilson, Mark Innerst, Matthew Brandt, Penelope Umbrico, Sam Friedman, Wayne White, and William Wegman.
Kenny Schachter ROVE, London Props & Propositions, Cleveland Institute of Art, Cleveland, Ohio 2004 Five Ways to Say the Same Sadness, University Art Museum, University at Albany, New York eRacism: electronica, Contemporary Art Museum St Louis, St. Louis, Missouri reFunkt: prints & dvds, The Project, New York eRacism, Rutgers University, New Brunswick, NJ; traveled to Artists Space, New York 2003 Foddah, Drew University, Madison, New Jersey Some: Of Place and Desire, ArtHouse, Austin eRacism, DiverseWorks, Houston, TX; traveled to Portland Institute of Contemporary Art, Portland 2002 What's Inside a Boy, The Project, Los Angeles eRacism, ICA at Maine College of Art, Portland Incontinent, Wood Street Gallery, Three Rivers Arts Festival, Pittsburgh, Pennsylvania 2001 Hole Theory, The Project, New York 2000 Eracism: White Room, ThreadWaxing Space, New York The Hole Inside The Space Inside Yves Klein's Asshole, Concordia University, Montreal Eating The Wall Street Journal And Other Current Consumptions, Mobius, Boston 1998 Recent Work, The Project, New York 1996 Buddy Performance Objects, with Jim Calder, Touchstone Theater, Bethlehem, Pennsylvania 1993 William Pope.L, Horodner Romley Gallery, New York 1992 William Pope.L, Drew University, Madison, New Jersey 1991 How Much is that Nigger in the Window, 30 performances, writings and installations, Franklin Furnace, New York
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Schimmel credited artists, many of them already working with text and images, like Mike Kelley, Jim Shaw, Paul McCarthy and Ed Ruscha, for «embracing Ray because they saw he occupied a beautiful quasi place — not of the L.A. art world but in tune with it — and because he was also more truly L.A. than almost anyone, I mean in terms of beach culture, lower middle class white culture.
Wes Mills: New Drawings, Kohn Turner Gallery, Los Angeles, CA Black and White: Drawings, Laura Carpenter Fine Art, Santa Fe, NM Ethereal Materialism: Ava Gerber, Jim Hodges, Siobahn Liddell, Wes Mills, Jessica Stockholder, Richard Tuttle, (Susan Harris, curator) Apex Art, New York, NY Wes Mills: Recent Work, Berman / Daferner Gallery, New York, NY Wes Mills: Orchard Drawings, Richard Levy Gallery, Albuquerque, NM New Drawings on Paper, Laura Carpenter Fine Art, Santa Fe, NM
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