Sentences with phrase «just about every indie»

Just about every indie author should be able to afford a kick - ass cover.

Not exact matches

I just about died when I saw it on instagram:) xo, Megan indie flower

If you make a good film, then it's worthy of talking about, just as an indie drama that's up for Oscars is.

Click for showtimes and tickets — KU Prince Avalanche David Gordon Green's intimate indie about two guys (Paul Rudd and Emile Hirsch) repairing roads in the Texas backwoods is more than just a return to poetic - ruralist form; the Pineapple Express filmmaker has finally found the perfect middle ground between his earlier introspective character studies and his recent stoner comedies.

We just need to raise the funding, and Kickstarter seems like a great way to collaborate with Alex's fans, the cast's fans, and people who care about film preservation and indie filmmaking in general to make this happen.»

Daryl Wein's indie romantic comedy Lola Versus is just as much about finding love in yourself as it is finding love in others.

It's been just over a decade since Diablo Cody broke out with her Oscar - winning script for Juno, an indie comedy - drama about a character struggling to come to terms with her pregnancy.

Heck even INDIES do a better job, talking about 2 - 20 people on a indie team, just look at Trine, nano Assault and some other indie titles.

We've said it before, we'll say it again, but one of the best things about looking back over a year just gone at the movies is thinking of all the names who, just twelve months ago, we were faintly aware of at best, and who now have burgeoning careers, awards buzz, lead roles in indie films and / or blockbuster gigs on the way.

Gemini has just enough style to never truly grate — more than one can say about most indie releases, which usually feature way too much polish or not nearly enough.

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Following up his successful indie thriller Blue Ruin, Saulnier doubles down on just about every aspect: more thrills, more kills, more discomfort, and perhaps most impressive, more narrative.

Shults takes what on the surface is just another indie drama about family dysfunction, but he seems to have filmmaking instincts in his bones, even for his first feature, that it is no surprise the film received the Grand Jury Award and Audience Award in the narrative feature competition at the 2015 SXSW Film Festival.

The «indie» umbrella can be wide, and these comics cover a lot of different story types and styles, but you can find just about any comic you've ever wanted and maybe a few you never knew you needed.

Indie movies these days can be hard to categorize — while the genre used to simply include films that were independently produced, it's now become an arena for films that have an «indie feel», which means that just about anything can be an indie fIndie movies these days can be hard to categorize — while the genre used to simply include films that were independently produced, it's now become an arena for films that have an «indie feel», which means that just about anything can be an indie findie feel», which means that just about anything can be an indie findie flick.

Nothing says «indie» more than a movie about the travails of twentysomethings, and at first blush, British writer - director Alex Barrett's feature debut, Life Just Is, would seem to fulfill all of the usual clichés.

Today's Nintendo eShop news: first - print bonuses for The End is Nigh revealed, NA release date and trailer for Rogue Trooper Redux, trailer for the Tortuga DLC for Infinite Minegolf, latest trailer for Bomber Crew, latest devblog post for Monster Boy and the Cursed Kingdom, article about the Nintendo Switch Indie Gold Rush, latest monthly report from Frozenbyte, Overcooked: Special Edition releasing next week in Japan, prototype video for Azure Striker Gunvolt, speedrun contest for SteamWorld Dig 2, and trailer for the Just Dance 2018 demo!

Indie developers always come up with some pretty wacky concept, and pretty often, it just works... even though you certainly would not expect it to when you first hear about it.

Actor / writer Brit Marling and director / writer Zal Batmanglij — the creative team behind the smart little indie «The Sound Of My Voice» — are just getting started, but their sophomore effort is about to arrive and it's hopefully the second chapter in a long line of collaborations.

There's something about certain classic arcade games that indie developers just can't get enough of.

Because they are pet peeves many readers have about books currently available — and not just from indie authors.

Comic shops are not sale or return — it's just straight sale — so they're actually MUCH more up for this sort of thing than, say, an indie bookstore, which will just bitch about not being able to return unsold books.

I think it's fair to say that when people talk about the indie movement in the book world, we're really talking about a broad set of configurations from small presses to collectives of writers to individual authors, whether they create their own imprint or just operate as a self - published author in the Amazon or Smashwords universes.

It Has Officially Hit Myth Status When some of the biggest supporters of indie publishing and indie writers start going on about how they are giving up paper books to New York, I finally just shook my head and assigned all the silliness to myth status.

This was an all - star issue featuring stories by indie cartoonists — including Garfield creator Jim Davis — but it sells just about the level of the regular title.

This book will hopefully be helpful to people just starting out (or thinking about indie publishing) as well as those well down the path.

When the electronic revolution started to hit books and a few authors discovered how really simple it was to indie publish, lots of talk started about how writers could get rich by just indie publishing their first or second book, and a few writers actually did.

Here's the link to the thread, and you're invited to participate or just read along if you're curious about my book or indie publishing.

I've talked about this with some other black female writers — as indie authors especially — with our suspicions that the majority of romance readers (non-black) will not pick up a book with a black woman on the cover, should we do it anyway and take the risk just to see ourselves on the cover?

Finally, any indie authors still choosing to operate under a half - arsed mentality of, «eh, I'll just publish it through Amazon», will inevitably get pushed to the bottom of the pile as those who are serious about making things work will continue to hike to the top — egged on by readers, peers and other like - minded artists within this incredibly supportive community.

Just a clarification about Beneath the Ink, while we LOVE indie and self published authors, we also work with hybrid and traditionally published authors.

Just a few weeks ago I was talking about Indie Author Day coming up.

Indie authors, am I just ignorant about pricing?

Some indie presses specialize in certain genres, while some are just passionate about putting out quality pieces of literature.

I just read a very interesting piece on Yahoo Finance (of all places) about successful indie romance authors.

I love my job and hope to see my author's succeed, so I'm not complaining about them, just a challenging situation — and a situation perhaps that is critical to the success and failure of indie published books that nobody else is talking about.

Robin Cutler [00:01:12] And the «I,» as I said, stands for International, so there's just things you need to know about ISBNs, and one of the things we want to cover today is the importance of ISBNs related to your own published book as an indie author.

I'm talking about authors writing genre fiction, either with existing fan - bases (from fanfic or their indie books) or just starting from scratch.

As an editor myself, I'm going to take a risk today and talk about some reasons that an indie author just might not need an editor after all.

I mean, just the last show that we produced was talking about two big indie launches of Adam Croft and of Mark Dawson.

So instead of my personal blog or service sites, which are just about me, and only have a PR3 or PR4, soon I'll have a handful or PR5 and PR6 sites that are set up to be social, to encourage interaction, comments and guest posting, so that all indie authors can participate and enjoy the benefits.

Instead they just complain about research and reports on the publishing industry is skewed because they don't take into account indie books.

But all that said about my writing life, I still tell other indie writers to just let a story go its natural length to create the best art possible.

Well, after a few months of very polite rejections from agents, I've just about decided to make the leap and go indie — and it's largely thanks to the clear eyed reporting you've been doing all along.

explains the current self - publishing landscape and covers the truths and myths about what it means to be an indie author now and in the foreseeable future — beyond just «how to write a novel» or NaNoWriMo and delving into the brass - tacks realities of indie publishing.

Like others who have commented, your statement that being indie isn't just about independent publishing any longer, it's about taking control of your career.

Indie freedom isn't just about being free to publish... it's about being free to create.

Passive Guy has just about decided that the differences between indie publishing and traditional publishing are so great that nearly anyone immersed in traditional publishing has almost nothing useful to say about indie publishing.

My husband wanted the latest book by an author he really likes, but he balked at the price (which was over 10.00) just because he hears me talk about indie pricing from time to time.

Of course, all the confusion makes sense considering how new all this is and that indie publishers are just writers who (before now) never once thought about how a price got put on a book, electronic or paper.