Sentences with phrase «just as a composer»

It's certainly better than Quantum of Solace and wisely draws on familiar Bond mythology, just as composer Thomas Newman makes repeated reference to John Barry's 007 theme.

Just as a composer orchestrates their musicians, so Bowling acts as composer to his materials; Canvas is cut then stapled or stitched to the surface.

Not exact matches

Typically lasting an hour or more, the works of this organist - composer are sonic cathedrals, often incorporating moments of silence, as though inviting the listener to appropriate what she or he has just heard.

The star of the technical show is Ludovic Bource, a composer that just catapulted himself into the big leagues as composers John Williams and Alexandre Desplat.

Like Edmund Halley, who died just a couple of years before seeing his prediction come true about the date when the comet bearing his name would return, the sad note about the film is that Rad (listed as director, producer, writer, editor, composer, production designer and set decorator) died in 2007 before he saw it gain new life.

Just as Danny Elfman is the composer - of - choice for superhero / comic - book films in 2003, so he was in 1990.

The composer messed with the pitch and tone of what she wrote, «perverting material,» as she calls it, to create a finished product that's just as responsible for the film's nervy, agitated, unshakable tone as Glazer and DP Daniel Landin «s haunted imagery.

Though also billed as a commentator, French composer Bruno Coulais talks alone for just four minutes over the end credits.

I am just astonished that a composer of his standing would agree to do this — I know the argument is that if the composer doesn't do what is asked of him, he will quickly find employment harder to come by, but surely Howard is offered enough movies that he could work on high - profile films without having to compromise himself as distastefully as he has here.

The piece clearly lays the foundations of the theme for the composer's very next score, The Black Stallion Returns, and is just as wonderful.

As the above tweet shows, composer Michael Giacchino has just begun to record the film's score.

«Sometimes, as a composer, you just get stuck in a vacuum in a room somewhere.

Bruce Broughton was just making a name for himself as a composer when he scored the tv movie This Girl For Hire in 1983.

This is a score which features numerous magical highlights and many examples of Newman at his finest, but for some reason the album as a whole just doesn't seem to gel quite so well as the composer's usually do.

I think, having never been a fan while Goldsmith was alive and active, I just don't have the same (for lack of a better term) «fanboyism» for him as I do for John Powell (who's admittedly the only modern composer that can still whip up that sort of unfettered enthusiasm from me).

While speaking with EW, Wallfisch noted that «Every now and again, you come across a movie where the storytelling is so powerful, the subtext so visceral, the synergy between director, narrative and actors so palpable, that as a composer you can feel the music being energized by something so much bigger than what's just on the screen.»

If it ends up being a major player it will definitely be a top 5 contender as its composers, Benj Pasek and Justin Paul, just won the Original Score (and Song) Oscars for La La Land this year and then the Tony for Dear Evan Hansen this summer.

While much of the original script remains the same, screenwriters Steven Chbosky and Evan Spiliotopoulos, as well as long - time Disney composer Alan Menken (who also wrote for the original, along with the late Howard Ashman), sprinkle in just enough new material and character development to help it feel fresh.

Where Lennertz delivered a raw, rocking rhythm and blues guy's night out sound for his two «Horrible Bosses» scores, the composer is perhaps just a little bit more sympathetically feminine in band sound as drives these desperate housewives and their bratty kids about town to take on the snooty PTA.

Along with movie doc usual suspects John Carpenter, William Friedkin, and Martin Scorsese (who brilliantly homaged Hitch in a 2007 mockumentary commercial), relative newcomers Guillermo Del Toro and Eli Roth, as well as assorted lesser known editors, film composers, and others are on hand to explain just why Hitchcock is the most copied film director of all time.

New information about Howard's movie will be arriving in all manner of ways: new stills, new TV spots, or even - as we're seeing today - via a Facebook post from Solo composer John Powell, who just revealed the soundtrack's full track listing.

She lays down a beat for them by watching a metronome and banging out its rhythm on the floor with a broom — just like the 17th - century composer Lully, who conducted his orchestra by beating a baton on the ground, as we learn from Piper's nerdy friend Ed.

Renowned composer Jason Graves, whose work has graced video games such as Tomb Raider, Dead Space and Until Dawn, within the experience of Far Cry Primal, creates the perfect background soundscape to primitive man's struggle to survive in a world where certain death is always waiting just around the next corner.

As Akira Yamaoka, the game's composer and sound designer, says in this making of documentary, the role of a sound designer isn't just creating sounds, but knowing when to use silence as welAs Akira Yamaoka, the game's composer and sound designer, says in this making of documentary, the role of a sound designer isn't just creating sounds, but knowing when to use silence as welas well.

Couple that with the remastered musical stylings of Nobuo Uematsu, composer of some of the series» best music, and the experience is just as good now as it was back then.

Scored by renowned Halo composer Marty O» Donnell (who recently departed Bungie), Destiny's soundtrack is just as arresting as its graphics.

One of the great things about working in indie games, especially as an audio person, is that you just meet a ton of awesome singers, musicians and fellow composers.

Just as Cage sought to decentralize the role of the composer and performer and obviate expression, Rauschenberg used Automobile Tire Print to eliminate the artist's hand, deemphasize authorship, and counter the high individualism that was a central tenet of the work of so many of his peers.

I am fascinated by [composer] John Cage, and he says it well: «I have nothing to say, so I say it»... People won't stop painting, just as they won't stop making music or dancing.

It was a monologue (delivered in a rotary telephone costume I designed) exploring a symmetrical rift between high and low culture, inspired in part by a musical comedy about a working class bell hop who exposes a pretentious composer (who stole his girlfriend) as a fraud by revealing that his critically acclaimed avant - garde divertimento is really just a hit - parade song played backwards.

For a different game I'm working on I want to include music made by composers who have their music protected under the CC 3.0 license and I have permission to use their works in a commercialised product as long as I'm not just reselling their music as is and without any form of modification.

For example, I was just musing the other day about whether it wouldn't be possible — and sensible — to construct a digital record of published music such that a composer could easily discover whether a melodic line had already been taken, as it were.

My guest on the podcast this week is Joyce Kettering, a composer who became so successful licensing her music that she did the thing that so many dream about — she was able to quit a very good day job as a financial auditor and just dedicate herself to music.

Paradox Interactive just announced that the famous composer, who wrote for Nelly Furtado and toured with stars like Britney Spears and Kylie Minogue has joined the team as the Head of Music.