Sentences with phrase «kunst at»

Not exact matches

GALERIE FLUEGEL - RONCAK is again exhibiting at International artfair «KUNST 11 ZÜRICH» ins switzerland.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstat Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstAt The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

mother, 2014 bronze, patina, 168 x 80 x 43 cm courtesy galerie thaddaeus ropac, salzburg (at), paris (fr) photo by eva würdinger / © vg bild - kunst, bonn 2015

hypnosis II (coat), 2008 acrylic, wool, clothing, 159.5 x 66 x 65.5 cm courtesy galerie thaddaeus ropac, salzburg (at) / paris (fr) photo by studio wurm / © vg bild - kunst, bonn 2015

2014 «The Divided Body», Predikerkerk, Leuven, Belgium «Puddle, pothole, portal», SculptureCenter, Long Island City, NY — curated by Ruba Katrib & Camille Henrot «Petals on the Wind», Galerie Micheline Szwajcer, Antwerp, Belgium «I would prefer not to», Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, The Netherlands «Lou Ford», établissement d'en face, Brussels, Belgium «Forcefield — drawing show», A.VE.NU.DE.JET.TE — Institut de Carton vzw, Brussels, Belgium Small Museum for the American Metaphor, REDCAT, Los Angeles, CA — curated by Kersten Geers Emoties in de hedendaagse kunst, Gemeentemuseum Helmond, The Netherlands «The Hawker», dépendance at Carlos / Ishikawa, London, UK Progress and Hygiene, Zachęta National Gallery of Art, Warsaw — curated by Anda Rottenberg La référence d'objet n'est pas définie à une instance d'objet, Galerie Edouard - Manet, Genevilliers — curated by Barbara Sirieix

Self - titled solo shows were presented at Secession, Vienna, Austria; Kaikai Kiki Gallery, Tokyo, Japan; CCA, Tel Aviv, Israel; Austrian Cultural Forum, London, England; ar / ge kunst Galerie Museum, Bolzano, Italy; Tanya Leighton, Berlin; «Oliver Laric: Lincoln 3D scans,» The Collection and Usher Gallery, Lincoln, England; and «Yuanmingyuan 3D, Entrée, Bergen, Norway.

Her work has been exhibited nationwide and internationally at such institutions as the Guggenheim Museum in New York; the New Museum in New York; BAK - basis voor actuele kunst, Utrecht, NL, the Hammer Museum in Los Angeles; Fri - Art Centre d'Art Contemporain Kunsthalle, Fribourg, Switzerland; Chinese Arts Centre, Manchester, England.

He had solo exhibitions at ar / ge kunst, Bolzano (2016), Öktem & Aykut, Istanbul (2015), Arcade, London (2015, 2012), SALT, Istanbul (2014), Casco, Utrecht (2011), The Showroom, London (2010), Kunstlerhaus Bethanien, Berlin (2008), Spike Island, Bristol (2007) and Sala Rekalde, Bilbao (2006).

kunst scanner is an educational project in which students create, over the course of several weeks, their own interpretations and commentaries relating to the current exhibition at Kunsthalle Basel.

His work has been included in numerous group exhibitions, notably Mapping the Horizon at Upstream gallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Paris (2003)

¨ She has participated at the Biennale Estuaire Nantes / St - Nazaire; Bienal de Sao Paulo, São Paulo; Biennale of Sydney; The Busan Biennale; berlin biennale für zeitgenössische kunst; Yugoslav Biennial of Young Artists; Tirana Biennial; Manifesta 3 and Melbourne International Biennial.

Liao's photographs have been exhibited internationally, including at Arario Gallery (NY), kunst licht Gallery (China), VT Artsalon (Taiwan), Kips Gallery (Korea), The Running Horse Contemporary Art Space (Lebanon), NordArt (Germany), Pingyao International Photography Fest (China), and other venues.

Do You See a Face, at the museum moderner kunst stiftung ludwig wien (mumok), in Vienna.

Do You See a Face, at the museum moderner kunst stiftung ludwig wien (mumok) runs through October 5, 2014.

The Floating World had its world premiere at the prestigious KINO DER KUNST 2013, Munich.

He has exhibited his work in the United States and abroad at the Saint Louis Art Museum; Albright - Knox Art Gallery, Buffalo; P.S. 1 / MoMA, New York; The Studio Museum in Harlem, New York; Brooklyn Museum; The Kitchen, New York; Contemporary Art Museum Houston; Dak «Art 2006, the Biennial of Contemporary African Art, Dakar, Senegal; Susanne Vielmetter Los Angeles Projects; Art in General, New York; ar / ge kunst Galerie Museum, Bolzano, Italy; Scottsdale Museum of Contemporary Art, Arizona; Ulrich Museum, Wichita, Kansas; Salt Lake Art Center, Utah; Hong - Gah Museum, Taipei; Southeastern Center for Contemporary Art, Winston - Salem; Krannert Art Museum, Urbana - Champaign, Illinois; Plug In ICA, Winnipeg; Brooklyn Academy of Music; Galerie Chez Valentin, Paris; Santa Monica Museum of Art, California; Contemporary Museum, Baltimore; and the Watts Towers Art Center, Los Angeles.

In the framework of his exhibition DIE NACKTESTE FREIHEIT DER KUNST (The Most Naked Freedom of Art) from April 14 — May 12, 2018 at Sies + Höke, Jonathan Meese presents 21 paintings fresh from the studio in very different formats.

In 2013, Richard Birkett curated And Materials and Money in Crisis at MUMOK (museum moderner kunst stiftung ludwig wien) Vienna, Austria in dialogue with Lewitt and he was one eleven artists whose work was displayed therein.

Recent exhibitions of the artist's work include group shows «Bergen Geestgrond,» «Inspiratie - kunst, kennis en natuur» and «Silence out Loud» (curated by Joost Zwagerman) at Museum Kranenburgh, Bergen; «Blind Date II» at Dapiran Art Project Space, Utrecht; and «Ways of the Imagination» at Witteveen Visual Art Centre, Amsterdam.

Nicholas Hlobo's long career of international projects and solo shows includes those at Nasjonalmuseet for kunst, arkitektur og design in Oslo (2011), Locust Projects in Miami (2013), and Museum Beelden aan Zee, The Hague (2016).

Cosmin Costinaş is curator at BAK, basis voor actuele kunst since early 2009, where he curated the exhibitions I, the Undersigned by Rabih Mroué; Expo Zero (together with Boris Charmatz and Martina Hochmuth); and Surplus Value by Mona Vătămanu and Florin Tudor.

Edward Hopper: Selections from the Permanent Collection of the Whitney Museum of American Art, July 21, 1989 — May 23, 1993 This exhibition was show at the Whitney from July 21 — November 5, 1989, and then traveled through May 1993 to other venues, including Tokyo Metropolitan Tien Art Museum; Newport Harbor Art Museum, California; Seattle Art Museum; Musee d'art et d'histoire de la Ville de Geneve, Switzerland; Louisiana Museum for moderne kunst, Humlebaek, Denmark; Schirn Kunsthalle, Frankfurt; and Palais des Beaux - Arts, Brussels.

«CLAES OLDENBURG: THE SIXTIES «MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, VIENNAFebruary 4 - May 28 * Curated by Achim HochdörferPROPELLED BYAN ENGAGEMENT WITH the work of Sigmund Freud at the close...

2009 The Malady of Writing, MACBA, Barcelona, ES Zeno Reminder (in collaboration with Mariana Castillo Deball), Performa 09, New York, US Exhibition at Labor Gallery, Mexico, MX Planet of Signs» — curated by Guillaume Desanges at Le Plateau, Paris, FR A Fantasy for Allan Kaprow — curated by Mai Abu ElDahab and Philippe Pirrote, at CIC, Cairo, EG KAAP (the little biennale) curated by Mark Kremer, Fort Ruigenhoek, Utrecht, NL The Happy interval, Gallery Tulips & Roses, Vilnius, LT 2008 Nameless Science, curated by Henk Slager at Apex art, New York, US Fuga di un Piano (in collaboration with Mariana Castillo Deball), Manifesta 7, IT The Flight of the Dodo, Project Arts Centre, Dublin, IE Arte BA - art fair, with 713 Gallery, Buenos Aires, AR MiArt - art fair, 713 Gallery, Milan, IT 2007 Panorama de las artes visuales en Córdoba», Museo Caraffa, Cordoba, AR A for Alibi, De Appel Center for Contemporary Art, Amsterdam, NL Shelter 07, public space intervention, Hardewijk, NL Levity at The Drawing Center, New York, US 2006 Alguns Llibres D'Artista (a few artists books) Roma Publications at ProjecteSD, Barcelona, ES Longitude, part of the group show fumus fugiens at Smart project space, Amsterdam, NL 2005 A Poetics of Place, Utrecht's former county - court, Utrecht, NL 2004 Rendering, Mirta de Mare ruimte voor actuele kunst, Rotterdam, NL 2003 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL 2002 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL

After the Nazi regime closed down the Bauhaus in 1933, as part of its campaign of suppression of «degenerate art» (entartete kunst) Albers emigrated to America, and continued propagating the Bauhaus aesthetic in art and design at the experimental Black Mountain College, North Carolina, where he directed the fine art painting course until 1949.