Sentences with phrase «kanjo square painting»

The black hole at the centre of the film has the potential to be, like Kazimir Malevich's Black Square painting, a true space of the sublime, a void where the unpresentable is presented on screen.

At the far ends of the room, two mostly square paintings with a decided orange tendency are in dialogue, while the shorter axis is dominated by more vertical paintings with green as a unifying hue.

The exhibition — which New York Magazine hailed as «superb» — includes a suite of six inch square paintings that feature bravura depictions of tire stores, muddy roads and rutted asphalt.

I was particularly struck and moved by the fortuitous juxtaposition of two large square paintings, one by Helen Frankenthaler, the other by Grace Hartigan.

I found myself in the middle of a road painting a six foot square painting and a car came and blew the painting away.

The gallery will present an exhibition of Josef Albers's work in its 537 West 20th Street location in New York in November 2016 that will explore the relationship between his Homage to the Square paintings and the monochrome.

Bacon: In the mid-to-late -»60s, when these large square paintings with pseudo-architectural forms were well underway, you were in New York a lot more, and you showed most often with Fischbach.

Removing my own 8 ″ square painting Duke Street Tetractys from my bag, I place it in a position that had been left especially for it, directly beneath a lovely painting that could be a photogram of a necklace.

Ushering in a new era in his work, Stella arrived at color with the first Concentric Square paintings, never to make a monochrome painting again.

Instead of parsing the grays and the colors into individual squares on the same canvas like earlier Concentric Square paintings, Stella combines them, resulting in a dizzying clash between the two essential components of color, hue and value.

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

Boycotting the idea of design or arrangement, and encompassing the entire color spectrum, Steir divides her square paintings directly in the center of the canvas.

It was not until 1949 though, aged 62, that he embarked on his signature series of Homage to the Square paintings.

Representative of the artist's famous liking for measured logic, Lettre sur les sourds et muets I epitomizes the artist's «70s output and the very best of his Concentric Square paintings more broadly.

Each one was always five inches square painted in the centre of a canvas eight inches square.

Prices at the exhibition will range from $ 175,000 to over $ 2 million for one of those 48 - inch - square paintings.

With a rectilinear box placed within a larger rectilinear box, it's reminiscent of Josef Albers's square - within - square paintings — Rauschenberg studied with Albers at Black Mountain College — but the work comes across as self - consciously arty, or a one - liner.

The exhibition traces all the stages of Pape's career, beginning with her square paintings, reliefs, and blocks, all done between 1954 and 1956, when Pape was a member of Grupo Frente from Rio de Janeiro, which also included Clark and Oiticica, and which initially followed the tenets of concrete art as outlined by van Doesburg.

I myself once compared her paintings to those of Josef Albers, seeing them as «fundamentally abstract, the house [being] not so much a house as the form of a house, a given shape, a certain geometry,» like those endless squares painted by the ex-Bauhaus colorist.

Around 1966, one year before Reinhardt died, I was in France doing square paintings that were all the same, with the same pattern repeated — a black circle on a white surface.

With Nicholas Fox Weber, the director of the Connecticut - based Josef and Anni Albers Foundation, Waddington helped oversee a remarkable rise in the prices of that influential Bauhaus artistJosef Albers, whose Homage to the Square paintings now fetch more than a million dollars.

According to Ann Edison Gibson's essay Norman Lewis: Black Paintings, 1946 - 1977, this series is one of the artist's major achievements: «the Seachanges deserve to be considered along with Mark Rothko's late dark paintings, Franz Kline's late black - and - color paintings, and Ad Reinhardt's deeply black square paintings as landmarks of late Abstract Expressionism.»

WalkingStick, a citizen of the Cherokee Nation, is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

Opening this book is a series of exquisitely produced color plates of brightly colored, large - format square paintings.

Two of the square paintings are being lent — one from Belfast, the other from Fort Worth in Texas — and a gloriously vibrant watercolour of Bamburgh Castle in Northumberland, a work which spent much of its life owned by the US Vanderbilt family, is being shown in a museum for the first time.

In the exhibition, Andy Warhol's Flowers are echoed in the graphic florals of a Christopher Wool painting; a monumental Concentric Square painting by Frank Stella faces off with a large Donald Judd stack; and the cracked - earth surface in Alberto Burri's Cretto finds its literal counterpoint in the crumbled asphalt bed of a David Hammons Basketball Drawing.

It dwarfs the square painting to its left, no small potatoes itself.

A citizen of the Cherokee Nation, she is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she has portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

Baffled Victorian critics thought JMW Turner had genuinely lost his marbles with much of his later works, particularly nine controversial square paintings, which Tate Britain is to celebrate by hanging them together for the first time.

A format in which Turner had never worked before his sixties, these square paintings are displayed together within this exhibition for the first time, thanks to important loans from the Kimbell Art Museum, USA and the Ulster Museum, Belfast.

A six - foot - square painting, in his signature grammatical play of blocks of color and horizontal bands, will go a long way towards animating the stand.

It will be a grouping of 16 - inch square paintings displayed in a grid format.

Executed in 2015, Untitled is one of a handful of colossal square paintings based on wildlife photographs lifted from a vintage German calendar where each month was accompanied by a different animal from a regional landscape — each painstakingly painted to mimic the original condition of the photographic image.

This may be observed in Ohm Home, as two rectangles kiss on the square painting support, creating an offspring of isosceles triangles.

One of the 10 x 10 foot square paintings from Peter Schuyff's 1987 show at Leo Castelli or a Tauba Auerbach fold piece.

At Zwirner a suite of Josef Albers oil on Masonite square paintings seemed to emanate their own light.

This catalogue for a traveling exhibition considers the working drawings and spontaneous studies of Josef Albers, beginning with the landscapes and figure studies he created before enrolling at the Bauhaus, to abstractions inspired by archeological sites in Mexico, to color studies for his famous Homage to the Square paintings.

Each is composed of small squares painted varying gradations of hues from Goethe's color wheel and juxtaposed with those painted some other color — ultramarine in three

It is joined by two more subtle paintings by Doug Argue, two knockout works by Abstract Expressionist Fritz Bultman, and, in the 64th - floor lobby, a suite of seven square paintings by Greg Goldberg along with a ripe new Bryan Hunt sculpture.

Stanley Whitney's work is a humble 12 - inch square painting from 20009, titled: Untitled.

Paul Kasmin Gallery is pleased to announce «Geometric Variations,» the first New York gallery exhibition to explore the historical importance of Frank Stella's iconic square paintings from the 1960's and 1970's.

Her paintings, like life itself, are basically the same: square paintings (or long rectangular paintings) of small, ordered grids of squares, triangles, and unexpected shapes.

Lot 34 is a very cool and very elegant concentric square painting by Frank Stella (b. 1936).

These plays between inside / outside, mind / body, felt / seen are explored throughout the exhibition, including in the nearby Listening to Haruki Murakami while looking at a sunset (2016), a network of squares painted in a palette of soft peach and gray acrylics, realized at the same scale.

Shades of gray are the predominant tone of this square painting with a strip of go...

The poem appeared in four parts, arranged as a cubed sculpture in - the - round and formalistically referenced to Kazimir Malevich's four black square paintings made between 1915 and 1930.

Gallagher's group of four paintings, Negroes Battling in a Cave (2016), is a direct reference to handwritten marginalia found on the edge of one of Kazimir Malevich's iconic black square paintings.

The arrangement of squares within Albers» Homage to the Square paintings and prints were «a convenient carrier» for his color «instrumentation» — a «container for and a dish to serve [his] cooking in.»

I have always understood Smith's attitude toward three - dimensional objecthood as a cubic extension of the late, all - black, cruciform - patterned square paintings of Ad Reinhardt.

While the eight square paintings share the same motif ---- a quatrefoil made of four circular forms pressed together, leaving an open space in the center ---- each painting's overall form, palette, and surface is distinct.