Sentences with phrase «kidman seems»

Nicole Kidman seems strong for a supporting nod, and Dev Patel probably is strongly in the running for a Best Actor nomination.

Nicole Kidman seems to be getting more praise for her work in Lee Daniel's The Paperboy.

Of the actors, only Kidman seems to have her feet firmly planted in both stylized affectation and real feeling.

At first, Penn and Kidman seem like an unlikely pairing, but as the film and its layers of mystery are peeled away, their chemistry grows in intensity, ultimately producing a satisfying brew of desire and unrequited passion.

Not exact matches

This seems to be Kidman's «star vehicle film» where she showcases how great she is in biopics.

Although Kidman's Down Under tongue makes for a convincing white southern African accent, she seems rather schematically conceived: a multilingual quasi-superheroine and sophisticate with radical connections to (and formulaically traumatic memories of) Matobo's revolutionary days.

Kidman, surprisingly, is a bit overshadowed by him; her character seems less interesting.

Nicole Kidman, who seemed to be everywhere at Cannes with four titles («The Beguiled,» «The Killing of a Sacred Deer,» «How to Talk to Girls at Parties,» and season two of «Top of the Lake»), won the special 70th - anniversary prize, a decennial award with few restrictions on who can get it or for what.

Nicole Kidman and Laura Dern have already won well - deserved Emmys for their phenomenal performances — two that rank high on the list of the best of their remarkable careers — but this is one of those rare projects in which every actor and actress seems to be on the same page.

Newcomer Claire (Nicole Kidman) causes a stir in their office and Ray seems attracted to the emotionally unavailable beauty.

I wish Kidman would have been given more as her character seems to be such an important part of Lomax's journey.

Oscar alumna Paltrow's («Shakespeare in Love») portrayal of real - life suicidal poet Plath one year after Nicole Kidman won the Oscar for playing real - life suicidal writer Virginia Woolf seems like a smart move on Paltrow's part after she has foundered in lightweight fare.

Like Nicole Kidman, about the same time she stepped away from a high - profile husband, opportunity for edgier material in more sizable roles, seemed to present itself.

Sporting short hair ala Mia Farrow in Rosemary's Baby, Kidman is convincing as a woman completely overwrought with grief and confusion when this boy enters her life, but at times, she seems so gullible and obsessive that it's almost impossible to feel sorry for her situation.

Julianne Moore seems the odd one out, considering the fact that she was in the film longer than her Best Actress nominee costar Nicole Kidman.

Hollywood often doesn't seem to know what to do with Nicole Kidman and that's shame.

Roberts» naturalism simply doesn't fit with Kidman's film noir, stylish vamping, and Ejiofor seems to have to go back and forth.

And perhaps similarly to how the Edith Piaf biopic was certainly Marion Cotillard's movie, it seems TWC hope to do much the same thing here for Kidman — it is, after all her seventh film produced by Weinstein.

Howie (Aaron Eckhart) and Becca (Nicole Kidman) live the kind of otherwise perfect suburban life that makes a missing family member seem all the more apparent: gardening, baking pies, and playing intense games of squash.

One of countless forgettable thrillers scored by Jerry Goldsmith during the past couple of decades, Malice starred Alec Baldwin (an extremely talented actor who rarely seems to get films worthy of his talents) and a pre-attractive Nicole Kidman during her dodgy perm days.

Last week this column took a look at the quickly tightening best actress race (in the wake of two drop outs via Nicole Kidman and Marion Cotillard), so it seemed appropriate to turn the table over to their male counterparts, especially since one of the main contenders in that arena also headed to 2014 last week.

After all, he had just produced a one - two hit of moody, studio - funded chamber dramas featuring big - name leads (Nicole Kidman, Ben Stiller) who seemed intent on stripping away their movie - star vanity to revel in warts - and - all portrayals of unglamorous, perhaps even mean - spirited, broken characters.

There's a reason this article is illustrated with a ten - year old image of Nicole Kidman in The Others: she's not quite a stranger to making low - budget chillers, and now she seems to be tapped for a new one.

This seems to be a mix - up with the Baz Luhrmann film «Australia» in which he co-stars with Nicole Kidman (he replaced Russell Crowe).

May 2005 Inside Film Magazine May 2005: ««Hitchcock»... seems to be an especially big influence on his up and coming film starring Nicole Kidman.

Nicole Kidman stars as Grace and Tim Roth as her prince, Rainier III, in a tale that seems to cover a troubled year of Kelly and Rainier's marriage as she deals with the pull of her old life and the realities of her new one.

It seems Kidman has already prepared to adapt to Wong's trademark directing style, which focuses less on the script and more on on - the - spot shooting.

The premium channel is back with another high - profile limited series starring two Oscar winners — Reese Witherspoon and Nicole Kidman — and another actress who seems destined to win one someday in Shailene Woodley.

When the film opens, India (Wasikowska) has just lost her father (a miscast Dermot Mulroney — then again, the man is so rarely well cast), She and her mother (Kidman) are in mourning, albeit in their own uniquely strange way — setting off alarm bells that all is not as it seems — when who should show up but Uncle Charlie (Matthew Goode, ever handsomely creepy / creepily handsome).

For about an hour I was held rapt by Keoghan, Kidman and Farrell (whose hangdog expressiveness Lanthimos seems to comprehend more fully than any other director), and by the loopiness of the dialogue — loopy in the sense that it's both out there and repetitive.

The other key players here are Kirsten Dunst (who starred in Coppola's «Marie Antoinette» and «The Virgin Suicides»), piercingly good as the naive young woman to whom McBurney pledges his love, and Kidman, whose scalpel - sharp performance seems to conceal tantalizing multitudes.

Bradley Cooper is Eddie Morra, a divorced «writer» who seems to have gotten a book contract by dint of dating an editorial assistant (Abbie Cornish, given little to do besides resemble a grad - student clone of Nicole Kidman).

The setup in the video is slightly odd — Mitchell seems to have been held at gunpoint against a wall and forced to give a monologue — but the director has a number of interesting things to say, particularly on the contrast between working with stars like Kidman and the less seasoned players of his last film, «Shortbus.»

Well, it seemed premature then — and now that none other than Nicole Kidman has been added to a cast that already included Naomi Watts, I think it's fair to say -LSB-...]