Sentences with phrase «kidman turning»

And yet, even with Nicole Kidman turning in a lovely, quietly powerful performance as Bell, even with a bevy of solid supporting performances from the likes of James Franco, Robert Pattinson, Damian Lewis, Jay Abdo, David Calder and Jenny Agutter, even with Peter Zeitlinger's (Into the Inferno) stunning cinematography, Queen of the Desert still ends up as nothing more than a colossally head - scratching disappointment.

The night before her divorce to Tom Cruise became finalized, Kidman turned heads in this streamlined black bustier dress.

Roberts and Nicole Kidman turn out to be key supporting players; Chiwetel Ejiofor of «12 Years a Slave» is the real star of this murder mystery - conspiracy thriller adapted from «The Secret in Their Eyes,» the 2009 Spanish - Argentinean Oscar winner.

Sick of hearing powerful men arguing about France's war with Algeria, the Princess of Monaco as played by Nicole Kidman turns her nose up and, in her best / worst Valley Girl intonation, settles the debate with a simple: «Colonialism is so last century!»

Not exact matches

With Nicole Kidman's masterful turn at Cannes Film Festival is still fresh on everyone's mind, she continued her fashion crusade at the CFDA Fashion Awards in New York City on Monday (June 5).

Even so, Nicole Kidman is in the middle of an extraordinary stretch of her career, and she has the ability to break hearts while turning in an exemplary performance; she even steals the movie from co-star Sean Penn..

Dr. Julia Kelly (Nicole Kidman), a nuclear scientist turned U.S. government official, portrays the helpless woman in a top position.

Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992).

Gertrude Bell (Nicole Kidman) rejects the stifling rigidity of life in turn - of - the - century England, leaving it behind for a chance to travel to Tehran.

Danes» other film credits include Matthew Vaughn's STARDUST opposite Robert De Niro and Michelle Pfeiffer; Lajos Koltai's EVENING, opposite Toni Collette, Meryl Streep, Glenn Close, Natasha Richardson, and Vanessa Redgrave; Thomas Bezucha's THE FAMILY STONE, opposite Diane Keaton and Sarah Jessica Parker; Jonathan Mostow's TERMINATOR 3: RISE OF THE MACHINES, opposite Arnold Schwarzenegger and Nick Stahl; Stephen Daldry's Academy Award ® winning drama THE HOURS, opposite Meryl Streep, Nicole Kidman, Julianne Moore, Allison Janney, Ed Harris, and Toni Collette; Jonathan Kaplan's BROKEDOWN PALACE, opposite Kate Beckinsale; Bille August's LES MISERABLES; Theresa Connelly's POLISH WEDDING; Francis Ford Coppola's THE RAINMAKER, opposite Danny DeVito and Matt Damon; Oliver Stone's U TURN, opposite Sean Penn, Nick Nolte, and Joaquin Phoenix; Michael Pressman's TO GILLIAN ON HER 37th BIRTHDAY, opposite Michelle Pfeiffer and Peter Gallagher; Jocelyn Moorhouse's HOW TO MAKE AN AMERICAN QUILT, opposite Winona Ryder, Anne Bancroft, and Ellen Burstyn; Billy Hopkins» I LOVE YOU, I LOVE YOU NOT, opposite Jude Law; Jodie Foster's HOME FOR THE HOLIDAYS, opposite Robert Downey Jr., Holly Hunter, and Anne Bancroft; and Gillian Armstrong's LITTLE WOMEN, opposite Winona Ryder, Susan Sarandon, and Kirsten Dunst.

Making the United Nations look good is easy compared to the movie's main imaginative ambition, which is to turn Nicole Kidman, apotheosis of all that is blond in Hollywood today, into the embodiment of African suffering.

So one line in particular from Kidman's speech was notable this time around, after she won for best actress in a limited series for her searing role in «Big Little Lies» as a lawyer - turned - housewife in an abusive relationship: «I want to thank all of my children, who show me so much love.»

Kidman, too, turns in a dynamic performance — her best scene being the interrogation one.

Director Jonathan Teplitzky (Getting» Square), writer Frank Cottrell Boyce (Tristram Shandy: A Cock and Bull Story) and producer turned co-scribe Andy Patterson (Burning Man) adapt Eric Lomax's autobiography of the same name into a consideration of closure and catharsis, as focused on the juxtaposition of the young Lomax's (Jeremy Irvine, Great Expectations) experiences in a Japanese prisoner - of - war camp, working on the Thai - Burma Railway in cruel conditions, and the elder Lomax's (Colin Firth, Tinker Tailor Soldier Spy) troubles when attempting to cope, particularly on the occasion of his marriage to the sympathetic Patti (Nicole Kidman, Stoker) decades later.

Loosely adapted from a Neil Gaiman short story (and co-starring Nicole Kidman as a punk queen impresario called Boadicea), the film revels in its own shambolic style, turning the England of 1977 into a sort of queer - friendly fringe musical fantasia where anything goes.

Well, I guess if the world would have Skarsgard rape Nicole Kidman, attempt to snipe an innocent child in a playground merely to make a point and get Emily Watson to turn herself into a whore for God, then I guess he has earned the right to sing Abba songs.

The ever - growing reliance on home and mobile streaming entertainment thankfully do not neglect auteur content and MIFF is proud to support the work, less so the medium with Top of the Lake: China Girl; straight from a standing ovation in Cannes, this special Australian premiere of the entire second season, directed by Jane Campion and starring Nicole Kidman will show all six episodes in three concurrent two - hour sessions — a unique opportunity to see the series before its television premiere, turning this binge experience into an outright event.

The film tells the true story of a Japanese POW camp who searches out the man who tortured him, and stars two previous Oscar - winners, Colin Firth and Nicole Kidman, with a classy supporting cast also including Jeremy Irvine, Stellan Skarsgard and Hiroyuki Sanada (in a supporting turn we've already heard some buzz about).

At the very least, Nicole Kidman's supporting turn should be fun.

Nicole Kidman's sly, exuberant turn as the mysterious Satine wouldn't work half as well if it hadn't been a duet w / Ewan McGregor's career best.

There are very, very low rumblings for Les Misérables costars Samantha Barks and Helena Bonham Carter, and Nicole Kidman has been getting bizarre nominations for her turn in the critically panned The Paperboy.

Racing around Rome in a flashy sports car, wearingsunglasses after dark and ducking the paparazzi at every turn, he juggles theattentions of his leading lady (Nicole Kidman), his wife (Marion Cotillard) andhis mistress (Penelope Cruz).

Star turns of a different sort are on display in Rabbit Hole, as Nicole Kidman and Aaron Eckhart play a couple coping with the death of their son.

Here, he works this with a promising cast, especially Kidman, who can turn in a great performance under the right director.

Playbill Reviews are in for Keira Knightley's Broadway turn in Therese Raquin Variety Nicole Kidman lines up a new thriller Silent Wife.

Starring Colin Farrell, Nicole Kidman, and a stellar ensemble, The Killing of a Sacred Deer tells the story of Steven, a captivating surgeon who soon finds his life upturned after he takes in an orphaned teenager and their relationship turns sinister.

Not many people saw Kidman's mesmerizing portrayal of the photographer Diane Arbus in the boundary - breaking film «Fur,» or her turn as a grieving mother in «Rabbit Hole,» or as the traumatized grown - up daughter of self - involved artists in «The Family Fang.»

Best Bear Attack: The Revenant Best Mosasaur Attack: Jurassic World Best Blind, Flamethrowing Guitar Player: Mad Max: Fury Road The Winklevi Award for Excellence in Playing Twins: Tom Hardy, Legend Worst Romantic Chemistry: Dakota Johnson and Jamie Dornan, 50 Shades of Grey (Runner - up: Nicole Kidman and Chiwetel Ejiofor, The Secret in their Eyes)(Honorable Mentions: Mila Kunis and Channing Tatum, Jupiter Ascending; Chris Hemsworth and Tang Wei, Blackhat) Best Fake Soap Opera: Joy Best Fake Magazine: Trainwreck («S'Nuff») The Gay Panic Award: Get Hard (Runner - up: The D Train) Best Alec Guinness Impression: Max von Sydow, Star Wars: The Force Awakens Worst Liam Neeson Impression: Sean Penn, The Gunman Best Turn - of - the - Century Reference to The Atlantic: Crimson Peak The Unbroken Award for a Portrait of Endurance that Gradually Becomes an Exercise in Endurance: The Revenant Best Use of «Smells Like Teen Spirit»: Pan Best Use of «Freebird»: Kingsman: The Secret Service Best Use of «Girls Just Want To Have Fun»: Anomalisa Least Convincing Hacker: Chris Hemsworth, Blackhat Least Responsible First Responder: Dwayne Johnson, San Andreas Person You'd Least Want in Charge of National Intelligence: Andrew Scott (Sherlock's Moriarty), Spectre Most Comprehensive Annihilation of an Intended Franchise: Josh Trank, Fantastic Four Best Driver: Ben Kingsley, Learning to Drive (Runner - up: Robert DeNiro, The Intern) Worst Total Box Office: Confession of a Child of the Century, $ 74 (Runner - up: Paranoid Girls, $ 78) Most Disturbing Sex Scenes (Human Category): Love Most Disturbing Sex Scenes (Puppet Category): Anomalisa Best Performance Playing a Character Named «Toussaint»: Jimmy Jean - Louis, Joy (Runner - up: Fabrice Adde, The Revenant) The «Marry Me and I'll Buy You a Piano» Award: Far from the Madding Crowd The «That Was Beautiful; What Happened?»

Last week this column took a look at the quickly tightening best actress race (in the wake of two drop outs via Nicole Kidman and Marion Cotillard), so it seemed appropriate to turn the table over to their male counterparts, especially since one of the main contenders in that arena also headed to 2014 last week.

After an Oscar nomination in February for her work in «Lion,» acclaim this spring for her turn in HBO's «Big Little Lies» and even the social phenomenon of the Kidman World Cup, she will now follow it with the Cannes hat trick.

While it's true that nobody wants to see Nicole Kidman pout her way through a brain - dead remake of Invasion of the Body Snatchers or Jodie Foster turning vigilante, people will show up for good movies about women who kill with bows, arrows and grit.

(Corriere della sera) «To turn Nicole Kidman into The Lady from Shanghai, is a thought that doesn't make me sleep the night.

With the ladies, I would say Julianne Moore was ultimately robbed of the Academy Award for her stunning turn in «Far from Heaven» by Nicole Kidman in «The Hours,» a good performance, not a great one.

Firth, Nicole Kidman, and Stellan Skarsgard look to turn in strong performances as per usual.

Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.

But with tough humor and a trio of outstanding turns from Nicole Kidman, Aaron Eckhart and Dianne Wiest, it thoughtfully explored grief.

Before We Saw the Trailer, We Thought: It's been a decade since iconic music video helmer Jonathan Glazer's entrancing sophomore feature «Birth,» starring Nicole Kidman in one of her most mesmerizing turns, so anticipation is high on his long delayed followup «Under the Skin» to deliver.

Turns out, this one is actually in post-production, with Elle Fanning and Nicole Kidman standing out among a cast of otherwise lesser knowns.

Practical Magic is a perfectly fine late»90s rom - com, with two charismatic leads (Sandra Bullock and Nicole Kidman), strong supporting turns by Stockard Channing and Dianne Wiest, and the added fun of witchcraft against the backdrop of a lovely seaside town.

One critic compared Nicole Kidman in this to her mesmerizing turn in Birth - that is a HIGH compliment, indeed!

Kidman's loving and struggling mother is dynamic, allowing her to deliver her finest turn since «Rabbit Hole.»

The kid forces Farrell and his dutiful Nicole Kidman - played wife into a lethal predicament, and once its specific nature and causes have been revealed, the film turns into a blackhearted parable about maturity and accepting responsibility.