Sentences with phrase «kinetic works from»

The Collection displays will frequently respond to the underlying themes identified in IMMA's wider programme, for example Op and Kinetic works from the Gordon Lambert Trust donation will be shown to coincide with the Hélio Oiticica exhibition.

At its annual meeting in March, the Collectors Committee of the National Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's signature works in this series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic work from the artist's early career.

Not exact matches

However, the film's kinetic sense of humor and spirited voice work from Jim Parsons, Rihanna, Steve Martin and Jennifer Lopez could make Home, which is based on the Adam Rex children's book The True Meaning of Smekday, a fun trip to the movies for kids of all ages.

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

Working from a script by Rhett Reese, Paul Wernick and Ryan Reynolds, director David Leitch (John Wick, Atomic Blonde) produces a film that is even more kinetic than DP1 and filled with at least as much heart (and a couple / three moments of oddly exhilarating spirituality!).

The hyper - colour, hyper - kinetic animation is designed with the youngest viewers in mind, as is the film's evident slightness and simplicity; many of the gags, particularly those stemming from the voice work of Samuel L. Jackson (Django Unchained), Snoop Dogg (Scary Movie 5), Maya Rudolph (The Way, Way Back) and Ben Schwartz (Parks and Recreation) as fellow snails, are firmly aimed at their adult chaperones.

For another example of students sharing their final products with a community audience, watch the video Anatomy of a Project: Kinetic Conundrum, from Edutopia's Schools That Work series.

The re-tuned V - 6 turbodiesel engine drives power to the rear wheels, and the same electric energy recovery system will be at work on the front axle, maximizing the amount of kinetic energy stored from braking.

It's a furiously kinetic display of «camera work» from a director who fuses lightning - fast visual tricks and shifting styles while pushing the possibilities of interactive storytelling.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

Studio 10 will present «Host,» with work by Tom Butter that features an 11 - foot - tall kinetic sculpture, while Amos Eno Gallery's «Perceptual Slip» features a group show by Samantha Jones, Erik Patton and José - Ricardo Presman, with work created from discarded and unassuming materials.

The exhibition will present selections from Bayrle's most iconic series, including several of his rarely exhibited «painted machines» — hand - painted kinetic works inspired by images of Chinese pageants and other mass demonstrations.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

The blossoming of kinetic and op art in these regions was largely conditioned by the common political and economic realities the countries were experiencing, which set the artists apart from contemporaries working in the field.

«The other exhibition spaces always take my works down in the end,» says the artist while climbing from floor to floor up to the roof of the museum, turning switches on and off, and thereby setting her kinetic sculptures into motion.

Tomasello, a leading representative of Latin American Kinetic art, worked extensively in Paris from the late 1950s onwards exhibiting with Galerie Denise René, alongside Victor Vasarely and Jesús Rafael Soto.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

Examining the connection between breakthroughs in photography and new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.

Visions from India features seven works ranging from kinetic sculpture to installation, video and painting, making Shetty's oeuvre a highlight within the exhibition.

From May 5 to October 8, 2017, Pirelli HangarBicocca presents Rosa Barba's solo exhibition From Source to Poem to Rhythm to Reader, curated by Roberta Tenconi: a project that brings together fourteen works made since 2009, including 35 mm and 16 mm films, kinetic sculptures, and site - specific pieces.

Though the discourse surrounding each of the selected works diverge from one another and their classification as kinetic art, they nonetheless are linked through their mechanical, temporal, and movement based components.

Alexander Knox is a Melbourne based artist working with a various range of materials combing lighting, optics, audio, kinetic and more formal elements that pull from his training in film and industrial design.

Past Futures: Science Fiction, Space Travel, and Postwar Art of the Americas features over 60 works in a range of media and creative styles — from expressionist paintings and kinetic sculptures to graphite drawings and conceptual pieces.

His body of work ranges from the collaborative performances with the group SHRIMPS (1984 - 1993) to large - scale sculptures such as Tumble Room (2001) to photographs of performative actions to kinetic and sound producing sculptures.

Right from his first solo show, Miriorama 4 (1960), where he displayed a series of kinetic works that required activation on the part of the viewer, Colombo (1937 — 93) created works in the form of environments, situations, structures, itineraries and passages.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Metzker's composite, for example, is installed between other pieces from 1966: Agnes Martin's reductive painting Mountain I and a kinetic work by Venezuelan op artist Jesús Rafael Soto.

Drawn from the collection of the National Gallery of Victoria, Melbourne, and featuring a number of recent acquisitions, The Kaleidoscopic Turn resonates with references to various artistic legacies of the 20th century from Op art to colourfield painting, offering a range of multi-sensory experiences including immersive installations, kinetic sculptures, video art, works on paper and painting in its diverse and expanded forms.

His inventive works range in size from monumental kinetic and sound - producing sculptures to almost microscopic pieces created from such unassuming materials as fingernail clippings and eggshells.

Hauser & Wirth dedicated its booth to early works by Jean Tinguely, including an exceptional kinetic relief painting from 1955, entitled Blanc sur Blanc.

The exhibition presents a full circle of Mack's engagement with light, from the development of source imagery to the animation of kinetic and static works alike.

«Kinetic Painting» will bring together all six decades of the artist's work, from the rarely - seen assemblages and nude paintings created early in her career, some iconic performances and films from the»60s and»70s and a look at her later experiments in installation.

Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects «stabiles.»

LUIS TOMASELLO (b. 1915 La Plata, Argentina — d. 2014 Paris, France) Tomasello, a leading representative of Latin American Kinetic art, worked extensively in Paris from the late 1950s onwards exhibiting with Galerie Denise René, alongside Victor Vasarely and Jesús Rafael Soto.

Titled Movement, the show is organised together with the iconic Galerie Denise René from Paris, and features works by Cruz - Diez alongside his Op and Kinetic Art contemporaries, whose careers were all catapulted by the renowned gallerist Denise René during the 1950s.

From France, works by Arman and Francois Morellet, along with fire paintings and monochromes by Yves Klein, will be exhibited, and from Switzerland, work by Daniel Spoerri, Christian Megert and a kinetic sculpture by Jean Tinguely will be incluFrom France, works by Arman and Francois Morellet, along with fire paintings and monochromes by Yves Klein, will be exhibited, and from Switzerland, work by Daniel Spoerri, Christian Megert and a kinetic sculpture by Jean Tinguely will be inclufrom Switzerland, work by Daniel Spoerri, Christian Megert and a kinetic sculpture by Jean Tinguely will be included.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.

In various installations, delicate silks move subtly, interacting with the kinetic flow of light and air in the gallery, as each viewer has a unique experience with the work depending on the weather and time of day; viewers» appreciation of the work deepens as they approach her art from alternative angles, where it materializes differently.

In a long interview with Sculpture Magazine nearly two decades ago, Clinton discussed her favorite works from that program, noting that she and Bill used to eat breakfast by their George Rickey, and enjoyed watching the kinetic piece — «I love the whole idea of moving sculpture,» she told the magazine.

Other rarely exhibited works include Robert Delaunay's «Study for Portrait of Philippe Soupault» (1922) and a pair of maquettes for kinetic sculptures by George Rickey from the 1960s.

Kinetic Construction (Standing Wave) was among Gabo's earliest abstract works, a dramatic departure from the intersecting planes of the figurative works that he had been creating since 1915.

The first show, «Lorser Feitelson and the Invention of Hard Edge Painting,» was followed by «Lorser Feitelson: The Kinetic Series — Works from 1916 - 1923» in 2005 and «Lorser Feitelson: The Late Paintings» in 2009.

In celebration of the release of her new book, «Carolee Schneemann: Kinetic Painting,» the pioneering artist disucsses her work and career with Kathy Battista of Sotheby's Institute of Art, Jenny Jaksey of the Aritst's Institute and David Levi Strauss from the School of Visual Art.

M.C. Richards, Centering: 100 Years, Life + Art Begin to See: The Photographers of Black Mountain College Zola Marcus: Kinetic Origins Randy Shull / Wide Open: Architecture + Design at BMCM+AC Ray Spillenger: Rediscovery of a Black Mountain Painter Convergence / Divergence: Exploring Black Mountain College + Chicago's New Bauhaus / Institute of Design Dan Rice at Black Mountain College: Painter Among the Poets Black Mountain College: Shaping Craft + Design John Urbain: No Ideas But Things In Site: Late Works by Irwin Kremen Pat Passlof: Selections 1948 - 2011 From BMC to NYC: The Tutelary Years of Ray Johnson Dorothea Rockburne: Astronomy Drawings Emerson Woeffler: At the Center + At the Edge Hazel Larsen Archer: Black Mountain College Photographer

The exhibition and accompanying catalogue present a transhistorical reassessment of optical, kinetic, and technological art, bringing together a wide range of work from — among others — Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, Stan VanDerBeek, and Victor Vasarely.

Jean - Pierre Vasarely (1934 — 2002), professionally known as Yvaral, was a French artist working in the fields of op - art and kinetic art from 1954 onwards.

Inspired by the graphic depictions of saints» martyrdom featured throughout works in the National Gallery's collection, Multiple Death will be displayed alongside the exhibition's large scale kinetic sculptures from 28 October 2014 to 1 March 2015.

The exhibition running from 13 - 31 Jan 2016 will showcase a selection of their kinetic and static works including the Origami series, Mosaique series and Chronoprints.