Tags: 1960s, 1970s, 1973 - 1974 Bear Market, 50, American Express, American Home Products, American Hospital Supply, AMP, Anheuser - Busch, Avon, Baxter, Bear Market,
Black & Decker, Bristol - Myers, Burroughs, Chesebrough - Ponds, Coca - Cola, Digital Equipment Corporation, Double - Digit Growth, Dow Chemical, Earnings Growth, Eastman
Kodak, Eli Lilly, Emery Air Freight, First National City Bank, General Electric, Gillette, Halliburton, Heublein Brewing Company, IBM, International Flavors and Fragrances, International Telephone and Telegraph, JC Penney, Joe Schlitz Brewing, Johnson & Johnson, Large Institutions, Long - Term Performance, Louisiana Land and Exploration, Lubrizol, McDonalds, Merck, MGIC Investment Corporation, Minnesota Mining and Manufacturing, Nifty 50, Nifty - Fifty, One - Decision Stocks, PE Ratio, Pepsi, Pfizer, Philip Morris, Polaroid, Price to Earnings Ratio, Procter & Gamble, Revlon, Schering Plough, Schlumberger, Sears, Simplicity Patterns, Squibb, SS Kresge, Stocks, Texas Instruments, Upjohn, Walt Disney, Xerox
Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which
Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence:
Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.