Sentences with phrase «krazy kat»

Ronnie Cutrone, Andy Warhol's primary assistant during The Factory years, adorned his jacket with his distinct Krazy Kat image.

It has been suggested that some of the lines and forms in these paintings can be traced to the «all - purpose» symbols found in George Herriman's Krazy Kat comic strip, also set in New Mexico.

Last seen in New York at the Sanya Kantarovsky curated group show, Sputterances, at Metro Pictures (Spring 2017), this presentation collects paintings from Weber's Adalbertstraße, Krazy Kat, and Artforum - Leser series (among others).

Other inspirations include classic comic strips like George Herriman's Krazy Kat and Bud Sagendorf's Popeye, old Warner Bros. cartoons, Lynda Barry's illustrated novels, contemporary animated series like Adventure Time and Steven Universe, and recent autobiographical zine comics.

Charline von Heyl, It's Vot's Behind Me That I Am (Krazy Kat), 2010, acrylic, oil on linen and canvas, 82 x 72 inches.

A section relating to travel includes a woodcut by Vija Celmins depicting a rippled ocean surface and a cartoon by the great George Herriman that has the cast of «Krazy Kat» visiting Monument Valley.

Then tastes changed; Crumb became more desirable in the artworld, not because of pop art, but because of the enormous influence on collectors and museum people of the «dumb» figuration of the late, great Philip Guston, which was itself largely based on comic strips such as George Herriman's Krazy Kat.

«I struggled somewhat with this new figuration in my painting, and Krazy Kat gave me something I found affecting and could use as a formal reference.

Then going further back to Windsor McCay's comics or Gasoline Alley or Krazy Kat, those guys were mainstream and genius.

Drawn by George Herriman, who was born to a Creole African - American family but whose death certificate identified him as Caucasian, the Krazy Kat comic strips depict a love triangle whose characters shift gender and ethnicity.

A video turns from a statuette of a black cat that Egypt might once have worshipped to an entire history of cartoon cats, starting with Krazy Kat.

[is] a sparely beautiful book - object that, like Krazy Kat or Little Orphan Annie, has a central character or rather an expressive motif.

They look like the work of a brilliant cartoonist knowingly inspired by «Mutt and Jeff,» «Krazy Kat» and other classic Sunday funnies.

And on the New York Review of Books blog, the cartoonist and graphic novelist Chris Ware reflects on the life of Krazy Kat creator George Herriman, whose long - running and best - loved newspaper strip made its debut in 1916.

Delightful drawings illustrate his obsession with Krazy Kat comics.

In fact, the humorous quality can be linked in part to Bischoff's longtime admiration for George Herriman's Krazy Kat cartoon strip.

When Lichtenstein takes on dots and outlines, well before Philip Guston took on Krazy Kat and abandoned abstraction, he extends the logic even while parodying it.

For this reason alone, Guston's extraordinary late paintings seem somehow to stand outside the recognised canon even as they call to mind all kinds of precedents - from Picasso's late work, where the essential vulgarity of human life is similarly laid bare, to George Herriman, the creator of Krazy Kat, whose absurdist cartoons Guston knew and loved; from Ferdinand Leger and Max Beckmann, both of whom Guston revered, to Robert Crumb, the often wilfully obscene and misogynist counter-cultural cartoonist, of whose work Guston was blissfully unaware.

Their inventive shapes, vibrant colors, and contrasting textures make it clear why he cites not only Giorgio Morandi as an inspiration but also Philip Guston, Japanese Momoyama ceramics, and «Krazy Kat» cartoonist George Herriman.

He has a larger goal: to create a commedia dell «America whose stock characters, such as the Artist (Krazy Kat), the Politician (Reagan), the Movie Queen (Joan Crawford), and the Villain (Manson), pitilessly reflects the broken culture that produced them.

Just in case one forgot the continuity with his Depression Era days, he derives that style not from Crumb, whose comics he did not even know, but from Krazy Kat.

Jess meticulously translates Egyptian drawings in graphite, inserting Krazy Kat cartoons into his overall image.

Today, contemporary artists — knowingly or unknowingly — reference George Herriman's historically overlooked, unpretentious and universally accessible fantasy, Krazy Kat a comic strip that ran in American newspapers from 1913 until 1944.

In the beginning of the mass media era, before George Herriman introduced the 1913 - 1944 Krazy Kat cartoon series, depicting a much - abused cat with an unrequited love for a mouse, before anyone thought much about feral cats by any name, was just the word «cat.»

Krazy Kat, alley cats, & strays In the beginning of the mass media era, before George Herriman introduced the 1913 - 1944 Krazy Kat cartoon series, -LSB-...]

The major gag in George Herrimann's Krazy Kat comic strip, which ran from 1913 to 1944, was Ignatz Mouse's repeated attempts to clobber the title character with a brick.

So I finally purchased An Anthology of Krazy Kat Komics.

Sadly, there were great strips I missed, Krazy Kat chief among them.

Albert Oehlen / Skarstedt / 20 E 79 / thru 12/20 Baptiste Caccia / Blumenthal / 1045 Madison @ 80 / thru 12/13 Amie Siegel thru 1/4; Cubism thru 2/16; Thomas Struth thru 2/16; Etc. / Met Museum / 5th Avenue @ 82nd Krazy Kats: Christian Maycheck; Michelle Segre; Cary Smith; B.Wurtz / Artist House Party / 424 E 83 # 2W / thru 12/10 Egon Schiele; etc. / Neue Galerie / 148 Fifth Avenue @ 86 / thru 1/19 ZERO: Countdown to Tomorrow thru 1/7, V.S Gaitonde thru 2/11; Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Beyond the Classical: Imagining the Ideal; Wendell Castle; William Pedersen / National Academy / 1083 Fifth Avenue @ 89 / thru 1/11 Lee Krasner & Norman Lewis thru 2/1; Dani Gal thru 2/1; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Katherine Bradford / Arts & Leisure / 1571 Lexington @ 101 / thru 12/14 Alejandro Duran / Hinter / 2130 Third Ave. @ 119 / thru 2/28 Marisol thru 1/10; Playing With Fire thru 1/3 / El Museo del Barrio / 1230 Fifth @ 104 Speaking of People; Kianja Strobert; Titus Kaphar / Studio Museum / 144 W 125 / thru 3/8

Not exact matches

Krazy for Kats, Inc. is a 501 C3 non-profit rescue and adoption group that is dedicated to helping the homeless and abandoned cats and kittens in Los Angeles.