Sentences with phrase «kristalline wunderkammer»

He has written for First Things, The Other Journal, and Wunderkammer Magazine.

Made in collaboration with in collaboration with The Invisible Collection, The Wunderkammer, and The Green Gallery, you can actually purchase this amazing piece for inside and out in multiple colors.

Fortunately there is so much to see in the Nine Streets, that they were not very far yet.Below: as we turned a corner, we saw that there was a pop - up store of The Wunderkammer.

This mise - en - scene is pure wunderkammer — so fixated on cramming every inch of the frame with knickknacks, piles of papers, obsolete technologies (production designer Maria Djurkovic must've been given one hell of a typewriter budget), and accumulated dust that the characters themselves begin to resemble rare, preserved specimens.

Niedernhall, Germany; Salzburg, Austria Industry (hardware) Medieval art; Wunderkammer objects, especially ivory carvings, nautilus cups, and decorative tankards and boxes; postwar and contemporary art Top 200 appearance: 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017

The display integrates works by contemporary artists (including Christian Marclay and Richard Tuttle) into a Wunderkammer.

Exhibitions to see across Venice: «Philip Guston at the Accademia is a must, and also the last of Axel Vervoordt's wunderkammer extravaganzas, Intuition, in Palazzo Fortuny — it has intuition, dreams, telepathy and Surrealism as its themes.»

Article by Alison Hugill, Photos by Alexander Coggin in Berlin / / Jun. 16, 2015 Anne Duk Hee Jordan's studio is a cross between a metal workshop and a wunderkammer, neatly divided down the middle.

It traces the evolution of the collections from Athanasius Kircher's 17th - century Wunderkammer to modern museums, and points the way for projects yet to come.

The fictional Eliza not only assumes the role of collector, anthropologist and naturalist; as curator of her wunderkammer she asserts her right to creative and artistic forms of social commentary about her time.

The works are filled with child - like wonder, and recall the sand - toys and penny arcades of the Victorian era, or the «wunderkammer» of the same period — great halls where the aristocracy of the day would display rare treasures: shells, fossils, taxidermy, fine china, numismatics and other curiosities.

The problem with the Wunderkammer is that on that level, the meta level, there seems to be little engagement with the European culpability in looting the world.

«The goal behind the Olbricht Wunderkammer was to give visitors an impression of the collectors» culture in the Renaissance,» Laue says.

Installation view at Wunderkammer Olbricht / / Photo by Bernd Borchardt, courtesy of me Collectors Room

Inspired by Israel's prototype museum, a wunderkammer (cabinet of curiosities) founded by Boris Schatz in 1912 to educate students at the Bezalel School of Art.

The Wunderkammer is a re-creation of the old aristocratic practise of displaying curiosities from around the world in collections.

Incorporating elements of each, Rauschenberg's Collection resonates with the eighteenth - and nineteenth - century practice of gentlemen collectors accumulating objects into a Wunderkammer, or room of marvels.

The Wunderkammer Olbricht makes the point that art and science were never neutral or apolitical.

The Wunderkammer does that superbly.

The installation will resemble a Wunderkammer where visitors come into direct contact with the creative process of art.

Adler Guerrier creates visual dialogue between a wunderkammer of materials and techniques.

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

P.S. 1 Contemporary Art Center presents an exhibition based on the idea of a Wunderkammer, a cabinet of curiosities, with more than 100 works by 35 artists.

Mark Dion's immersive Wunderkammer at Whitechapel Gallery is a collection examining our fraught relationship with nature

Losq's installation Wunderkammer was acquired by the Saatchi Collection, and will be included in the forthcoming exhibition The Power of Paper at the Saatchi Gallery.

«Warship» looks like an aircraft carrier assembled from junk suspended from the ceiling, floating over a wunderkammer of «guy toys» — matchbox cars, a wartime gas mask, and other military accoutrements.

His Wunderkammer of natural stones, shells, bones, animal skulls, and other found objects will be presented alongside the drawings and sculptural maquettes that they inspired, demonstrating the metamorphosis from nature to sculpture, from inanimate object to human or animal form, that was the impetus of his oeuvre.

Like little Wunderkammer — cabinets of curiosities — the paintings manage to collect people and the objects that surround them (phones, shoes, luggage, food, furniture, art supplies) like a modern - day personal art diary version of Where's Waldo.

Wunderkammer is the second interim shows by the MA fine art students from Wimbledon School of Art.

The gallery is also presenting four intimate spaces for masterpieces by Yves Klein, Fernand Léger, Wifredo Lam and László Moholy - Nagy housed within hand - stitched curtains of precious antique fabrics and lined with dried flowers forming a kind of «wunderkammer.»

It appears to be simultaneously a working studio, an archive, and a theatrical setting, but might best be understood as a Wunderkammer — literally a «wonder room,» though the term is often translated from the German as a «cabinet of curiosities» — a cumulative and layered microcosm.

The epicenter of «Rosemarie Trockel: A Cosmos» is a small, tiled room devoted exclusively to the work of this mid-career German artist; reminiscent of a Wunderkammer, it mixes the fantastical, the erotic, and the perverse.

Resembling in this way a wunderkammer or a cabinet of curiosities, it seems that anyone can add an object to them, complicating their meaning in the system of knowledge production.

The featured artists are: Doug Aitken, Joseph Beuys, KP Brehmer, Bazon Brock, Al Chang, Hansjoachim Dietrich, Marcel Dzama, Slawomir Elsner, Claire Fontaine, Imi Giese, KH Hödicke, John Isaacs, Ragnar Kjartansson, André Kertész, Imi Knoebel, Bernd Lohaus, Konrad Lueg, David Ostrowski, Blinky Palermo, Francesco Pedraglio, Sigmar Polke, Gerhard Richter, Diter Rot, Reiner Ruthenbeck, Gerhard Rühm, Jean - Paul Sartre, Tomas Schmit, Gavin Turk, Wolf Vostell, Lawrence Weiner, Stefan Wewerka, Lambert Maria Wintersberger, WOLS and objects from the Wunderkammer.

Now this atmospheric place has become even more of a wunderkammer, courtesy of Antwerp dealer / connoisseur Axel Vervoordt, who has added to its contents with a wide - ranging exhibition organized around the theme of Intuition.

Henry Moore: Wunderkammer — Origin of Forms, will run from 9 February — 2 April 2015.

«Art Moves» showcases a series of dance installations inspired by renowned artists like Georgia O'Keeffe, Wassily Kandinsky and contemporary modern artist Jeff Koons, with contemporary art gallery Wunderkammer Company serving as the backdrop.

Using these parameters the faculty members created personal cabinets of curiosity, or wunderkammer, which will be presented over the course of the exhibition.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

This week we visit Conduit Gallery and speak with curator Phillip M. Jones about the exhibition, Wunderkammer.

His research and magical collections are presented in installational still lifes that combine taxidermic animals with lab equipment artefacts, like walk - through Wunderkammers and life - sized cabinets of curiosity.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

A selection from Allen's holdings — a wunderkammer, created with actual space hardware — is on view in his Seattle gallery, Pivot Art + Culture.

With his still ongoing solo exhibition, Kristalline Wunderkammer at the Ingo Maurer's showroom in Munich, glass artist and craftsman Simone Crestani is going to be making an official appearance to the design industry insiders and enthusiasts... [more]

The Big Bamboozle, (fundraiser) Camden Arts Centre, London March 2013 Wunderkammer, offsite project in the Octagon Chapel, Bath.

Mr. Hirst's sculptures are Pop wunderkammers, brimming with brand - name pharmaceuticals in glossy packaging.

Tags: Alex Farquharson, art galleries, Brian Dillon, cabinet of curiosities, Collaboration, De la Warr Pavilion, Exhibition, Mark Leckey, museums, Turner Contemporary, Victoria Pomery, Wunderkammer

In a sort of contemporary Wunderkammer, viewers can admire amongst others a still - life by Pablo Picasso, a Takashi Murakami painting, 17th - and 18th - century vanitas paintings, as well as reinterpretations of the same theme by contemporary artists such as Peter Blake, Sarah Lucas and Vik Muniz.

In 2011, her work was featured as part of NeoHooDoo: Art for A Forgotten Faith, and in 2013, she recontextualized objects from the collections of the Fowler Museum at the University of California, Los Angeles in New World Wunderkammer.

«Beyond the Wunderkammer», The Art Institute of Boston at Lesley University, Boston.