Sentences with phrase «kristi zea»
- Kristi Zea, production designer
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And we invite you to do the same, as Nancy Meyers and production designer Kristi Zea guide us through their design decisions from set to set.
Elizabeth Murray and Carmen Herrera: two women who shattered the art world's glass ceiling Film Forum is pleased to present the US theatrical premieres of Kristi Zea's EVERYBODY KNOWS... ELIZABETH MURRAY and Alison Klayman's THE 100 YEARS SHOW, on Wednesday, January 11.
This year, Santa Fe Film Festival presents a screening of Everybody Knows... Elizabeth Murray, a documentary directed by Kristi Zea.
The documentary feature, Everybody Knows... Elizabeth Murray, directed by Kristi Zea and narrated by Meryl Streep, is heading to Los Angeles for a one - week run at Laemmle's Music Hall Theater in Beverly Hills starting Friday, November 3, 2017.
Kristi Zea brings to her debut, EVERYBODY KNOWS... ELIZABETH MURRAY, all the visual smarts she developed as a costume designer and award - winning production designer for Martin Scorsese and Jonathan Demme, among others.
The documentary, which premiered in 2016 at the Tribeca Film Festival, is directed by Kristi Zea and narrated by Meryl Streep.
That may be what a Guerrilla Girl — fittingly interviewed in her mask for Kristi Zea's documentary Everybody Knows... Elizabeth Murray, screening this week at the Film Forum — means when she says that the groundbreaking painter was «a feminist without having to talk about it.»
Directors Kristi Zea and Alison Klayman will be interviewed live on The Leonard Lopate Show on Tuesday, January 10 at 1:00 pm.
Film Forum is pleased to present the US theatrical premieres of Kristi Zea's EVERYBODY KNOWS... ELIZABETH MURRAY and Alison Klayman's THE 100 YEARS SHOW, on Wednesday, January 11.
She has worked on Jonathan Demme's I Am Carolyn Parker, Geoffrey Fletcher's Violet and Daisy, Kristi Zea's Everybody Knows... Elizabeth Murray and 30 for 30 (TV series).
Best Production Design «Changeling» (James Murakami; Gary Fettis) «The Curious Case of Benjamin Button» (Donald Graham Burt; Victor Zolfo) «The Dark Knight» (Nathan Crowley; Peter Lando) «Revolutionary Road» (Kristi Zea; Debra Schutt) «Slumdog Millionaire» (Mark Digby; Michelle Day)
Best Production Design «Changeling,» James J. Murakami; Gary Fettis «The Curious Case of Benjamin Button,» Donald Graham Burt; Victor J. Zolfo «The Dark Knight,» Nathan Crowley; Peter Lando «Revolutionary Road,» Kristi Zea; Debra Schutt «Slumdog Millionaire,» Mark Digby; Michelle Day
From the movie's production circle, we hear from producer Ron Bozman, screenwriter Ted Tally, former Orion Pictures VP Mike Medavoy, production designer Kristi Zea, composer Howard Shore, set dresser Ken Turek, set decorator Karen O'Hara, art director Tim Galvin, special makeup effects Carl Fullerton and Neil Martz, costume designer Colleen Atwood, editor Craig McKay, production sound mixer Christopher Newman, moth wrangler Ray Mendez, re-recording mixer Tom Fleischman, sound designer Skip Lievsay, and actors Anthony Hopkins, Roger Corman, Diane Baker, Brooke Smith, Anthony Heald, and Ted Levine.
Achievement in art design James J Murakami, Gary Fettis, Changeling Donald Graham Burt, Victor J Zolfo, The Curious Case of Benjamin Button Nathan Crowley, Peter Lando, The Dark Knight Michael Carlin, Rebecca Alleway, The Duchess Kristi Zea, Debra Schutt, Revolutionary Road
Notes From the Field is executive produced by Gary Goetzman, whose HBO credits include Game Change, Olive Kitteridge and The Pacific, and Anna Deavere Smith; conceived and written by Anna Deavere Smith; directed by Kristi Zea.
The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack creative crew that includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual effects.
I recently spoke to cinematographer Roger Deakins, production designer Kristi Zea, costume designer Albert Wolsky and film editor Tariq Anwar about their work on the film, a 1950s period piece featuring the on - screen reunion of Leonardo DiCaprio and Kate Winslet.
(Cinematographer Michael Ballhaus and production designer Kristi Zea give the whole enterprise, which shot mostly in NYC, a grimy, gray, Bahston Hahbuh look.)