Sentences with phrase «kunsthalle berlin»

Upcoming and current exhibitions include the Guggenheim Museum, FRAC Champagne - Ardenne, Deutsche Bank Kunsthalle Berlin, The Art Gallery of Ontario, MASS MoCA, The Israel Museum, and the J. Paul Getty Museum in Los Angeles.

His work has been exhibited at venues including The Museum of Modern Art (permanent collection), The New Museum of Contemporary Art, The Museum of the City of New York, The Kitchen, The Hammer Museum, The Pacific Film Archive, NGBK Kunsthalle Berlin, and El Centro de Cultura Contemporània de Barcelona, among others.

Katharina Grosse: Shadowbox at Temporäre Kunsthalle Berlin.

For the Temporäre Kunsthalle Berlin, Katharina Grosse has created a new group of works.

The exhibition is curated by Dr. Katja Blomberg, Director of the Haus am Waldsee, Berlin, and since 2007 Member of the Artistic Advisory Board of the Temporäre Kunsthalle Berlin.

On August 31, 2010, the Temporäre Kunsthalle Berlin (TKB) will close its doors as according to the original concept.

Solo exhibitions of her work have been hosted by the Kunstmuseum Stuttgart, Louisiana Museum of Modern Art (Humlebæk), San Francisco Museum of Modern Art, the National Gallery of Canada (Ottawa), Kunsthaus Bregenz (Austria), The Power Plant (Toronto), Baltic Centre for Contemporary Art (Newcastle), Palais de Tokyo (Paris), Modern Art Oxford, City Gallery Wellington (New Zealand), De Appel (Amsterdam), Musée d'Art Moderne Grand - Duc Jean (Luxembourg), Moderna Museet (Stockholm), Castello di Rivoli (Turin), Bawag Foundation (Vienna), Museo de Arte Contemporáneo de Castilla y León (Spain), Temporäre Kunsthalle Berlin, the Australian Centre for the Moving Image (Melbourne), Standard Bank Gallery (Johannesburg) and the South African National Gallery (Cape Town).

Included in Harald Szeemann's renowned exhibition When Attitudes Becomes Form at the Kunsthalle Berlin in 1969, we see Ruthenbeck's desire to create forms that erase or resist the tie of the work of art to the physical material object.

Kruithof exhibited in international institutions, such as Stedelijk Museum Amsterdam, Sprengel Museum Hannover, He Xiangning Art Museum, Shenzhen China, Multimedia Art Museum Moskow, Capitain - Petzel Berlin, Temporare Kunsthalle Berlin, ICP New York, Museum het Domein Sittard, MARCA, Catanzaro Italy, MAMAC Liege, Belgium.

, Berlinale, Kunsthalle Berlin, Berlin, DE Hors d'Oeuvre, Campagne Première, Berlin, DE About us, Johann König, Berlin, DE Tatton Park Biennial, Tatton Hall, Knutsford, UK Sameness and difference, Russian Club Gallery, London, UK Present is a thing of the past, now, GAMeC Art Centre, Bergamo.

Temporaere Kunsthalle Berlin, Berlin, Germany.

BP: Echo was a photo installation in public space that I realized on Berlin's Schlossplatz — for the duration of six months, I covered the facade of Temporäre Kunsthalle Berlin on all four elevations with 970 paper posters.

970 paper posters on the facade of Temporäre Kunsthalle Berlin.

Scorpio's Garden, Temporäre Kunsthalle Berlin, Germany Plan B — Contemporary Greek artists from the Beltsios» Collection, DYNAMO project space, Thessaloniki, Greece Souterrain, Sammlung Hoffmann, Berlin, Germany 6th DESTE Prize, DESTE Foundation, at the Museum of Cycladic Art Athens, Greece Ataxies — Contemporary Greek artists from the Beltsio's Collection, Margari Foundation / Beltsios Collection, Amfilohia, Greece Contour 2009: The 4th Biennial of the Moving Image, Mechelen, Brussels, Belgium I was lookin «back to see if you were lookin «back at me to see me lookin «back at you, REMAPkm 2, Loraini Alimantiri Gazonrouge, Athens, Greece

The recent project involved covering all four elevations of the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin), built in 2008 by Adolf Krischanitz and situated in the historical centre of Berlin, with a digitally manipulated collage of archival images of the glass skin and concrete pilasters of the nearby Palast der Republik (Palace of the Republic).

Bettina Pousttchi has gained widespread attention recently with her large - scale, site - specific photographic work «Echo» (2009/2010) that involved covering the Temporäre Kunsthalle Berlin (Temporary Kunsthalle Berlin) with a digitally manipulated collage of archival images of the German Democratic Republic's Palast der Republik (Palace of the Republic).

Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, Berlin, Germany.

He represented Scotland at the Venice Biennale in 2003 and has had solo exhibitions at Casa Luis Barragán in Mexico City, Hiroshima City Museum of Contemporary Art, Massachusetts Museum of Contemporary Art in North Adams, Monash University Museum of Art in Melbourne, Musée d'art contemporain du Val - de-Marne in Vitry - sur - Seine, France, Museo Experimental El Eco in Mexico City, Museum of Contemporary Art in Chicago, Power Plant in Toronto, Staatsgalerie Stuttgart in Germany, Tate Britain in London, and Temporäre Kunsthalle Berlin.

Not exact matches

His work is in the permanent collection of New York's Museum of Modern Art and the British Museum and has been exhibited at the Tate, Centre Pompidou, MoMA, Whitney Museum of American Art, Berlin Kunsthalle, PS1, Whitechapel Gallery, and London's Institute of Contemporary Arts.

Solo exhibitions have taken place at Pioneer Works, New York, NY; Staatliche Kunsthalle Baden - Baden; Berlin Botanical Museum; and School of Visual Arts Gallery, New York, NY.

2006 Future Cock, Asia Song Society, New York, NY sprungkopf, Peres Projects, Berlin, Germany buddha fly earth, Asia Song Society, New York Untitled, Kunsthalle Zurich, Zurich, Switzerland

Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.

Recent solo exhibitions include the Rubin Museum of Art, New York; Schirn Kunsthalle, Frankfurt; Uffizi Gallery, Florence; Reykjavik Art Museum, Reykjavik; Solomon R. Guggenheim Museum, New York; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; SFMoMA, San Francisco; Dia Art Foundation, New York; The Museum of Modern Art, New York; Nationalgalerie, Berlin; and Stedelijk Museum, Amsterdam.

2008 Sobey Art Award Exhibition, Royal Ontario Museum, Toronto, Canada The Temptation to Exist, Yvon Lambert, London, UK Gravity: Selected Works from the Ernesto Esposito Collection, Museo Artium, Viatorai, Spain Fragile, Julia Stoschek Collection, Dusseldorf, Germany Political Minimalism (curated by Klaus Beisenbach), Kunst Werk, Berlin, Germany Materialized: New Video in the Third Dimension, Bergen Kunsthalle, Bergen, Norway Meet Me Around the Corner, Astrup Fearnley Museum of Mordern Art, Oslo, Norway Expenditure: Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea The Boys of Summer, The Fireplace Project, East Hampton, New York Shape of Things to Come, Saatchi Gallery, London, UK Yokohama Triennial, Various Locations, Yokohama, Japan Eurasia.

Solo shows have also been held at prominent venues such as Gagosian Gallery in Beverly Hills, New York and London, Contemporary Fine Arts in Berlin and Kunsthalle in Mannheim.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Nationalgalerie Berlin; Neuer Berliner Kunstverain and Düsseldorf, Städtische Kunsthalle; Yves Klein, June - August 1976, n.p. (illustrated).

American artist Christopher Williams» major solo show at Kunsthalle Baden - Baden this summer and Dutch artist Willem de Rooij's current exhibition, «Intolerance,» at Berlin's Neue Nationalgalerie, both highlight the connection between conceptualism and the image, between appropriateion and autonomy.

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

Hoeck and Miller have collaborated for nearly twenty years and have had two - person exhibitions at the Kunsthalle Wein, Vienna and at KW / Kunstwerke, Berlin along with frequent group exhibitions.

She has had recent solo exhibitions at Greene Naftali, New York (2016); Museum Fridericianum, Germany; Sadie Coles HQ, London; Johann König, Berlin (all 2014); CCS Bard Hessel Museum, New York; Kunsthalle Zürich, Switzerland; Palais de Tokyo, Paris; and Chisenhale, London (2012 - 2013).

Kota Ezawa at Murray Guy, New York, by Orit Gat Political Populism at Kunsthalle Wien, by Raimar Stange Mark Leckey at Secession, Vienna, by Kimberly Bradley Roman Signer at Art: Concept, Paris, by Violaine Boutet de Monvel Lucy McKenzie at Galerie Buchholz, Berlin, by John Quin Scott Myles at Meyer Riegger, Berlin, by Martin Herbert Caselle di Anton Bruhin at Istituto Svizzero, Milan, by Barbara Casavecchia Ed Ruscha at Pinacoteca Giovanni e Marella Agnelli, Turin, by Sherman Sam Von Calhau!

- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.

His work has been exhibited at The New Museum, New York; Musée d'Art Moderne de la Ville de Paris; Kunsthalle Wien, Vienna; Museum of Modern Art, Warsaw; Fridericianum, Kassel; KW, Berlin; and The Zabludowicz Collection, London.

A selection of his solo exhibitions include: A Nervous Smile, MACRO — Museo d'Arte Contemporanea, Rome (2014); Golden Masks hide Decomposing Bodies, Galeria Baginski, Lisbon (2013); Notes on the History of Violence, Middelheim Museum, Antwerp (2012); Barbarian Poems, Galleria Umberto di Marino, Naples (2011); The Vertical Stage, Kunstlerhaus Bethanien, Berlin (2010); The Winter of (our) Discontent, Kunsthalle Lissabon (2010).

She has had prominent exhibitions at Kunsthalle Basel, the Tate London, the Venice Biennial, the Brooklyn Museum of Art, and Berlin's Museum für Gegenwart, among others.

Richard Hoeck and John Miller have had a 20 year long history of collaborations including exhibitions at the Kunsthalle Wien, Vienna and at KW, Berlin as well being included in various group shows in Europe and United States.

Pakui Hardware: «Hesitant Hand», 2017, Installation view in «Ungestalt» exhibition, Kunsthalle Basel, 2017 / / Photo by Philipp Hänger and Kunsthalle Basel, Courtesy of the artists and EXILE, Berlin

Selected group shows include: Artists and Architecture, Variable Dimensions, Emily Harvey Foundation, NY, USA (2016); Salvo é vivo - an homage, Galerie Mehdi Chouakri, Berlin, Germany (2016); By Olivier Mosset, Laleh June Galerie, Basel, Switzerland (2015); The Other Sight, Contemporary Art Centre, Vilnius, Lithuania (2014); In the Studio, Kunsthalle Athens, Greece (2014); I'm so sad my god, ISCP, NY, USA (2009).

Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).

Recent solo exhibitions include Galerie Christine Mayer, Munich, Galerie Christian Nagel, Cologne, Galerie Barbara Weiss, Berlin (2010); and Kunsthalle Zürich (2009).

Polska's work has been included in exhibitions and screenings at the Museum of Modern Art in New York, the Hirshhorn Museum in Washington DC, the Schirn Kunsthalle in Frankfurt, the Garage Museum of Contemporary Art in Moscow, the Museum of Modern Art in Warsaw, the 19th Biennale of Sydney, the Palais de Tokyo in Paris, the 13th Istanbul Biennial, the Institute of Contemporary Arts in London, and the KW Institute for Contemporary Art in Berlin.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

She has toured through the US and Europe extensively, performing and DJing for a variety of audiences; from underground spaces, established galleries, and museums, to well established venues, festivals, and theaters, such as the Münchner Kammerspiele, Moma PS1, Berlin Biennale, Kunsthalle Bern, and Red Bull Music Academy.

Albright - Knox, New York Arts Council of Great Britain Art / Pace Roberts Foundation, San Antonio British Museum, London Camden Arts Center, London Denver Art Musuem, Colorado Deutsche Bank Garage Centre for Contemporary Sculpture, Moscow Hamburger Kunsthalle, Hamburg Hara Museum, Tokyo Mattress Factory, Pittsburgh Museum of Contemporary Art, Los Angeles Museum of Contemporary Art, San Diego Museum of Modern Art, New York Museum van Loon, Amsterdam National Portrait Gallery, London Neue Nationalgalerie, Berlin Pompidou Centre, Paris RISD Museum, Rhode Island Saatchi Collection, London Sackler Center for Feminist Art, Brooklyn Museum Sammlung Goetz Collection, Munich San Francisco Museum of Modern Art Scottish National Gallery, Edinburgh Simmons and Simmons, London South London Gallery, London Tate Gallery, London TI Group PLC, Oxon Walker Art Centre, Minneapolis

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Domanović's recent solo exhibitions include: Glasgow International 2014, Gallery of Modern Art, Glasgow (2014); «Aleksandra Domanović», firstsite, Colcheste (2014); «The Future Was at Her Fingertips», Tanya Leighton, Berlin (2013); «Turbo Sculpture», SPACE, London (2012); and «From yu to me», Kunsthalle Basel (2012).

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

2006 «Shangri - La», Galerie Gabrielle Maubrie, Paris, France Shangri - La, Moderna Museet, Stockholm, Sweden Shangri - La, Museum of Contemporary Art, Chicago Fan Dance, Arratiabeer, Berlin, Germany Patty Chang and David Kelley, Kustera Tilton Gallery, New York, NY 2005 Chinese Arts Centre, Manchester, England Shangri - La, part of the Three M Project, Hammer Museum, Los Angeles (June 24 - Oct. 16); New Museum of Contemporary Art, New York (July 8 - Sept. 10) 2004 Roberts & Tilton, Los Angeles, CA 2003 Beauty Room 02, Miss China, Project Space, Paris, France 2002 Galerie Gabrielle Maubrie, Paris, France 2001 Jack Tilton / Anna Kustera Gallery, New York Entwistle Gallery, London, England Fri - Art Centre d'Art Contemporain Kunsthalle, Fribourg, Switzerland Baltic Art Center, Visby, Sweden 2000 Ven conmigo, nada contigo.