Sentences with phrase «kunstverein wien»

Opening and live performance: 7 pm, May 24, 2017 Curator: Felicitas Thun - Hohenstein Dates: May 24 - June 22, 2017 Venue: Neuer Kunstverein Wien, Franz Josefs Kai 3, Mezzanin 1010, Wien, Austria Further live performances with Yingmei Duan take place on: 24.5.

The WWI Films of Mary Reid Kelley, Kunsthalle Bremen, Germany (2016); Mary Reid Kelly, Museum Leuven, Belgium (2016); We're Wallowing Here in Your Disco Tent, High Line, New York (2016); Hammer Projects: Mary Reid Kelley, The Hammer Museum, Los Angeles (2015); Mary Reid Kelley, Multimedia Art Museum, Moscow (2015); Mary Reid Kelley, Site Santa Fe (2015); Mary Reid Kelley, Neuer Kunstverein Wien, Vienna (2014); Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, New Paltz; University Art Museum, New York (2014); Mary Reid Kelley, The Institute of Contemporary Art, Boston (2013); Sadie, The Saddest Sadist and Priapus Agonistes, Yale University Art Gallery, New Haven (2013); The Syphilis of Sisyphus: Mary Reid Kelley with Patrick Kelley, AMOA Arthouse, Austin (2013); and The Syphilis of Sisyphus, The Box at Wexner Center for the Arts, Columbus (2012).

Reid Kelley has had solo exhibitions at the Neuer Kunstverein Wien, Vienna, Austria (2014); The Samuel Dorsky Museum of Art and the University Art Museum at SUNY Albany, NY (2014); The Institute of Contemporary Art / Boston, Boston; Yale University Art Gallery, New Haven, CT (2013); The Contemporary Austin, Austin, TX (2013); The Box at Wexner Center for the Arts, Columbus, OH (2012); and Rochester Art Center, Rochester, MN (2007).

Recent solo exhibitions have been presented internationally at venues including Hammer Museum (2015); Neuer Kunstverein Wien (2014); Institute of Contemporary Art, Boston (2013); and The Contemporary Austin, TX (2013).

Not exact matches

, Galleria Franco Noero, Torino, Italy «Fluidity», Kunstverein in Hamburg, Hamburg, Germany «One, No One and One Hundred Thousand», Kunsthalle Wien Karlsplatz, Wien, Austria «The Calder Prize 2005 - 2015», Pace London, London, United Kingdom «In the Making», Luxembourg & Dayan, New York, NY «The Coverter», curated by Alex Glauber, Dickinson Gallery, New York, NY «Goulding the Lolly», curated by Brian Belott, Gavin Brown Enterprise, New York, NY

Solo exhibitions (selection): Kubus, Wien (with Richard Hoeck, 2013); Museum Ludwig, Cologne (2011); Kunsthalle Zurich (2009); Cabinet des Estampes at Museum of Modern and Contemporary Art, Geneva (2004); The Morris and Helen Belkin Gallery, University of British Columbia, Vancouver (with Mike Kelley, 2000); Le Magasin, Centre National d'Art Contemporain de Grenoble; Kunstverein Hamburg (1999).

His work has been presented in numerous solo exhibitions in the United States and abroad, including at the Bonner Kunstverein, Bonn, Germany (2016); Museo d'Arte Contemporanea Roma, Rome (2015); the Zabludowicz Collection, London (2013); The Brant Foundation Art Study Center, Greenwich, Connecticut (2011); Centre d'Art Contemporain Genève, Geneva (2009); De Hallen Haarlem, Haarlem, The Netherlands (2009 - 2010); Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2008); and SculptureCenter, Long Island City, New York (2004).

Recent solo exhibitions have been mounted at KW Institute for Contemporary Art, Berlin (2017 - 2018; travelled to Salzburger Kunstverein, 2018), Museo Tamayo, México City (2017), MRAC Serignan, France (2017), Musees Gallo Romains, Lyon (2016), Tramway, Glasgow (2013), Yale Union, Portland (2013), Kunsthalle Wien (2012), Kunsthalle Basel (2009), Chisenhale Gallery, London (2008) and Fruitmarket Gallery, Edinburgh (2008).

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

Selected group exhibitions include New Frontier (Sundance Film Festival, 2009), The Cinema Effect (Hirshhorn Museum + Sculpture Garden, 2008), Made in Germany (Kunstverein Hannover, 2007), Superstars (Kunsthalle Wien, 2005) and Remix: Contemporary Art and Pop (Tate Liverpool, 2002).

Eitel's work has also been included in a traveling exhibition organized by Mass MocA (2004 - 2008) and in group shows at the Kunsthalle Wien, Vienna (2008 - 9); MART Museo di arte moderna e contemporanea di Trento e Rovereto, Italy (2008); Cleveland Museum of Art (2005); Rubell Family Collection, Miami (2004 - 8); Museum der Bildenden Künste, Leipzig (2003); and Frankfurter Kunstverein (2003).

His work has been presented at South London Gallery; Kunstverein Munich; Kunsthalle Wien; CCA Glasgow; Western Front, Vancouver; Grazer Kunstverein; UCCA, Beijing; and Sculpture Center, New York.

, dépendance, Brussels (2013); Springtime, Kunstverein Hildesheim (2013); B.A.C.K, Ludlow 38, New York (2013); Salon Of Fear, Kunsthalle Wien, Vienna (2013).

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Selected group exhibitions from recent years are Question the Wall Itself, Walker Art Center, Minneapolis US (2016); Anti-ageing, Performa 15, Swiss Institute, New York US; La Vie Moderne, Biennale de Lyon FR; Welcome to the Jungle, KW Institute for Contemporary Art, Berlin DE (all 2015); The Peacock, Grazer Kunstverein, Graz AT; The Brancusi Effect, Kunsthalle Wien, Vienna AT; The Reluctant Narrator, Berardo Museum, Lisbon PT; Nostalgia, Centre for Contemporary Art Glasgow UK (all 2014); Møller, Moscow Biennale of Contemporary Art, Moscow RU; Reading the Surface, David Zwirner, London UK; Decorum, Musée d'Art moderne de la Ville de Paris FR; L'Image dans la sculpture, Centre Pompidou, Paris FR; When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit US; A House of Leaves.

His work has been been presented at South London Gallery; Kunstverein Munich; Kunsthalle Wien; CCA Glasgow; Western Front, Vancouver; Grazer Kunstverein; UCCA, Beijing; LAXART, Los Angeles; and Sculpture Center, New York.

His solo exhibitions include: Kunsthalle Zürich (June to August 2018), Garage Museum of Contemporary Art (until May 2018), Kölnischer Kunstverein (2016), Benaki Museum, Athens (2014), Kunsthalle Wien and the Friedericianum (both 2011), Wiels, Brussels and Museion Bolzano, Italy (both 2010), Museum Boijmans Van Beuningen, Rotterdam (2007), and Kunsthalle Wintherthur (2006).

Group exhibitions include Function Follows Vision, Vision Follows Reality, Kunsthalle Wien Karlsplatz, Vienna, Austria (2015); Überschönheit, Salzburger Kunstverein, Salzburg, Austria (2015); A Singular Form, Secession, Wien, Austria (2014); Villa Massimo Stipendiaten, Martin - Gropius Bau, Berlin, Germany (2013); Perspectives On Collage, Photographers Gallery, London, UK (2013); Re-generation, Museo d'Arte Contemporanea (MACRO), Rom, Italy (2012); The New Decor, Hayward Gallery, London, UK (2010), A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne, Germany (2012); Weltempfänger, Galerie der Gegenwart / Hamburger Kunsthalle, Hamburg, Germany (2007); Tate Triennale, Tate Britain, London, UK (2006).

Selected group exhibitions include: The Mexican Time - Slip, Museo Espacio, Aguascalientes MX; Art Night London, London UK; The People's Cinema, Salzburger Kunstverein Salzberg AU; National Gallery Prague, Prague CZ; Practising habits of the day, Institute of Contemporary Arts, Singapore SG; FOUND, Foundling Museum, London UK (all 2016); Spirit Your Mind, Chalet Society, Free Spirit Sport Bar, Miami US; The British Art Show, Leeds Art Gallery, Leeds UK (and touring); Hybridize or Disappear, National Museum of Contemporary Art, Lisbon PT; Rituels, répétitions, contraintes, tentations, Musee Regional d'Art Contemporain, Languedoc - Roussillon FR (all 2015); 58th BFI London Film Festival, London UK; The Influence of Furniture on Love, Wysing Arts Center, Cambridge UK; Mirrorcity, Hayward Gallery, London UK; The Great Acceleration, Taipei Biennial, TW; More Real Than Reality Itself, Contemporary Art Museum Houston, US; Art Basel Unlimited, Basel CH; Attention Economy, Kunsthalle Wien AU; Resonance (s), Maison Particulière, Brussels BE (all 2014).

Selected group exhibitions include New Frontier (Sundance Film Festival, 2009), The Cinema Effect (Hirshhorn Museum and Sculpture Garden, 2008), Made in Germany (Kunstverein Hannover, 2007), Superstars (Kunsthalle Wien, 2005) and Remix: Contemporary Art and Pop (Tate Liverpool, 2002).

Recent solo exhibitions include: Ukraine Pavilion, 57th Venice Biennale (2017); Fotomuseum, Antwerp (2016); Kunstverein Wolfenbüttel (2016); MADRE, Naples (2015); Camera Italian Centre for Photography, Turin (2015); Sprengel Museum, Hannover (2013); Museum of Modern Art, New York (2011); and Kunsthalle Wien, Vienna (2010).

SpICE BOXed Project (ion), Galerie Metropol, Wien, Austria; studio works and installation: (Sept.) Flower Dusted Prosies American Fine Arts, Co., New York, NY; (May) Growing Rock Candy Mountain — Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany; (10 Apr. - 31 May, cat.)

Atelier Philip Pocock, Cologne, Germany (curated by Philip Pocock) New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio, USA Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla, California, USA Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany; traveled to Galerie Jousse - Seguin, Paris, France New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania, USA New Moderns, Baumgartner Galleries, Washington, D.C., USA Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquartier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen, Hamburg, Germany (curated by Kasper Köing and Hans - Ulrich Obrist) Silent Echoes, Tennisport Arts, Long Island City, New York, USA (curated by Christian Haub) Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An International Exhibition of Contemporary Art, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany (curated by Peter Weiermair) Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany, (curated by Udo Kittelmann) «I am the Enunciator», Thread Waxing Space, New York, USA (curated by Christian Leigh)

Solo exhibitions 2018 T293, Roma (upcoming) 2018 INCA, Institute for New Connotative Action, Portland, OR, US (upcoming) 2018 «The Prodigal Daughter», GagaReena, Los Angeles, CA, US (upcoming) 2018 «Invisible receivers», Century Pictures, Brooklyn, NY 2017 «I Am Your Voice», Karst, Plymouth 2017 «The Crack - Up», Neuer Berliner Kunstverein, Berlin 2016 «Claire Fontaine», Académie de France à Rome — Villa Medici, Rome 2016 «Claire Fontaine», Museo Pietro Canonica a Villa Borghese, Rome 2016 «MAY OUR ENEMIES NOT PROSPER», Galerie Neu, Berlin 2015 «The winter of discontent», Carl Kostyál, London 2015 «Love is Never Enough», Air de Paris, Paris 2015 «Stop Seeking Approval», Metro Pictures, New York 2015 «Pretend to be dead», T293, Rome 2013 «Using Walls, Floors, and Ceilings», The Jewish Museum, New York 2013 «Un regard sur l'Inventaire vol.1 et vol.3», Frac Haute Normandie, Sotteville - lès - Rouen 2013 «Etrangers Partout», Frac Provence - Alpes - Cote d'Azur, La Bouilladisse 2013 «Some Redemptions», Metro Pictures, New York 2013 «1493», Espacio 1414, Porto Rico 2013 «Redemptions», CCA Wattis Institute for Contemporary Arts, San Francisco 2013 «Sell Your Debt», Queen's Nails, San Francisco 2012 «Carelessness Causes Fire», Audain Gallery, Vancouver 2012 «Breakfast starts at midnight», Index, Stockholm 2012 «Ma l'amor mio non muore», T293, Rome 2012 «Équivalences et Généralités», La Douane, Galerie Chantal Crousel, Paris 2012 «M - A-C-C-H-I-N-A-Z-I-O-N-I», Museion, Bolzano 2011 «M - A-N-I-P-U-L-A-T-I-O-N-S», SIZ Gallery, Rijeka 2011 «Working Together», Metro Pictures, New York 2011 «The Assistants», Petra, Messico D.F. 2011 «I», Yama, Istanbul 2011 «The Interpreter», Artist Projects, Art Brussels, Brussels 2011 «P.I.G.S.», MUSAC Contemporary Art Museum, Castiglia e León 2011 «Some instructions for the sharing of private property», Onestar Press, Paris 2011 «No Family Life», Air de Paris, Paris 2011 «Fighting Gravity», Regina Gallery, London 2011 «Fighting Gravity», Regina Gallery, Moscow 2011 «Arando en el mar», Gaga Galería de Arte Contemporáneo, Messico D.F. 2010 «Consumption», Helena Papadopoulos Gallery, Athens 2010 «Closed for Prayers», Dvir Gallery, Hangar 2, Jaffa Port 2010 «Kultur ist ein Palast der aus Hundescheiße gebaut ist», MD72, Mehringdamm 72, Berlin 2010 «Unbuilding», Caterina Tognon Gallery, Venice 2010 «Economy», Museum of Contemporary Art, Miami Nord 2010 «Future Tense», Museo Tamayo Arte Contemporáneo, Messico, D.F. 2009 «Inhibitions», Reena Spaulings, New York 2009 «After Marx April, After Mao June», Aspen Art Museum, Aspen 2009 «Recessions», Galerie Gabriele Senn, Wien 2009 «The Exhibition Formerly Known as Passengers», CCA Wattis, San Francisco 2009 «Changement de Propriétaire», Sorry We're Closed, Brussels 2009 «Tamed», Perché Napoli?

And also numerous group exhibitions in major institutions such as the Frankfurter Kunstverein; the Lentos Kunstmuseum Linz; the Musée d'Art Moderne et d'Art Contemporain (MAMAC) in Nice; the Museum of Contemporary Art Detroit (MOCAD); the Palazzo Strozzi in Florence; the KW Institute for Contemporary Art in Berlin; the Witte de With Center for Contemporary Art in Rotterdam; the SculptureCenter in Long Island; the Domaine Pommery in Reims; the Palais de Tokyo in Paris; the Museum of Contemporary Art Tokyo (MOT); the Den Frie Centre of Contemporary Art in Copenhagen, the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna; the Museum Kunstpalast of Dusseldorf; the Kunstmuseum Luzern; the Contemporary Jewish Museum (CJM) in San Francisco and the Kunstmuseum Bonn.

Does Television Inform the Way Art is Made, Grazer Kunstverein, Wien 1996 Sarah Kent: Young British Artists V.

Selected solo exhibitions include Land Lies in Water, Art Gallery of Ontario, Toronto (2015); Monday or Tuesday, Camden Arts Centre, London (2014); Cold Climate, Museo Marino Marini, Florence (2014); Kunsthalle Wien, Vienna (2014); Fogo Island Arts, Canada (2014); Geography and Plays, Kunsthal Charlottenborg, Copenhagen (2013); A light in the moon / MATRIX 239, Berkeley Art Museum, Pacific Film Archive, Berkeley (2011); Many many women, Kunstverein München, Munich (2010); Present time exercise, Modern Art Oxford, Oxford (2009); and 50ft Queenie, Tate Britain, London (2005).

His work has been exhibited at Kunsthalle Wien, Vienna; Martin - Gropius - Bau, Berlin; Museum of Art & Design, New York; Or Gallery, Vancouver; Cornerhouse, Manchester; Kunsthalle Basel; ar / ge Kunst, Bolzano; Bielefelder Kunstverein; Kunstverein Hamburg: Berlinale Film Festival and will be included in Skulptur Projekte Münster in 2017.

New York, Museum of Modern Art; Houston, Contemporary Arts Museum; Chicago, Museum of Contemporary Art; Akron Art Museum, Louise Bourgeois: Retrospective, November 3, 1982 - January 5, 1984 (another example exhibited) Paris, Maeght - Lelong; Zurich, Maeght - Lelong, Louise Bourgeois: Retrospektive 1947 - 1984, February - March 1985 (another example exhibited) Bridgehampton, Dia Art Foundation, Louise Bourgeois: Works from the Sixties, May 25 - June 25, 1989, p. 4 (another example exhibited and installation view illustrated) Frankfurter Kunstverein; Munich, Stadtische Galerie im Lenbachhaus; Lyon, Musée d'art Contemporain; Barcelona, Fundación Tàpies; Kunstmuseum Bern; Otterlo, Kröller - Müller Museum, Louise Bourgeois: A Retrospective Exhibition, December 2, 1989 - July 8, 1991 (another example exhibited) Columbus, Wexner Center for the Visual Arts, The Ohio State University, Inaugural Exhibition Part II - Art in Europe and America: The 1960s and 1970s, May 18 - August 5, 1990 (another example exhibited) New York, Barbara Toll Fine Arts, Human Hands (Modeled Sculpture), May 9 - June 6, 1992 (another example exhibited) Los Angeles, Linda Cathcart Gallery, Louise Bourgeois, January 9 - February 27, 1993 (another example exhibited) Santa Fe, Laura Carpenter Fine Art, Louise Bourgeois Personages, 1940s / Installations, 1990s, July 31 - August 8, 1993 (another example exhibited) Vienna, Galerie Krinzinger Wien, Louise Bourgeois 1939 - 89 Skulpturen und Zeichnungen, May 18 - June 12, 1990 (another example exhibited) Monterrey, MARCO; Seville, Centro Andaluz de Arte Contemporaneo; Mexico City, Museo Rufino Tamayo, Louise Bourgeois, June 15, 1995 - August 15, 1996, p. 61 (another example exhibited and illustrated) Mahwah, Ramapo College of New Jersey, Heavy Metal: From Process to Performance, September 17 - October 17, 2008 (another example exhibited) London, Tate Modern; Paris, Centre Pompidou; New York, Solomon R. Guggenheim Museum; Los Angeles, The Museum of Contemporary Art; Washington, D.C., The Hirshhorn Museum and Sculpture Garden, Louise Bourgeois, October 10, 2007 - June 7, 2009 (another example exhibited) London, Hauser & Wirth, After Awkward Objects: Lynda Benglis, Louise Bourgeois, Alina Szapocznikow, November 17 - December 16, 2009 (another example exhibited) Buenos Aires, Fundación Proa; Sao Paulo, Instituto Tomie Ohtake; Rio de Janeiro, Museu de Arte Moderna, Louise Bourgeois: The Return of the Repressed, March 19 - November 13, 2011, no. 20, p. 181 (another example exhibited and illustrated) Tel Aviv Museum of Art, Louise Bourgeois: Twosome, September 7, 2017 - January 20, 2018, p. 57 (another example exhibited and illustrated)

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Recent retrospectives and solo exhibitions have included in Kunsthalle, Zürich; Kunsthalle Wien, Vienna; Badischer Kunstverein, Karlsruhe; CAPC, Bordeaux; South London Gallery, London; and Centre d'Art Contemporain, Geneva.

Her work was also included in the Turner Prize exhibition at Tramway, Glasgow (2015 - 2016); The Kids Want Communism, curated by Joshua Simon (2016 - 17); Quiz 2, curated by Robert Stadler & Alexis Vaillant, MUDAM Luxembourg (2016); Display Show, curated by Celine Condorelli, Stroom den Haag, The Hague, The Netherlands (2016); Function Follows Vision, Vision Follows Reality, Kunsthalle Wien Karlsplatz, Vienna, Austria (2015); Überschönheit, Salzburger Kunstverein, Salzburg, Austria (2015); A Singular Form, Secession, Wien, Austria (2014); Villa Massimo Stipendiaten, Martin - Gropius Bau, Berlin, Germany (2013); Perspectives On Collage, Photographers Gallery, London, UK (2013); Re-generation, Museo d'Arte Contemporanea (MACRO), Rom, Italy (2012); Crazy House at Museum für Moderne Kunst in Frankfurt (2012); The New Décor, Hayward Gallery, London and the Garage Centre in Moscow, Russia in (2010 - 2011); A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne, Germany (2012); Weltempfänger, Galerie der Gegenwart / Hamburger Kunsthalle, Hamburg, Germany (2007); Tate Triennale, Tate Britain, London, UK (2006).

Additionally, solo shows have been mounted by the Kunstmuseum in Bonn, the Bergen Kunsthall in Norway, the Kunstverein in Heilbronn, the Kunsthalle Wien, and the Franz Gertsch Museum in Switzerland.

His works have featured in numerous group exhibitions around the world, and notably in the 2015 Biennale de Lyon and Moscow Biennial as well as recent exhibitions examining the interface of digital culture and subjectivity including Digital Conditions, Kunstverein Hannover; The Future of Memory, Kunsthalle Wien (all 2015); The Digital Revolutionaries, Art Basel Miami Beach; Private Settings: Art After The Internet, MOMA Warsaw and Speculations on Anonymous Materials, Museum Fridericianum, Kassel (all 2014).

Group exhibitions include Kunstverein Hamburg (January 2016); Contemporary Art from the Centre Pompidou at Haus der Kunst, Munich (March 2016); and Kunsthalle Wien (June 2016).

Exhibiting since 1996, her work has shown in over 50 international exhibitions including The Australian Centre for Photography Sydney; The Australian Centre for the Moving Image, Melbourne; The Australian Centre of Contemporary Art Melbourne; Fotogalerie Wien; Deichtorhallen Hamburg; Kunsthalle Fridericianum Kassel; Kunstverein Ludwigshafen; ACC Galerie Weimar and the Le Havre Biennale.