Sentences with phrase «la exhibition addresses»

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

Drawn from the holdings of the Isamu Noguchi Foundation and Garden Museum and curated in collaboration with the artist's last and most important dealers, Arne Glimcher and Susan Dunne of Pace Gallery, the exhibition addresses the artist's category - defying range as a world shaper.

The works in the exhibition addressed cycles of urban decay and regeneration; building community through shared heritage; immigration and displacement; the longing for home in all its senses; and the vast economic disparities that plague our cities.

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

Specifically, how are you considering the installation for your upcoming exhibition Address at The Renaissance Society?

Southern Accent: Seeking the American South This unprecedented exhibition addresses and complicates the many realities, fantasies and myths that have long captured the public's imagination about the American South.

The exhibition addresses the function of the outer court, and the important roles of various rituals.

This unprecedented exhibition addresses and complicates the many realities, fantasies and myths that have long captured the public's imagination about the American South.

For some days before typing this now I was wondering how to avoid writing this sentence: Wolfgang Tillmans's new exhibition addresses life on the planet now.

The solo exhibition addresses the culture of the Trinity River in Fort Worth, Texas, focusing especially on the people drawn to its banks.

The exhibition addresses how car culture has shaped psychological, spatial and geographic perceptions of the city.

This exhibition addresses Rauschenberg's legacy through select works from ROCI alongside other mixed media works that represent his material experimentation and innovation.

«The intersecting themes of the exhibition address the most vital points of contemporary society's connection with the past and present, and the variety of accompanying programs align with the spirit of openness and dialogue that characterizes the cultural message of Milan's museums,» said Anna Maria Montaldo, director of Polo Arte Moderna e Contemporanea in Milan.

Building on discourses regarding formalism and painting, the exhibition addresses universal issues of loss, alienation, life, and death.

This exhibition addressed contemporary portraiture as the nexus of three issues: visuality, location, and identity.

This exhibition addressed the widespread societal transformation, engendered by Japan's new openness to the outside world during the nineteenth century which greatly impacted the print culture known as Ukiyo - e that flourished in the theater and courtesan quarters of Edo (modern Tokyo).

The exhibition addresses the relations between body, movement, and the sense of self, between people and their surroundings.

She recently curated «Dreamlands: Immersive Cinema and Art 1905 - 2016», a large thematic exhibition addressing issues of the immersive cinematic experience in relation to the body and technology.

The exhibition addresses the push back that is occurring in communities nationwide around issues such as water access and safety, marginalization of the poor, the murder and incarceration of African American youth, and decay of urban infrastructure.

During his tenure at the MCA, Molon curated major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010) where the exhibition addressed the pivotal role of the studio in artists» practice; and Sympathy for the Devil: Art and Rock and Roll since 1967 (2007).

Paul and Tate models at Parafin exhibition address the complexity of meanings behind each of the buildings.

Besides data and communications streams in global networks, the exhibition addresses the highly complex and invisible forms of political and economic shifts of power as well as exposes and reflects the omnipresence of surveillance and censorship.

The Israel Museum, Jerusalem, continues its 50th Anniversary celebrations with a new exhibition addressing notions of individual and collective social identity within society.

«My exhibition addresses that which lies at the edge of our senses and knowledge, of our imagination and our expectations.

The exhibition addresses form and content while underscoring an affinity for collaborative production, a mode at the core of both bodies of work.

The exhibition addresses themes about the transient and the discontinuous, as well as messages that persist and perish in nature and art.

«South of the Border» is an exhibition addressing the timely and controversial topic of immigration through the works of ten artists.

Either through their own experimental studio practice, or in how they visualize and aestheticize the passage of time, the artists in this exhibition address cosmological hierarchy from the bottom up, reiterating the impulse of subjects to understand their existence and the world through objects.

All the works in this compelling exhibition address visionary attitudes toward form, inspired in one case by the German architect and urban planner, Bruno Taut (1880 — 1938), whose idealized drawings influenced Weimar buildings.

The recent series of billboards included in this exhibition addresses income inequality in the art world.

The exhibition addresses the status of a document and consists of a matrix of disparate elements registered in the artist's memory.

Main Gallery: Natured Curated by Claire Christie and Sandra Gregson, this exhibition addresses the relationship between the body and its environment, particularly to what we know as nature.

«The pieces in my exhibition address Jewish history of the 20th century, as well as loss and translation,» explains Glass.

Emotional Supply Chains is an exhibition addressing the construction of identity in the digital age.

This exhibition addresses time in relation to production and the development of creative communities.

This exhibition addresses these questions through a variety of two - and three - dimensional work as well as some video work.

Bringing together pictures taken across the world of friends and strangers, as well as the natural and built environment, the present exhibition addresses one of the main questions explored in Tillmans's recent practice: as photography becomes increasingly ubiquitous, and as ever higher resolution yields unprecedented views of our surroundings, how do pictures continue to shape our knowledge of the world?

In this group exhibition we address fruit as the symbol for knowledge, as a symbol and visual for feminine form, as trade commodity.

The works included in this exhibition address diverse concepts surrounding divergence and longing.

The exhibition addresses themes of healing and self - care, comprising works that comment on and / or adapt strategies of alternative medicine, psychotherapy, and wellness practices.

The exhibition addresses topics related to class, family, friendship, affection, social mobility, bionomies, management of power, administration of life, definition of the private and the public, distribution of the sensitive, dualisms and separatism, among others; from an autobiographical point of view that from the personal speaks on the conditions of the contemporary artistic practices and ways of life today.

Through the display of the artists» new works, the exhibition addresses themes of postgenderism and considers how humans are progressively losing contact with the physical body through the increasing automation of sexual pleasure.

Exhibition address: 27/31 New Inn Yard (Protein Studios), London EC2A 3EY.

Works in the exhibition address changing relationships between media, subject and cliché in contemporary image production by inhabiting familiar — and thus commercial — forms.

The centre of the exhibition addresses the city: both the metropolitan Place de la Révolution at the heart of the capital Onomatopoeia, lined with geometric monuments and bustling crowds of cyclists; and the more dingy industrial margins including The Ninth Resort.

The artists in this exhibition address the process through which identity is constructed by exploring different roles and characters.

As the title suggests, the exhibition addresses 21st - century Nature, explored as a surviving model, a stimulating yet melancholy icon, or else an image mediated by the digital culture.

The works in the exhibition address this through a process of collapsing or stretching time to reframe old and new narratives, re-appropriating collected data, individual stories and collective memories.

The exhibition addresses one of the fundamental postulates of 20th Century Avant - garde movements, the mutual penetration or even fusion of art and everyday life, is indebted to three phenomena known from the history of 20th Century art which have remained topical and universal until the present day.

The Zabludowicz Collection presents a new exhibition addressing the construction of identity in the digital age.