Sentences with phrase «language film the act»

Not exact matches

His hobbies included watching films on TV, especially those on football, athletics, boxing, as well as Ghanaian and Nigerian films which were acted in Ewe and English, as he could not speak any other language than the two.

I don't know, just the way her body language and how she acted actually really worked and added something to the film that improved it much more than just your basic horror film.

Animated feature «The Croods» «Despicable Me 2» WINNER: «Frozen» «Monsters University» «The Wind Rises» Action movie «The Hunger Games: Catching Fire» «Iron Man 3» WINNER: «Lone Survivor» «Rush» «Star Trek Into Darkness» Actor in an action movie Henry Cavill — «Man of Steel» Robert Downey Jr. — «Iron Man 3» Brad Pitt — «World War Z» WINNER: Mark Wahlberg — «Lone Survivor» Actress in an action movie WINNER: Sandra Bullock — «Gravity» Jennifer Lawrence — «The Hunger Games: Catching Fire» Evangeline Lilly — «The Hobbit: The Desolation of Smaug» Gwyneth Paltrow — «Iron Man 3» Comedy WINNER: «American Hustle» «Enough Said» «The Heat» «This Is the End» «The Way Way Back» «The World's End» Actor in a comedy Christian Bale — «American Hustle» WINNER: Leonardo DiCaprio — «The Wolf of Wall Street» James Gandolfini — «Enough Said» Simon Pegg — «The World's End» Sam Rockwell — «The Way Way Back» Actress in a comedy WINNER: Amy Adams — «American Hustle» Sandra Bullock — «The Heat» Greta Gerwig — «Frances Ha» Julia Louis - Dreyfus — «Enough Said» Melissa McCarthy — «The Heat» Sci - fi / horror movie «The Conjuring» WINNER: «Gravity» «Star Trek Into Darkness» «World War Z» Foreign language film WINNER: «Blue Is the Warmest Color» «The Great Beauty» «The Hunt» «The Past» «Wadjda» Documentary feature «The Act of Killing» «Blackfish» «Stories We Tell» «Tim's Vermeer» WINNER: «20 Feet from Stardom» Song «Atlas» — Coldplay — «The Hunger Games: Catching Fire» «Happy» — Pharrell Williams — «Despicable Me 2» WINNER: «Let It Go» — Robert Lopez and Kristen Anderson - Lopez — «Frozen» «Ordinary Love» — U2 — «Mandela: Long Walk to Freedom» «Please Mr. Kennedy» — Justin Timberlake, Oscar Isaac and Adam Driver — «Inside Llewyn Davis» «Young and Beautiful» — Lana Del Rey — «The Great Gatsby» Score WINNER: Steven Price — «Gravity» Arcade Fire — «Her» Thomas Newman — «Saving Mr. Banks» Hans Zimmer — «12 Years a Slave»

And that gives you a shared history, language, a shorthand, so when you're writing for them, when you're acting, it makes all of those directors who work with the same people, makes their films so rich.

The film, Bong's English - language debut, is a violent sci - fi action flick that lets its anarchist leanings take over in the final act.

For that matter, if academy voters took international cinema seriously, they might have spared a thought for Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film Oscar).

It's joined by Guillermo del Toro's love fantasy The Shape of Water, Jordan Peele's prescient horror film Get Out, Greta Gerwig's coming - of - age dramedyLady Bird and the French - language ACT UP drama BPM (Beats Per Minute).

Julie Delpy in Before Midnight, another French actress but acting in an English language film, has never been nominated for Actress though this could be her year.

Transgender actress Daniela Vega stars in A Fantastic Woman and could very well make history at the Oscars by becoming the first transgender actress nominated for an acting role in the foreign language film should Sony Pictures Classics play their cards right.

When Diane Kruger started to research her role in director Fatih Akin's «In The Fade,» a German - language film in which Kruger plays a grief - stricken woman whose husband and young son are murdered by two neo-Nazi terrorists, she reached out to several support groups in her adopted hometown of New York City, thinking she could quickly absorb some of the painful knowledge of those who'd lost loved ones to violent acts.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

While foreign language films have a decent track record with acting nominations (Penélope Cruz in Volver, Marion Cotillard in La Vie en Rose, Javier Bardem in Biutiful, to name a few), the success rate for Best Picture is much lower.

The acting and language are much more natural, making this film easily accessible to audiences who would normally shun Dickens.

«Secret in Their Eyes» (November 20): Eduardo Sancheri's novel that previously made for an Oscar - winning foreign language film (directed by Juan José Campanella) now gets the American treatment, this time from the acting talent of Chitwetel Ejiofor, Julia Roberts, and Nicole Kidman.

The director with the help of co-writer Boris Frumin adds a clumsy scene in a car where John and Setsumo act like two spontaneous teens, and the film concludes on a sad note showing the difficulty of romance across the Pacific when the couple know little of each other's native language.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.