Sentences with phrase «label rights books»

Private Label Rights books were a big scam a few years ago that involved ripping content from existing information on the internet (both public domain and under copyright), slapping a cheesy 3D cover on it, and making into an eBook.

Not exact matches

You can also check out the book super baby food (see the blog label to the right).

Maybe one day they will take another shot at it and get it right but until then Book of Memories should be labeled «approach at your own risk.»

From your book's individual page, click the green «sell» button on the right to get a price quote, and follow the prompts to print a shipping label to mail us your book.

This fine print will always have a clause that says you are a mere tenant farmer of your books, and not their owner, and your right to carry around your «purchases» (which are really conditional licenses, despite misleading buttons labelled with words like «Buy this with one click» — I suppose «Conditionally license this with one click» is deemed too cumbersome for a button) can be revoked without notice or explanation (or, notably, refund) at any time.

The «books» are swarming the Kindle store in the thousands every month, powered in part by something called Private Label Rights, where cheap content gets repackaged into a knockoff e-volume.

Comic books that have higher resolutions will have a small red HD label on the right hand side and boy do they look great!

• The list price is between $ 2.99 to $ 9.99 • The ebook list price is at least 20 percent below the lowest list price for the printed version of the book • The ebook is an original work, not primarily composed of PLR (private label rights) content.

I suggested these spammy Kindle books are probably made up of private label rights (PLR) content purchased from an Internet marketer.

Make sure you do this right away, because Amazon labels their books in a jarble of indescript numbers and letters, so unless you only have one file in the folder, you'll be hard - pressed to find it later.

With that in mind, you should draw out a quick sketch or mock up of your book, labeling pages and deciding what goes on a left facing page and what on a right.

The Guardian explained how «Tor rips up the rulebook on digital rights management» and the BBC featured a long article with arguments from both sides, drawing links with the music industry's experience of the transition and highlighting that «the key difference with the music business is that the book trade can see what mistakes the record labels made and avoid them.»

If we do a query on Google of a random text strings in your book (and yes, we do this to test the originality of your work), and we discover the same content under other author names, or associated with private label article (also called «Private Label Rights or PLR») or ebook licensing systems, your account will be closed without warning and all earnings will be forfeited, per the Terms of Serlabel article (also called «Private Label Rights or PLR») or ebook licensing systems, your account will be closed without warning and all earnings will be forfeited, per the Terms of SerLabel Rights or PLR») or ebook licensing systems, your account will be closed without warning and all earnings will be forfeited, per the Terms of Service.

It is sad there is a stigma associated with indie authors — that we even need to have labels... I never even sent my book to a traditional house or sought an agent (nothing against those who did by any means)-- but I wanted to publish on my own (keep my rights, etc.).

Maybe one day they will take another shot at it and get it right but until then Book of Memories should be labeled «approach at your own risk.»

«Physical Evidence,» Lehman College Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker Art Center, Minneapolis, MN; traveled to the Center for the Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney Museum of American Art, New York, NY, 1994; catalogue «New Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations of Masculinity in Contemporary Art,» Whitney Museum of American Art, New York, NY, 1994; traveled to the UCLA Hammer Museum, Los Angeles, CA; catalogue «Transformers: The Art of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College of Art, Baltimore, MD; Herbert F Johnson Museum of Art, Cornell University, Ithaca, NY; Nexus Contemporary Art Center, Atlanta, GA; Art Gallery of Windsor, Windsor, Ontario, Canada; Illingworth Kerr Art Gallery, Alberta College of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High Museum of Art,» Atlanta, GA, 1994; traveled to the National Museum of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary Art and the Museum,» Museum of Fine Arts, Boston, MA, 1994; brochure «Don't Look Now,» Thread Waxing Space, New York, NY, 1994; catalogue