Saoirse Ronan's
Lady Bird finds herself caught somewhere between being the kid her parents want her to be — accepting an ordinary life in Sacramento — and chasing an inner whirlwind of big dreams of big places, of people who pursue and achieve different things.
This prickly relationship is the movie's center, and
Lady Bird finds a quick, perfect, hilarious way to immediately encapsulate their can't - be-in-the-same-room polarity: Fed up with her mom, Lady Bird unbuckles her safety belt, opens the passenger - side door, and rolls out of the moving vehicle.
Except that after all her seeming - rebelliousness,
Lady Bird finds she does like her name, boyfriends who have other leanings are really not boyfriends at all and the truest friends are those who have always been there for you.
With a later introduction to Kyle (Timothee Chalamet) through classmate Jenna (Odeya Rush)
Lady Bird finds her flight on a different path, briefly forgetting what really matters to her.
Unless
Lady Bird finds a way to overtake in Best Picture, this is probably going to SAG winner Frances McDormand.
Not exact matches
I was really shocked to see them this early — but they are everywhere in the garden - J's been out looking again today and
found some colonies (no idea if that is the right word for a group of
lady birds!)
When it's just the shirt with jeans, it makes it more real, like
Lady Bird could have
found it in a thrift store.»
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But this is way off the level of a Brooklyn or
Lady Bird performance, perhaps because she simply
found less to connect with in such a prim, uncomprehending character.
Lady Bird is the name Christine McPherson (Saoirse Ronan) gives herself, as the seventeen - year - old tries to break away from her family and
find her own identity.
Most of
Lady Bird's teen characters are united by these and other populist totems (in one adorable departure from a world of cultural verisimilitude, Sacramento seems to be a haven for Stephen Sondheim nuts), but the film
finds them increasingly aware of the highly visible class markers that separate them.
Here, we in turn
find the likes of Phantom Thread, Dunkirk, The Post, The Shape of Water,
Lady Bird, Darkest Hour, Call Me by Your Name, Get Out, Three Billboards Outside Ebbing, Missouri, and The Florida Project all being awarded their own (fake) covers.
We
found the teenage visionary responsible for creating the crown jewel of the
Lady Bird bootleg merch market.
Greta Gerwig's directorial debut follows a teenage girl named Christine (aka
Lady Bird) who is still
finding her way in the world.
Lady Bird is every bit a charming coming of age film, with Saoirse Ronan as a young woman
finding her own unique ways of dealing with issues every teenager encounters.
Lady Bird has been resonating with audiences everywhere who have fallen in love with the ambitious teenager who is ready to leave her hometown nest of Sacramento for New York, where she can
find more culture, art, and opportunity.
If you've seen «
Lady Bird,» the wise, warm story about a young woman
finding and asserting herself while dealing with her conflicted feelings toward a mother she can never seem to please, then you know that Greta Gerwig, who wrote and directed the film, has a keen eye for detail.
Because what
Lady Bird is yearning for as well is that you're one person in the place where you grew up and then you're another person in the place where you
find yourself.
At the center of it all is a superb performance by Saoirse Ronan, who
finds the effervescent joy in
Lady Bird's passions but embraces the moments when she can be truly terrible.
Almost every woman who won an award
found a way to connect her project with the current movement against sexual harassment — an easy task, considering that most of the big winners (The Marvelous Mrs. Maisel, The Handmaid's Tale, Big Little Lies,
Lady Bird, Three Billboards Outside Ebbing, Missouri) tackled gender politics head - on.
Even those people who hate Dave Matthews Band and «Crash Into Me»
found themselves falling for the song in «
Lady Bird.»
After
Lady Bird joins the school's theater program to
find herself, she meets Danny (Lucas Hedges), the first of several men she jumps into relationships with during her struggle to
find herself and her efforts to escape from her family.
Her brother Miguel (Jordan Rodriguez) and his live - in girlfriend Shelly (Marielle Scott) are edgy, inarticulate types with piercings, who dress alike and are usually to be
found giving every situation, including the Sondheim musical in which
Lady Bird sunnily enrols, the same suspicious look.
You'd be hard - pressed to
find a proxy in Canada for the cameo of Ronald Reagan's Tudor revival in the Fab 40s, or the blue manse on 44th Street, upon which
Lady Bird hinges her grown - up reveries.
In
Lady Bird, Gerwig somehow
found a new angle on the mother - daughter movie that doesn't shy away from each character's flaws but never makes either of them remotely monstrous.
The very first scene
finds the pair in a car together; mom may be doing the driving but «
Lady Bird» is aching to steer her own course.
With her feature debut «
Lady Bird» (A24), a semi-autobiographical story from her high school days in Sacramento starring Saoirse Ronan and the superb Laurie Metcalf as her mother, Gerwig
finds herself in the Oscar race as writer and director.
Amazon's survey also
found that among people who went to public school «The Breakfast Club» was the top recommendation, while those who went to private school picked «
Lady Bird» as their No. 1 coming - of - age film.
Lady Bird, The Shape of Water, and Three Billboards Outside Ebbing, Missouri could all
find themselves nominated in both categories.
Lady Bird is a wide eyed young woman, yes, but she's no sucker, and watching her
find first love, revived self - determination, faux pas, failures, and success is a no small wonder.
This past year alone, films such as
Lady Bird, The Shape of Water, Princess Cyd, and Call Me By Your Name, navigate the landscapes of what people go through to
find out who they are.
[4 stars] Captain Underpants: The First Epic Movie (07.15 / 06.02 / 07.24) Thor: Ragnarok (10.24 / 11.03 / 10.24) The Greatest Showman (12.09 / 12.20 / 12.26) Wonderstruck (10.06 / 10.20 / TBA) I Am Not a Witch (10.03 / TBA / 10.20)
Lady Bird (10.14 / 11.03 / 02.16.18) The Post (12.21 / 12.22 / 01.19.18) Coco (01.13.18 / 11.22 / 01.19.18) The Ritual (10.02 / direct to Netflix / 10.13) Icarus (02.27.17 / direct to Netflix / direct to Netflix) Bushwick (10.25 / 08.25 / 08.25) Film Stars Don't Die in Liverpool (10.11 / 12.29 / 11.17) Spider - Man: Homecoming (07.05 / 07.07 / 07.05) Another Mother's Son (02.21 / TBA / 03.24) Oscar Nominated Animated Shorts (89th Academy Awards)(02.20 / 02.08 / direct to VOD) Personal Shopper (10.09.16 / 03.10 / 03.17) The Survivalist (04.19.16 / 05.19 / 02.12.16) God Knows Where I Am (04.07 / 03.31 / 04.14) The Salesman (01.31 / 01.27 / 03.17) Raw (04.04 / 03.01 / 04.07) The Beguiled (06.20 / 06.23 / 07.14) The Party (10.09 / 02.16.18 / 10.13) Step (07.21 / 08.04 / 08.11) God's Own Country (08.07 / 10.27 / 09.01) Menashe (12.11 / 07.28 / 12.08) The Divine Order (10.14 / 10.27 / 03.08.17) Borg vs McEnroe (09.11 / 04.13.18 / 09.22) My Pure Land (09.12 / TBA / 09.15) The Unknown Girl (12.02.16 / 08.25 / 12.02.16) Pecking Order (08.24 / direct to VOD / 09.29) Jane (11.12 / 10.20 / 11.24) Good Time (10.05 / 08.11 / 11.17) The Commune (05.28 / 05.19 / 07.29.16) Lost in London (04.30 / TBA / 05.05) The Fencer (Miekkailija)(11.30 / 07.21 / 12.24.16) The Great Wall (02.16 / 02.17 / 02.16) The Chamber (01.18 / 02.23.18 / 03.10) Motherland (10.15 / 09.08 / TBA) The Light of the Moon (10.31 / 11.01 / TBA) Bombshell: The Hedy Lamarr Story (11.18 / 11.24 / 03.09) Victoria & Abdul (09.12 / 09.22 / 09.15) Wind River (07.20 / 08.04 / 09.08) Urban Hymn (08.01.16 / 05.12 / 09.30.16) The Women's Balcony (Ismach Hatani)(07.06 / 05.26 / TBA) Pilgrimage (07.28 / 08.11 / direct to VOD) Megan Leavey (aka Rex)(06.19 / 06.09 / direct to VOD) Final Portrait (08.18 / 03.23.18 / 08.18)
Finding Kim (05.29 / 05.31 / TBA) Through the Wall (aka The Wedding Plan)(05.28 / 05.12 / 12.16.16) The Zookeeper's Wife (04.22 / 03.31 / 04.21) Dolores (09.09 / 09.01 / TBA) Queen of the Desert (04.03 / 04.07 / direct to VOD) Catfight (02.22 / 03.03 / 03.10) Viceroy's House (02.17 / 09.01 / 03.03) Birthright: A War Story (07.21 / 07.14 / direct to VOD)
In
Lady Bird and before, Gerwig is drawn to dreamers: young women who believe they are destined for greatness, even when the audience
finds plenty of cause to doubt that.
You should see
Lady Bird (it will be in theaters November 3) and, when you do, savor its delightfulness because this is a tougher and tougher commodity to
find.
I'm sure I'm not the only person who watched
Lady Bird and
found myself veering back and forth between wanting to scream at her character and wanting to give her a hug.
They're sorting through the dress rack at a thrift store and fighting in the way they do for most of the film, about how
Lady Bird is a disappointment and about her mother doesn't understand her — and then they break off mid-sentence to exclaim over
finding the perfect dress.
As its release has gone wide, «
Lady Bird»
found its grateful audience, and it isn't men or even young women who might identify with Saoirse Ronan's teen central character.
However, other than these few screenplay picks, there were a lot of great choices to be
found, including Laurie Metcalf continuing to dominate Best Supporting Actress for her great performance in «
Lady Bird» and Margot Robbie scoring a couple of wins for «I, Tonya.»
When she lands in her school's theater department,
Lady Bird (yup, the name is a choice, too), thinks she has
found her place but it, too, has a way of disappointing.
Lady Bird may not be Gerwig's semi-autobiographical tale, but it gives us a taste of what she
finds fascinating.
Greta Gerwig's «
Lady Bird,» starring Saoirse Ronan (pronounced Ser - Sha, as in Sersha, Sersha, Sersha)
finds Gerwig going all semi-autobiographical mumblecore, as if that Godforsaken genre weren't already long dead gone.
It would have been great to see one of the female - directed efforts
find purchase in the best feature category, though Greta Gerwig («
Lady Bird») and Maggie Betts («Novitiate») got some love as breakthrough directors, and Dee Rees» «Mudbound» is set for a special ensemble honor.
It opened almost four months ago in the US, last week in the UK, and today Irish audiences will finally get the chance to watch
Lady Bird and
find out what all the fuss is about.
Greta Gerwig's «
Lady Bird» becomes best - reviewed film on Rotten Tomatoes, Disney
finds its live - action «Mulan,» and «The Post» star Meryl Streep laments the lack of gender parity
Among the many refreshing things about this film is the fact that
Lady Bird isn't ultimately seeking to validate herself by
finding a nice boyfriend: those romances are incidental to her search for meaning, and identity, which will be achieved through her own talent and individuality.
She asked the Irish actress to read through the script with her and two pages in, knew she'd
found her
Lady Bird.
A female director — Greta Gerwig (
Lady Bird)-- and a black man — Jordan Peele (Get Out)--
find themselves breaking barriers in categories in which they are usually sidelined.
Lady Bird will quit the club in high dudgeon when she's overlooked for all the main parts in a production of Shakespeare's Tempest, but meanwhile has
found a boyfriend in Danny (Lucas Hedges), a sweet young man who tells her he respects her too much to touch her breasts.
A major bone of contention
finds Lady Bird and her mom arguing about the young woman's desire to go to a college in New York as she is sick of living in the suburbs and especially hard on their location on the other side of the tracks in Sacramento.
Napier explained that she sourced most of her costume
finds from thrift stores, flea markets, Etsy, and, on the rare occasion — as for the beige lace dress
Lady Bird wears to Thanksgiving at Danny's grandmother's house — from costume houses.