Sentences with phrase «land art context»

Not exact matches

«Journeys with The Waste Land» includes work by more than 60 artists who have been inspired by T.S. Eliot's great modern lament, or whose art resonates in the context of the poem.

In that context the recent debate over whether direct action should be taken to protect Robert Smithson's Spiral Jetty, perhaps the quintessential work of post-war American Land Art, seems rather like a throwback to the old days.

Growing up in Santiago and being absorbed by its pre-Colombian art, craft, and archaeological remains, Casasempere has re-interpreted Land Art in the context of contemporary art, and has attempted to develop a new form of sculptuart, craft, and archaeological remains, Casasempere has re-interpreted Land Art in the context of contemporary art, and has attempted to develop a new form of sculptuArt in the context of contemporary art, and has attempted to develop a new form of sculptuart, and has attempted to develop a new form of sculpture.

«Defining the Public Context,» New Land Marks, exhibition catalogue, Pennsylvania Academy of Fine Arts, February 10 - April 15, 2001

My works tend to land somewhere between Game Art (in the context of contemporary art) and gamification leaning towards gamified life - coachiArt (in the context of contemporary art) and gamification leaning towards gamified life - coachiart) and gamification leaning towards gamified life - coaching.

GROUP EXHIBITIONS 2017 Une Passion Partagée - La Collection Gigi & Marcel Burg, MusVeree, Sars - Poteries / FR 2017 EisWasserGlas - Glass Collection Hans Hansen, Gewerbe Museum Winterthur / CH 2017 Land Schafft Kunst Biennale VI, Neuwerder / DE 2014 Trends in Contemporary Glass Art, Himalayas Art Museum, Shanghai 2014 Coburg Glass Prize, Kunstsammlungen der Veste Coburg / DE 2013 Translucide, Biennal du Verre - Radial Art Contemporain, Strasbourg 2012 European Glass Context, Bornholm Art Museum / DK 2010 iGlass, Levant Art Gallery, Shanghai 2009 Glass - Trends in Contemporary Glass Sculpture, Litvak Gallery, Tel Aviv 2007 Contemporary Glass of the Würth Collection, Hirschwirtscheuer, Künzelsau / DE 2007 International Exhibition of Glass, Kanazawa / JP 2006 Coburg Glass Prize, Kunstsammlungen der Veste Coburg / DE.

Among the collateral events, I'll be interested to see what «Land Sea» at Palazzo Falier (9 May — 22 November), which promises to place Sean Scully's abstracts in the context of Venetian art and architecture, does to this artist's elegiac palette.

Ballroom Marfa is pleased to present a screening of Sam Wainwright Douglas» latest documentary, «Through the Repellent Fence: A Land Art Film» follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal contLand Art Film» follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal conteArt Film» follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal contland art in a tribal conteart in a tribal context.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Breaking Ground: Broken Circle / Spiral Hill (1971 — 2011) will be presented in the context of the Land Art Contemporary program, which also includes an exhibition program and an extensive publication.

This restaging offers an opportunity to consider the photographs both in the context of the newly central role photography was playing in 1970s contemporary art as well as in relation to the period's prevailing cultural concerns, such as land use, national identity, environmentalism, and nostalgia.