With its hillside houses that appear to be stacked atop one another, the movie's sparkling
Land of the Dead looks like the city of Guanajato.
Not exact matches
What conceit and self righteousness to think for a moment that any
of you are someone who is being
looked after or has the ability to move on to an after life with this conjoured up image
of some humanoid that will ascene you to some kind
of «Happy
Land» when you are more likely
dead forever and dried up turning into bug invested happy meals or just plan old dust if your sealed or cremated..
And when his wife died he went down alive into the
land of the
dead and made music before the King of the Dead till even he had compassion and gave him back his wife, on condition that he led her up out of that land without once looking back to see her until they came into the li
dead and made music before the King
of the
Dead till even he had compassion and gave him back his wife, on condition that he led her up out of that land without once looking back to see her until they came into the li
Dead till even he had compassion and gave him back his wife, on condition that he led her up out
of that
land without once
looking back to see her until they came into the light.
This will get their fat asses out
of their recliners to go out onto their «sacred»
lands and do something, like
look for
dead Eagles that died from natural causes.
In both its «real - life» Mexico and fantasy
Land of the
Dead settings, Coco boasted a broad palette that
looked dazzling.
When I
look at
Land of Dead, the game really just seems like a pretty lousy
looking game, with some minor frame rate issues and a total lack
of detail and originality.
Of course, if you've seen the Guillermo Del Toro - produced The Book of Life, Coco won't look quite so spectacular, but if you haven't, Coco's take on the afterlife is a neon cornucopia of never - ending spectacle, from the tram system that carts skeletons about, to an EXCELLENT bit with Frida Kahlo, to the fanciful alebrijes, the spirit animals that roam the Land of the Dea
Of course, if you've seen the Guillermo Del Toro - produced The Book
of Life, Coco won't look quite so spectacular, but if you haven't, Coco's take on the afterlife is a neon cornucopia of never - ending spectacle, from the tram system that carts skeletons about, to an EXCELLENT bit with Frida Kahlo, to the fanciful alebrijes, the spirit animals that roam the Land of the Dea
of Life, Coco won't
look quite so spectacular, but if you haven't, Coco's take on the afterlife is a neon cornucopia
of never - ending spectacle, from the tram system that carts skeletons about, to an EXCELLENT bit with Frida Kahlo, to the fanciful alebrijes, the spirit animals that roam the Land of the Dea
of never - ending spectacle, from the tram system that carts skeletons about, to an EXCELLENT bit with Frida Kahlo, to the fanciful alebrijes, the spirit animals that roam the
Land of the Dea
of the
Dead.
Documentary Amy Becoming Bulletproof Best
of Enemies Cartel
Land Drunk Stoned Brilliant
Dead: The Story
of the National Lampoon Going Clear: Scientology and the Prison
of Belief He Named Me Malala The Hunting Ground The
Look of Silence Where to Invade Next
American Loser American Ruling Class And You Thought Your Parents Were Weird Autopsy Best Seller Bio-Dome Blood Car Boy Breathing Butterfly Effect 3: Revelations Calloused Hands Carrie Charlotte Rampling: The
Look Clip Computer Chess Dark Ride
Dead Weight Dirty Dancing Disturbing Behavior Double Headed Eagle Double Take Down to Earth Duane Michaels: The Man Who Invented Himself Dying Breed Free Radicals Ganja & Hess Gogol Bordello: Non Stop Hippie Masala Holes in My Shoes Huff In the
Land of the Deaf Indecent Proposal Kama Sutra: A Tale
of Love Khodorkovsky Kingdom
of Shadows Korkoro La Maison de la Radio
There are numerous colorful scenes, many in the
Land of the
Dead, where there are seemingly hundreds
of characters doing hundreds
of things, independently, each with their own distinct
look and personality.
Looking for help and answers, Miguel travels to the
Land of the
Dead — a dazzlingly vibrant, stacked metropolis inspired by the Mexican city
of Guanajuato — himself and sets off an adventure with trickster skeletal companion Hector (Gael García Bernal) to find the rest
of his family, de la Cruz, and the answer to how he can fix this curse.
Now a red band trailer for The
Dead Lands has debuted ahead
of its stateside release, and it
looks like it could be really cool.
FROM combines the
dead dogs from the Undead Burg to strange
looking werewolves and Brightstone Cove peasants to mix up the world
of Yharnam, the
land of the cure.
, you are lying on the floor
of your place
looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions
of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts
of all men in all ages and
lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions
of universalism, and I'm glad we don't, but the particles
of air bring traces
of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door
of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound
of a drum, like that Kabuki story where a fox recognizes the voice
of its parents as a girl plays a drum made out
of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse
of a concrete wall and you can feel the tectonic movements
of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light
of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign
of love, like singing to a corn field, and all acts
of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and
look for life in all things declared
dead, a kind
of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,