Sentences with phrase «land of the dead where»

Circumstances lead Miguel to be in the Land of the Dead where he must unravel the truth about his family and their distaste for music.

His talent takes him on an adventure to the Land of the Dead where he learns the truth about his family's history and his place in the story.

Not exact matches

Hades means «the land of the dead»; Tartarus / Tartaroo, which appears only once, is the deepest abyss of Hades, where the fallen angels are supposed to reside.

The third volume, The Amber Spyglass, follows Will and the rescued Lyra into the world of the dead, where they ultimately release the souls of everyone who has ever lived from the Land of the Dead, to which the Authority has sent them (his promise of heaven was a ldead, where they ultimately release the souls of everyone who has ever lived from the Land of the Dead, to which the Authority has sent them (his promise of heaven was a lDead, to which the Authority has sent them (his promise of heaven was a lie).

oh i forgot that cain kills adam and gets exiled to the land of NOD east of eden where he met / knew his wife and she bore him kids... how the f - is that possible if its just you, your parents and your dead brother??? o and one more question, if the great flood which covered the earth happened, and Noah saved ALL the animals of the world then why does the bible very clearly describe the animals that would not be making the voyage, as if another one of gods creature wasn't good enough, but i thought this «god» was all knownig and never makes a mistake!

But, due to the discovery of the Dead Sea Scrolls, we know that the same ideas were in circulation in Jesus» time and right at home in the land where he and his disciples lived.

CORAL GABLES, Fla. — Here in the land of hanging chads, where a recent poll shows the presidential race in a dead heat, you might expect incumbent Democratic Sen. Bill Nelson to be feeling some reelection pressure.

From pubs and clubs across the land, to mid-week 5 - a-side matches and tea break chats, it's a dead cert that someone will inevitably air some sort of woe connected to how and where to meet women.

Perhaps the weakness of Coco will lie in its predictable storyline, as it becomes clear from early in the Land of the Dead sequence where things will be going for the rest of the plot, if you know how these stories always go.

Still willing to continue in his passion, Miguel sneaks into the mausoleum of none other than his idol, de la Cruz, and snags his famous guitar, only to find that playing the instrument immediately channels him straight into the Land of the Dead, where he meets the deceased ancestors his family always honors for the Day of the Dead, including Mama Imelda (Ubach, To the Bone), from whom he will need a family member's blessing before sunrise in order to return to the realm of the living.

In Pixar's Coco, a young Mexican boy named Miguel visits the spirits of his ancestors in the Land of the Dead, where he's gone to escape his parents» refusal to let him pursue his dream of being a musician.

PLOT: A young Mexican boy obsessed with becoming a great singer takes an unexpected trip to the Land of the Dead, where he hopes to meet his hero, a famous musician, as well as get the approval of his deceased relatives.

Bolstered by the «do whatever is necessary to follow your dream» motto of his idol, Ernesto de la Cruz (Benjamin Bratt), Miguel seeks to prove himself in a talent contest but his unorthodox means of obtaining an instrument catapult him and his dog Dante into the Land of the Dead, where he meets not only Hector (Gael Garcia Bernal), a good - natured con - artist, but many of his forebears, including Mama Imelda.

Visually, Land of the Dead is one of those games that similar to the gameplay; just never wanted to go any further then where the game is at right now.

Then, thanks to a really - pushing - it thin premise, Miguel ends up in the Land of the Dead on Día de los Muertos, where he pursues Ernesto, who he now believes to be his banished great - great - grandfather.

She rules the Land of the Remembered, an exuberantly joyful region where the dead go to be fondly recalled by the living.

Miguel crosses over to the Land of the Dead — where, in a scene reminiscent of the Neitherworld bureaucracy of Tim Burton's «Beetlejuice,» he is reunited with all of the relatives he knows only from their photos, led by the imperious Mamá Imelda (voiced by Alanna Ubach).

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Miguel, center, finds himself magically transported to the Land of the Dead, where he meets his late family members, who are determined to help him find his way home.

The story picks up where Evil Dead 2 (1987) left off with Ash (Campbell) being whisked away through a portal of some kind and landing in the 12th century.

The opening sequence of Dead Men Tell No Tales finds young Henry (Lewis McGowan) rowing out to sea, tying a bag of rocks to his leg and plunging into the sea — where he lands on the deck of the sunken Flying Dutchman and we learn that he is the son of Will Turner (Orlando Bloom).

In what may just be the most diverse «toon they have tackled yet, Coco takes us right from the heart of Mexico's talent show Dia de Muertos to the Land of the Dead, where 12 - year - old Miguel Rivera (voiced by Anthony Gonzalez) gets some major life lessons from the deceased.

On Día de los Muertos (the Day of the Dead), where photos are placed at an altar so those who have left the Land of the Living can cross over and see their loved ones for the holiday, Miguel sneaks into the tomb of the legendary Ernesto de la Cruz and gets transported to the Land of the Dead.

Determined, Miguel breaks into the de la Cruz mausoleum, takes Ernesto's blessed guitar and soon finds he has awakened a curse that sends him, and his faithful canine sidekick Dante, hurling into the Land of the Dead, where he meets the skeletal remains of many relatives and has to prove himself worthy to get back home.

With the help of some magical realism, winds up in the Land of the Dead, where the deceased walk around as skeletons with eyeballs.

The third film in Sam Raimi's Evil Dead series sees Ash (Bruce Campbell) sent to medieval times where he has to save the day with his shotgun, chainsaw, and barrage of one - liners... after he doofishly unleashed an army of undead upon the land.

There are numerous colorful scenes, many in the Land of the Dead, where there are seemingly hundreds of characters doing hundreds of things, independently, each with their own distinct look and personality.

A neon - fringed odyssey through the Land of the Dead sets Miguel, his beloved Xolo dog and a trickster spirit named Hector (Gael Garcia Bernal) on the path up the boy's family tree, where further magical secrets hide.

He gets whisked away to the Land of the Dead, where he meets a trickster named Hector (Gael Garcia Bernal) and uncovers the reason why his family no longer allows music.

But after Coco transports viewers to that familiar, emotional Pixar place with just a few seconds of footage, the trailer opens up wide to introduce the massive Land of the Dead, where Coco and his loyal canine sidekick will have the bulk of their adventures.

A flash of accidental magic sends Miguel across the bridge to the Land of the Dead, where he encounters the spirits of departed forebears, along with his musical idol, vainglorious musician / actor Ernesto de la Cruz (Benjamin Bratt), and a fast - talking clownish bag of bones named Héctor (Gael García Bernal).

In so doing, he finds himself magically transported to the Land of the Dead, where he comes into contact with various relatives he recognizes from pictures on his family's ofrenda (an altar where offerings are placed) as well as down on his luck dead man Hector (voice of Gael García Bernal) and finally, Cruz himself, voiced by Benjamin BrDead, where he comes into contact with various relatives he recognizes from pictures on his family's ofrenda (an altar where offerings are placed) as well as down on his luck dead man Hector (voice of Gael García Bernal) and finally, Cruz himself, voiced by Benjamin Brdead man Hector (voice of Gael García Bernal) and finally, Cruz himself, voiced by Benjamin Bratt.

A family curse lands Miguel in the Land of the Dead, where his deceased ancestors work to get him back to the land of the living, as well as unlock the truth behind the boy's family histLand of the Dead, where his deceased ancestors work to get him back to the land of the living, as well as unlock the truth behind the boy's family histland of the living, as well as unlock the truth behind the boy's family history.

But after a strange encounter, Miguel finds himself in the land of the dead, where he joins together with amiable trickster Hector (Gael Garcia Bernal) in an effort to discover the secret of his unusual family history.

The Good Lie, Philippe Falardeau, USA The Theory of Everything, James Marsh, United Kingdom / USA The Last Five Years, Richard LaGravenese, USA Time Out of Mind, Oren Moverman, USA Top Five, Chris Rock, USA While We're Young, Noah Baumbach, USA Still Alice, Richard Glatzer and Wash Westmoreland, USA A Second Chance (En chance til), Susanne Bier, Denmark The Reach, Jean - Baptiste Leonetti, USA Phoenix, Christian Petzold, Germany Nightcrawler, Dan Gilroy, USA Ned Rifle, Hal Hartley, USA My Old Lady, Israel Horovitz, USA Miss Julie, Liv Ullmann, Norway / United Kingdom / Ireland Men, Women and Children, Jason Reitman, USA Mary Kom, Omung Kumar, India Love & Mercy, Bill Pohlad, USA Learning to Drive, Isabel Coixet, USA Black and White, Mike Binder, USA The Equalizer, Antoine Fuqua, USA The Judge, David Dobkin, USA A Little Chaos, Alan Rickman, United Kingdom The New Girlfriend (Une Nouvelle Amie), Francois Ozon, France The Riot Club, Lone Scherfig, United Kingdom Samba, Olivier Nakache and Eric Toledano, France This is Where I Leave You, Shawn Levy, USA Pawn Sacrifice, Ed Zwick, USA American Heist, Sarik Andreasyan, USA Before We Go, Chris Evans, USA Breakup Buddies, Ning Hao, China Cake, Daniel Barnz, USA The Dead Lands (Hautoa), Toa Fraser, New Zealand / United Kingdom The Drop, Michael R. Roskam, USA Eden, Mia Hansen - Love, France The Gate, Règis Wargnier, France The Keeping Room, Daniel Barber, USA Kahlil Gibran's The Prophet, Canada / France / Lebanon / Qatar / USA

Pixar's latest film Coco, based on the Mexican holiday of Día de Muertos, followed a young boy named Miguel who, while pursuing his dream of becoming a musician like his idol, Ernesto de la Cruz, finds himself in the Land of the Dead, where he will unlock a family secret and learn the meaning behind this celebration.

During Dia De Muertos, Miguel sneaks into the church where Ernesto's guitar is located and is transported to the Land of the Dead, where he meets his ancestors and a trickster named Hector Rivera (Gael Garcia Bernal).

There, magical events transport Miguel into the land of the dead, where spirits of the departed are preparing to visit the living.

Human prince Boromir (Sean Bean) is dead, and gentle hobbits Frodo (Elijah Wood) and Sam (Sean Astin) are making their painful way to the blasted land of Mordor, where the ring was forged and where it can be destroyed.

For reasons that are not altogether clear, Miguel is transported to the Land of the Dead on — coincidentally — the annual Day of the Dead, where he must learn a few lessons about pride and the importance of memory before he's able to return back to the nest.

These «guides» served as conduits to the immense, sunny, happy land where the spirits of the dead wandered aimlessly waiting for a summons from the loved ones they had left behind.

The legendary Pu`u Keka`a lava rock formation, on Ka'anapali Beach, is a place where Hawaiians believe the souls of the dead leap from the earth into their ancestral spirit land, and only a person with great spiritual strength can enter that world and return.

Set in Japan's Sengoku Era, you wake up in the mysterious land of Arcanus Cella where the souls of the dead gather as they await reincarnation.

Fortify the frontier in frightening new lands: DUNGEONS inhabited by Dragons, Minotaur's, and other cave creatures, BLASTED BADLANDS of the underworld, where live sneaky imps and brutal Demons, or CEMETERY WASTELANDS what is home for Skeletons, Zombies, Ghosts, Walking dead and Vampires.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

This process, in which dead zones grow like cancers, choking off marine life and wiping out fisheries, is already quite advanced in parts of the Gulf of Mexico and just off Namibia, where hydrogen sulfide is bubbling out of the sea along a thousand - mile stretch of land known as the «Skeleton Coast.»

In the long run, the excess algal growth can have devastating impacts on the health and age of a fresh water lake or river, causing eutrophication to speed up, where lakes and other water bodies fill in with dead algae and other organic matter and eventually turn into dry land.