Sentences with phrase «language exhibition text»

Not exact matches

Set to be artist Jenny Holzer's longest running and largest exhibition to date, her project creates an immersive environment in which legible texts overlap and ride into a surround of white light and language.

The first of the exhibition's environments is a five - channel audio installation portraying a series of mirrored speakers enact play excerpts from an 11th - century «mirror for prince» text in five different languages.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

Dumas, a rare visual artist who also writes — «a dual talent, like Van Gogh,» her partner of nearly 30 years, the painter Jan Andriesse, said — likes to participate in the dialogue about her own work, and wanted to revisit as many critical texts as possible, both her own and others» writing, for the exhibition catalog, which is being produced in three languages.

In the exhibition wall texts, Nordström suggests these elements are drawn frequently from childhood memory; regardless, over time, they form a kind of vocabulary for a language that requires the strictures of narrative less and less.

Several artists in the exhibition explore the use of text, light, mixed - media and language in their sculptural works.

Engaging with the idea that adaptation is necessary for survival, the artists in this exhibition present films, sculpture and text - based works that reflect on new and hybrid forms of architecture, technology, biology and language.

Using exhibitions as a way to do the same with language, she's contributed texts to The Fifth Dimension at the Reva and David Logan Center for the Arts, and groun (d) with avery r. young at the Arts Incubator.

This exhibition invited artists of all media in Southern California / Baja Norte to submit work incorporating text, language, coding, spoken word, literature, books, and other aesthetic materials into their work.

11 June, 2013 - The Power Plant's summer season engages text, language and performance with a major group exhibition Postscript and the first Canadian solo exhibition by Jimmy Robert, opening with a FREE party on Friday, 21 June, 2013.

The exhibition catalogue and wall text seemed to toe a line of disclosure of both the artist's gender and orientation, avoiding gendered pronouns and often using indirect language around the issue of sexuality, which, knowing her work, may well have been the artist's idea.

Zhang Huan's solo exhibition at Pace Gallery, Let There Be Light (through December 5), includes the largest ash painting Zhang's made to date as well as a new series of ash paintings that use the language of Braille to transcribe western texts including the Bible and the Star Spangled Banner.

Athr Gallery's «Pen to Paper» group exhibition displayed the artworks of 17 Middle Eastern artists, exploring the value of knowledge and the art of using words and text within the artistic language.

The exhibition Counterpoint is drawn from multiple text and music - based sources, where the interplay between language and meaning is explored in sound, installation, book works and works on paper.

The artist considers language her primary medium, painting both appropriated and generated text across several distinct bodies of work featured in the exhibition.

Kirsten Gill, Penn History of Art MA candidate, leads a conversation about the uses of text and language in the visual arts prompted by the ICA exhibition Christopher Knowles: In a Word.

Described by the artist as «a love letter to the building», the exhibition will embody many recurrent themes within Evan's art: including code, language, text and an interrogation of aesthetics.

Mercer Union recently hosted two challenging photo exhibitions (May 3 — May 28) that incorporate image and text to question values and attitudes in language and myth, and modes of representation.

The last years of Vandenberg's artistic output were marked by intense investigations into the intersections of language, text and color that produced multi-layered and rich drawings, paintings and book projects and are now part of a titillating exhibition curated by the director of the CCA Wattis Institute for Contemporary Art, Anthony Huberman.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

The exhibition will encompass a wide range of ways in which artists have experimented with light designed to be seen rather than illuminate; whether through text and language, the drawn line or an investigation into its physical and sculptural qualities.

David Richard Gallery will present an exhibition surveying the range of text and language - based art by Allan Graham (a.k.a Toadhouse) in his first solo exhibition with the gallery.

The exhibition will be accompanied by a catalogue published by Mousse Publishing in three languages (It / Ger / Eng) with texts by Roberto Pinto and Letizia Ragaglia, and an interview with the artist by Sabeth Buchmann.

Team Gallery has opened 2017 with a commanding group exhibition, The Love Object, a show curated by Tom Brewer that draws on the writings of Roland Barthes to frame a body of works exploring love and the act of love through a more objective lens, delving into relations of bodies, texts and language as a mode of investigating not only the state of emotional attraction, but equally the frameworks we use to understand these forms.