Sentences with phrase «large film images»

Not exact matches

On the exterior of buildings, the film can be applied to windows as an extension of brand image or as an ultra large format advertising medium.

The final image was created using a large format camera that uses color film measuring 4x5 inches.»

We intend that this space will include not only objects, pieces of engineering, documents and images, but also large - scale projections of archive films; the stories of Jodrell Bank's role in the space race and discoveries out in space.

Warner Bros. has released a large batch of high - resolution images from director Peter Jackson's second film in his The Hobbit trilogy.

Furthermore, the wide photography of the images in nature that play a large role in the film's journey are rendered completely uneffective.

Michael Shannon also makes a brief appearance as a Life magazine photographer, who captures an image of the couple that provides a powerful moment in the film, but his role isn't large enough for supporting consideration.

Fresh off the full - length trailer debut, Paramount Pictures has released a large batch of new Men, Women & Children images from Up in the Air and Young Adult director Jason Reitman's new film.

The film as a whole doesn't really stick with you, but isolated moments and images do: an almost surreal chase through a marsh while bombs fall in the background, two unexpected gunshots in complete darkness, a villain dialing a phone with an obscenely large pair of phallic scissors.

Hit the jump to take a look at the production blog, and click here to peruse a large batch of high - resolution images from the film.

In a frank and accessible dialogue, Mark Harris, film historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medfilm historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFilm at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medium.

First up, you can see to the right a somewhat uninspiring new poster for the film (click the image for a larger version).

He supervised the production of films including George Clooney's 2005 Best Picture nominee Good Night, and Good Luck; the critically acclaimed family film and 2006 NAACP Image Award nominee Akeelah and the Bee, starring Laurence Fishburne and Angela Bassett; dark thriller Turistas, for which domestic rights were sold to Fox Atomic in a pre-emptive bid within hours of the film's first screening; James Gray's crime thriller We Own the Night, starring Joaquin Phoenix, Mark Wahlberg, Robert Duvall and Eva Mendes, which ranked as the largest - ever domestic sale at Cannes; and The Road, an adaptation of Cormac McCarthy's Pulitzer Prize - winning novel starring Viggo Mortensen, Charlize Theron and Robert Duvall, which pre-sold to The Weinstein Company in a multi-party bidding war.

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

Using a large format film camera, Eaton has developed an increasingly complex, experimental approach to image making.

He meticulously uses large - scale 8 x 10 inch film to craft his images.

These silkscreens and his larger video project Blind, both conceived from reappropriated stills, speak to our image - immersed present while still glorifying the mood and imagery of film noir and a rich cinematic past.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

She has curated a number of large - scale exhibitions of film and video including Scream and Scream Again: Film in Art and Into the Light: The Projected Image in American Art 1964 - 1977, awarded best thematic exhibition in New York City by the International Association of Art Critics.

Her tiny collage drawings on film and paper are graphically rendered and the complex images echo structures of dark and futuristic places akin to those in her large paintings.

The catalogue includes a text by Caroline Bourgeois and Béatrice Gross as well as a large selection of images of the works on show accompanied by quotes of authors from different disciplines (literature, film, philosophy, poetry...).

His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.

The second installation is a presentation of three large - scale silver - halide color prints mounted on aluminum, images from the film Cézanne: Conversation with Joachim Gasquet (1990).

Moving Image, the largest video and film - centric art fair in the world with editions in New York and London is expanding to Istanbul this fall.

By the use of digital photography and animation, he collects a documentary material of hundreds of photos and film clips that he dissects and reconstruct into large still - or moving images that can be placed between document and fiction.

Instead of a digital camera, Imasaka used 2 1/4 - inch film for the image, Sea, located in the gallery's entry space, and for the two photos in this third space he used a vintage, large - format Deardorff camera.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Photographed with a large - format film camera, the images find moments of pause and quiet contemplation amidst the frenetic energy of war games.

Each painting is like a film still, open to analysis yet always referring to a larger sequence of images.

If a film is a large series of images shown in quick succession of one another, the paintings presented act equally as a short film of the sculpture, in all its dysfunction and disjointedness.

As the largest film festival in Japan, Image Forum will screen new and ambitious experimental films from in Japan and overseas.

Mikula's large - scale images, shot on Polaroid film, employ her trademark soft focus and knack for using tricks of scale to powerfully suggestive effect.

ANDREW KREPS GALLERY The larger of this gallery's two spaces has been dimmed to screen four moving - image works by the Ohio - born artist Kevin Jerome Everson, whose laconic films explore the quotidian passages of African - American life and, more recently, the everyday consequences of the Midwest's economic downturn.

The large number of films he shot over the next 10 — 15 years constitute an enormously significant part of his œuvre, demonstrating his ever - increasing sophistication at layering image, sound and text in provocative and beautiful ways.

In the two - channel video installation outside of all things (2013), a film begins with the crescendo of a repetitive dissonant chord as the artist as moves through the desert with a large cutout image of a mountain peak strapped to his back.

This large - sized silk scarf features still images from «The New Black Yoga» is a 10 - minute film by Rashid Johnson in which five African American men do yoga at the beach.

On the Precipice is a stunning new programme of immersive film installations exploring - through large - scale moving image artwork -...

The film is complimented by an exhibit of Douglas» photographs; the show spans Douglas» career — from his earliest pieces to his most recent, large - scale images — to examine his consistent engagement with ideas of documentation, place and history.

Now in its 29th year, Images is the largest North American annual festival for experimental and independent film and video.

Audiences are invited to celebrate images of intense sexual chemistry, interactive prints with mixed pheromones, sculptural installations made of growing crystals, very large microcosmic photographs, paintings depicting molecular structures and alchemical laboratories and a dedicated screening room featuring films about liquid forms, universe and drugs.

His current exhibition, There Is No Last Man, at MoMA PS1 in New York provides a sample of his recent production, with a smaller space presenting the text - and - image work Volume Eleven (flaw in the algorithm of cosmopolitanism)(2016), and a larger, improvised theater screening the feature - length film Tripoli Cancelled (2017), both of which had originally been made in the context of documenta 14.

A screening of select films and reels produced by Goldsholl and Associates — whose films, television ads and other moving image work innovated «designs - in - film» — will be on view at the / Dialogues Stage, as an interlude to the final conversation in the Symposium on Chicago's Mid-Century impact on the advertising and commercial industry at large.

Each soft and ethereal «day - for - night» image was captured on large format negative film using a «zone plate», an extremely simple optic similar to a pinhole.

She uses Polydraw, a polyester drafting film - like tracing paper, to create enlarged gouaches of the initial images as building blocks for her larger works.

Sourcing ideas from a large portfolio of images, from historically significant works of art to press cuttings, films and personal pictures, Tatahcomposes his scenes, placing family and friends in carefully choreographed poses which he then photographs.

Satellite composite image of Antarctica, showing the largest know ice cap ever at Earth's South Pole And now about the Polar Bears, those stories and the «documentary» film about the death of a polar bear are not factual.

The film is focused on these images, but in the background you can see large, illuminated food adverts.

This is where you can see new images and read the stories behind Jon Paul's experiences in the field as he searches for and composes his amazing art with his large format film cameras.

In addition to my therapeutic and private consultation services, I give speeches and workshops ranging from keynote addresses for large audiences to parent education in school settings; speak to medical residents about eating disorder treatment modalities and management; work with fertility physicians and surrogacy and donor agencies to help clients navigate the path to parenthood; offer expert opinion on parenting, relationships, family building, and body image to publications ranging from Elle and Self to the Washington Post and Time magazine; consult on film and television projects from a psychological perspective; and do executive coaching to help corporations and individuals perform at their best.