Not exact matches
In spite of the icy temperatures in the region, satellite
images depict a
large ice - free area in the middle of the ice cover.
Three
images, left to right, of the same thundercloud
depict a less - than -10-milliseconds-long sequence of events: (left) formation within the cloud of a small channel, or «leader,» of electrical conductivity (yellow line) with weak emission of radio signals (ripples), to (middle) a burst of both dark lightning (pink) and radio waves (
larger ripples), to (right) a discharge of bright lightning and more radio waves.
Under certain combinations of conditions,
large fragments of carbon coating were eroded away (as
depicted in
image), the researchers report today in Nature Communications.
But observations last year hint that the protostar's stellar wind was flowing more quickly from the object's poles (relative speeds
depicted in bluish ovoid in
image above), and its magnetic field had become aligned with that of the
larger cloud of gas and dust that surrounds it, the researchers report online today in Science.
© Estate of John Whatmough —
larger image (Artwork from Extrasolar Visions, used with permission from Whatmough) Glowing red through gravitational contraction, the candidate brown dwarf companion to Proxima Centauri is
depicted with two moons (one eclipsing the flare star) with distant Alpha Centauri A and B at upper right, as imagined by Whatmough.
© John Whatmough —
larger image (Artwork from Extrasolar Visions, used with permission) Planetary candidate «b»
depicted with rings and an icy moon, as imagined by Whatmough.
Seeing them all lined up reminds me of that
image depicting the seven ages of man, the evolution from early 5 to current Clio graphically
depicted before our eyes, each successive generation
larger and more powerful than the last.
Following the surprise teaser
image of a
large Kia SUV concept earlier this week, Kia is back with a second teaser
image, this time
depicting the interior of the now - named Kia Telluride concept that's coming to next week's Detroit auto show.
An
image came up in one of the Tekken Facebook groups that
depicts what appears to be details for a
large scale Tekken 7 tournament in the Philippines.
The
images depict a
large, numbered vault locked away in a dark storage room, what appears to be the backstage area of a theater, and a pipe - filled basement with...
When discussing art
depicting a maritime subject, romantic
images of a
large boat with billowing sails, breaking through white - capped waves and being battered by the ocean breeze, may cross one's mind.
As a result, the
large - scale
images of crowds
depicted in tones of brown and grey lead on to paintings of great luminous spheres.
The collaged elements and
image transfers on Crosby's
large paper canvases provide interesting insights into life in contemporary Nigeria; popular culture references from the media
depict a life that is not so different from that in the West.
On its own, a Polaroid
image is fully identified with the artwork that ultimately grew out of it; the face
depicted becomes a kind of signifier for
larger cultural concepts of beauty, power, and worth.
Known for her
large - scale pattern paintings
depicting constellations of everyday items that have been isolated from their original context, American artist Katherine Bernhardt has created a new ensemble of colourful and dynamic
images that take inspiration from both Brussels and New York.
Until recently many of the photographs published through the mass media machine —
images which to a
large extent are inseparable from a societal memory of the 20th century — were taken by professionals who were removed from the places and people they
depicted.
The
large black
image in the lobby titled SOA: Black and White Pain - ting # 15 (2005 - 09) was appropriated from a Colombian newspaper and
depicts a group of soldiers advancing with guns drawn.
Ferris is best known for her
large, multi-layered paintings that
depict glimmering pictorial spaces, inspired by various subjects including digital
image pixelation, New York City graffiti and city lights that are visible from her Brooklyn studio at night.
This exhibition includes two new groups of paintings: a selection of self - portraits and a series
depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks —
large, unstretched canvases screenprinted with mass - media
images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.
The Pop Life exhibition also includes works from Jeff Koons's series Made in Heaven,
large - scale photographic
images that
depict the artist and the porn model La Cicciolina having sexual intercourse.
The
large - scale landscapes on display in the Wexner Center represent yet a new exploration, this time void of any sharp details — they are intentionally unfocused
images that
depict abstracted but recognizable archetypes of landscape imagery, such as mountains, sunsets and waterfalls.
The
images depict Greco - Roman sculpture focusing primarily on broken and damaged works that show only sections of the body, or of sections of
larger sculptures.
The
large - scale photographic
image,
depicting a figure standing behind gauzy window curtains, is installed in the gallery and moves throughout Savannah on the side of university buses.
Two years in the making, Conn's
large - scale paintings
depict powerful
images of dense forest scenes.
The
images depict the
large post-war housing estates of Berlin, often built in the form of tower blocks, in a fairly identical fashion.
It
depicts a pair of mirror balls, drawn freehand using a computer program and placed at the center of a
large blank sheet, both emphasizing the intricacy of the drawing and the formal qualities of the
image.
Kersels's color triptych
depicts a close - up
image of a
large man (the artist himself) throwing a young woman into the air (Kersel's long - time collaborator Melinda Ring).
His signature works of dark humour include The Los Angeles County Museum of Art on Fire (1965 — 68), a painting
depicting the institution in flames; Actual Size (1962), an
image of a flying can of Spam (a precooked luncheon meat) beneath the Spam logo; and
Large Trademark with Eight Spotlights (1962), a dramatic representation of the Twentieth Century - Fox logo.
Works on view include 24 x 20 - inch
large - format, single -
image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for
depicting images of friends and family in his paintings, Close expanded his subject interests in his photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among others.
The
large - scale, black - and - white
images depict dramatic ocean waves shot by Ross during hurricanes while in the water and tethered to an assistant on land.
Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely
depicting their subject: there are
large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic
image.
Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's
large scale photograph
depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the
image speaks to the
larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.
On view will be a video from 1978, dozens of painted chairs, and a
large series of recent works on mylar, including a 10 - foot tall
image of a man proudly sporting an enormous penis and a triptych
depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.
One such
image hangs in the show: created by an unknown artist, Ouwa Own Wattamellun Jake is an advertisement
depicting a smiling black boy holding a
large watermelon, his eyes wide and toy - like.
I decided to make both paintings and sculptures, and in the paintings I worked with
large geometric lines, extensions of three - dimensional letters, or objects that played on the surreal, elongated, figurative
images in Lam's work that sometimes
depict Yoruba deities like Eleguá, Yemayá or Changó.
Audiences are invited to celebrate
images of intense sexual chemistry, interactive prints with mixed pheromones, sculptural installations made of growing crystals, very
large microcosmic photographs, paintings
depicting molecular structures and alchemical laboratories and a dedicated screening room featuring films about liquid forms, universe and drugs.
Earlier this month, a 2010 series of Polidori's photographs
depicting the interior of the Convento di San Marco in Florence went on display at Paul Kasmin Gallery in New York, allowing audiences the chance to enjoy the full power of the
image - maker's
large - scale works in person.
At Pace's Midtown gallery, on 32 East 57th Street, Mr. Kabakov will unveil more than eight
large canvases completed between 2010 and this year,
depicting fragments of
images drawn from postcards, photographs, magazines and Mr. Kabakov's own past artworks.
On view in her recent exhibition at Half Gallery, for instance, The Potter's Legs (2014)
depicts a purple - fleshed figure struggling to carry a vaguely ear - shaped form toward a
large block of gray clay draped with a cutting wire, the
image capturing the sense of an artist's clumsy crawl toward resolution.
This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14
large - scale works rephotographed from press
images that
depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).
Con Ed's
image of Storm King arrived at a time when there existed the belief that much of the landscape had been effectively protected, and so the artistic rendering
depicting a
large gash in the mountain hit a nerve.
Following a Financial Times report indicating Nokia was working on a
large - screen smartphone, an
image leaked by ICTech claims to
depict the display glass of what looks to be a giant phone.
The upcoming OnePlus 5T has been subjected to a fairly
large number of unofficial renders based on some previously leaked
images and other clues, and in more recent news, an even cleaner 3D render said to
depict the top half of the device was passed along on Twitter by industry insider Evan Blass.
The
image depicted an apparent iPhone 7 Pro — with dual - lens camera and Smart Connector — alongside an iPhone 7 Plus that looked almost identical to the smaller iPhone 7, only
larger.