Sentences with phrase «larger print surface»

Larger print surface can be used for adults and older children too.

Not exact matches

Printing innovations allow retailers to create large - format digital prints on interesting surfaces like wood and mesh, offering affordable ways to make a dramatic impact.

The researchers all agree that the use of structured rollers will in the future allow even large, structured conductive surfaces to be printed with a high throughput at low cost.

Because the technique provides high spatial resolutions at a speed faster than other existing methods, even with a single cantilever, Curtis is hopeful that TCNL will provide the option of nanoscale printing integrated with the fabrication of large quantities of surfaces or everyday materials whose dimensions are more than one billion times larger than the TCNL features themselves.

The success of this effort relies on new or improved processing techniques and materials for plastic electronics, including methods for (i) rubber stamping (microcontact printing) high - resolution (≈ 1 μm) circuits with low levels of defects and good registration over large areas, (ii) achieving low leakage with thin dielectrics deposited onto surfaces with relief, (iii) constructing high - performance organic transistors with bottom contact geometries, (iv) encapsulating these transistors, (v) depositing, in a repeatable way, organic semiconductors with uniform electrical characteristics over large areas, and (vi) low - temperature (≈ 100 °C) annealing to increase the on / off ratios of the transistors and to improve the uniformity of their characteristics.

The specs list the resolution for the Pearl E Ink display at 1,440 x1, 080 pixels, 265dpi, and Kobo says the larger 6.8 - inch screen size offers «30 percent more reading surface and the closest experience to print - on - paper — showcasing text and high - resolution images beautifully.»

Hotel accessibility includes: Accessible parking, Accessible transport - let the hotel know if you'll need this when you check in, Accessible lifts, Smooth surfaces, ramps and wider access routes, Accessible spa and swimming pool, Visual alerts, Induction loops, Larger - print menus, Adapted cutlery, Service support animals are welcome.

Keith Thomson, Managing Director up Stonegate Private Council (a wealth management firm up in Toronto) liked the «Dent» cartoon so much, he commissioned a special large one: 40 × 40 inches, printed on metal with a gloss surface.

In the first main gallery, eight large paintings fail to advance Koons's fantastic dream of producing a handmade two - dimensional surface so intensely, intricately fashioned that all signs of human life disappear, leaving the effect of a man - made inkjet print or a nonvirtual JPEG.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Often working on a large scale, Phillips has co-opted entire rooms as surfaces on which to apply her prints, bringing together multiple layers of individual images and repeated pattern in a single installation.

The surface of the photograph itself is a persistent subject of interest for Tillmans, and his careful combination of small and large formats, and framed and unframed prints, serves to underscore the notion of the photographic image as an object — subjective and idiosyncratic.

The resultant images are often large - scale C - prints with surfaces that have a remarkable optical intensity.

In a series of poetic gestures, much of Anderson's work in Blak Origin Moment is translated through a variety of distressed textiles and piled - upon surfaces: digitally produced, chemically and hand - treated jacquard tapestries; erased and subsequently printed - upon pages of Ebony magazine; purposefully besmirched old rugs; and large sheets of dirt - caked roofing rubber.

It involves his entire body dominating the wide expanse of paper surface that he employs to create large - format prints, which can measure up to 5m x 3m... For the artist, even the wooden plank that generates many different prints has a lifespan and at a certain point deserves to become an artwork itself.

They include unframed works on paper characterized by their dark, richly textured surfaces; large abstract acrylic prints on canvas; and linear sculptures that both hang on the wall and rest on the floor.

The work joins the luminous qualities of hand - printed etching ink with the surface addition of colorful plastic sheets and small square panels mounted on the large pieces.

In the 1980s, he began to paint water drops on the surface of French newspapers, allowing the larger - than - life splashes to magnify the print.

Paint on the surface looks as if it were printed by a large machine over an abstract expressionist painting.

And finally in a large adjacent gallery, the sweet spot in this exhibit: more than thirty watercolors, drawings, and prints — revelations of Turner's genius for replicating the airy translucence of his watercolors in the radiant surfaces of his oil paintings.

Some standouts included Davy and Kristin McGuire's whimsical holographic video sculpture from their Fairies series (Muriel Guépin Gallery); Chris Dorosz's Stasis 97 (Riot), an intriguing series of figures painted on a sculptural installation of acrylic rods, structured so the grouping conveyed a sense of three - dimensionality and movement (Scott Richards Contemporary Art); Lalla Essaydi's Les Femmes du Maroc: Harem Beauty # 1, a large chromogenic print triptych of a recumbent «harem beauty» in a full - length gown, rendered exotic with ink inscribed text over the surface of the figure (Jenkins Johnson Gallery); and Lava Thomas's Cloudscape Portrait 9401, a luminous laminated pigment print (Rena Bransten Projects).

On large - format prints behind plexiglass, Rosenkranz presents monotone blue surfaces based on the IKB works (International Klein Blue) by Yves Klein that were created at the end of the 1950s and downloaded by her as JPEG's from the internet; for these monochrome paintings produced by the French artist, he invented and patented a specific blue tone, which increases the brilliance of ultramarine blue.

The large format and rich textural surfaces of the prints also evoke the complex tectonic attributes of his steel sculptures, such as compression, stasis, mass, and tension.

They developed the Ecological Paper Printing and Ink Collector (EPPIC) system recycles and reuses printed - paper and its ink created by binding an organic renewable pigment to a graphene sheet with a large surface area made using nanotechnology.

The nanofiber hairball (ahem, I mean the electrospin - printed nanomembrane) in Naked Filter offers a large amount of surface area in a smaller filter.

They are large images printed to measure, applied to a feature wall, a door or any other flat surfaces.