Sentences with phrase «le peintre»

BECAUSE I WAS A PAINTER (Parce que j' etais peintre) Cinema Guild Reviewed by: Harvey Karten for CompuServe ShowBiz.

(See «Gasiorowski: He who has a name is no artist, he who is an artist has no name: interview with Michel Enrici» in Gasiorowski XXe Peintre.)

He went on to study literature at the University of Nice and attended the School of Decorative Arts run by François Bret, co-founder of the Peintre de Vingt Ans group, in the same city.

Traveled to Parrish Art Museum, Southampton, New York (August 4 — September 22) Landscape and Abstract Art: A Continuing Dialogue, Colby College Museum of Art, Waterville, Maine (March 3 — 31) Action / Precision 1980 — 1985, Washburn Gallery (East 57th Street and Greene Street galleries), New York (January 15 — February 23) de peintres et de livres, Chapelle de la Tour d'Auvergne, Quimper, France (January 11 — February 10)

And the closest thing to irony comes when Cane stencils his name repeatedly, along with his identity as artiste and peintre, both right - side up and upside - down.

In 2009, the Museum für Moderne Kunst in Frankfurt mounted «Bernard Buffet: Maler, Painter, Peintre,» a major exhibition of Buffet's work, curated by the highly respected state museum director, Udo Kittelmann.

The rather narrower painting proposition of «Cher Peintre» is enunciated cogently by Gingeras, a young curator at the Pompidou, in her catalogue essay.

Yet from the mini-survey of his often klutzy - looking figurative paintings on view in «Cher Peintre,» I sensed a full - tilt Kippenberger retrospective might be in the offing at the Pompidou, and Gingeras has said, in fact, she would like to do such a show.

[/ pq] Thus were Picabia's conventions of truncated anatomies, vintage bathing beauties and eternalized vacation cultures refracted through «Cher Peintre.»

Bernard Buffet, for instance, has long been held up as the lowest common denominator in French painting, but, as the current exhibition «Cher Peintre: Painting the Figure since Late Picabia» reveals, a lineup of Buffet's anguished stick figures and sloe - eyed gamines can look quite marvelous in the company of Elizabeth Peyton and John Currin.

[pq] Vintage subjects and outmoded styles play an implicit, somewhat uncharted role in «Cher Peintre» — a number of its works evoke the old - fashioned look of Picabia's 1940s paintings.

In fact, Gingeras writes that all of the artists in «Cher Peintre» would defend the «dissident» nature of their work.

Feldman, Anita, «Ed Clark: A Complex Identity,» Feature article from Studio Museum Retrospective Catalogue, 1980 Schmidt - Campbell, Mary, «Catalogue of Ed Clark's first museum retrospective, 1980 Kingsley, April, «Edward Clark's Luminous Expanses,» American Rag, 1980 Schneider, Pierre, «Trois Americains peintres et noirs,» L'Express, 1980

Pablo Picasso, Le peintre et son modèle (The Painter and his Model), 1963; Le peintre et son modèle II (The Painter and his Model II), 1963.

Featuring David Alpher's Between Twilights: Sevens Songs of Poems of Marsden Hartley and Francis Poulenc's song cycle Le travail du peintre inspired by Picasso, Chagall, Braque, Gris, Klee, Miró, and Villon, performed among the Lehman Loeb's exhibit of works by Hartley and artists referred to in the Poulenc cycle.

1974 Twelve Artists, Tower Gallery, Southampton, NY Then and Now, Artists of the Region: Early and Late Works, Guild Hall Museum, East Hampton, NY Jean Paulhan à travers ses peintres, Grand Palais, Paris, France

He went on to study literature at the University of Nice and attended the School of Decorative Arts run by François Bret, co-founder of the Peintre de Vingt Ans group, in the same city.

The Painter Le Peintre is an original, large one - of - a-kind abstract painting signed by artist Nathalie Gribinski.

Capogrossi was featured in several major exhibitions of Italian artists in the 1930s, including Exposition des peintres romains in Paris in 1933 and the Quadriennale of Rome in 1935; following the latter, critics recognized him as one of the major figures in the renewal of Roman painting.

«Rosenquist: Le peintre a ses raisons...,» Le Devoir (Montreal), Sept. 6, 1986, section C, p. 7.

Unexpectedly, the figure who is lying down here is the fiddler from Vitebsk, who has finally climbed down from the roof in Chagall's 1979 painting Le Peintre au Chevalet à Saint - Paul.

1993 The Brush Stroke, Ruth Bloom, Santa Monica, USA The Permanent Collection Revisited, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA New York on Paper, Thaddaeus Ropac, Paris, France Drawing the Line Against AIDS, Venice Biennale, Venice, Italy and Guggenheim Museum Soho, New York, USA Color, Pamela Auchincloss, New York, USA New York Painters, Sammlung Götz, Munich, Germany New Moderns, Baumgartner Gallery, Washington, D.C., USA (Joseph Masheck, Curator) Off the Mall: Inside Washington's Foremost Art Galleries, Art Museum of the Americas, Washington, D.C., USA Zeichnungen Setzen Zeichen, Kunstler Der Documenta IX, Raymond Bollag, Zurich, Switzerland Galerie nächst St. Stephan, Vienna, Austria The American Livre de Peintre, Grolier Club, New York, USA The Spirit of Drawing, Sperone Westwater, New York, USA Italy — America: Abstraction Redefined, Galleria d'Arte Moderna, San Marino Republic (Demetrio Paparoni, Curator) Jours tranquilles à Clichy, Paolo Goyannes, Paris; Tennisport, Long Island City, NY, USA (Alain Kirili, Curator) Summer Exhibition, Sperone Westwater, New York, USA

These peintre - graveurs revolutionized the august medium of printmaking, thereby making fine art accessible to a broader community.

28 September - 7 October: Richter is included in Prospect 73: Maler, Painters, Peintres at Kunsthalle Düsseldorf along with Palermo, Polke and other German painters

[12] Impressionist artists formed a group, Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs («Association of Painters, Sculptors, and Engravers») which, despite internal tensions, mounted a series of independent exhibitions.

During the latter part of 1873, Monet, Pierre - Auguste Renoir, Camille Pissarro, and Alfred Sisley organized the Société anonyme des artistes peintres, sculpteurs et graveurs (Anonymous Society of Painters, Sculptors, and Engravers) to exhibit their artworks independently.

Gosse de Peintre, Coloriages avec Beat Takeshi Kitano is the first issue of an exceptional collection of coloring books published by the Fondation Cartier.

In the most pressing piece, «La peintre n'est pas la,» there's just graphite drawing in the centre, it looks as if the urgency of his need to complete the painting surpasses even the necessity to fill in the imagery with paint, and there lies the charge of Tal R.

Group exhibitions include the VI Biennial in Sao Paulo, 7 Peintres Surrealistes Cubains at Galerie Maya in Brussels, Artistes Latino ‑ Americains de Paris at the Musée d'Art Moderne de la Ville de Paris, the First Surrealist Exhibition in Sao Paulo, and Le Fantastique Contemporaine at the Galerie de L'Université in Paris.

Limited edition of the catalog of the exhibition Beat Takeshi Kitano, Gosse de peintre presented in 2010 at the Fondation Cartier pour l'art contemporain in Paris.

Miguel González Padura (Miguel Padura)(b. Havana, 1957): Among other exhibitions, Padura has participated in Outside Cuba, Les Plus Grands Peintres Latins d'Amérique at the Centre Culturel Paul Dumais in Tonneins, France; Cuban Artists in North America / Artistes Cubains en Amérique du Nord at the National Library of Canada; ¡ Mira!

I Love You with My Ford (1961), Look Alive (Blue Feet, Look Alive)(1961), Tube (1962), and Morning Sun (1963) are included in The Popular Image Exhibition, a large - scale compendium of Pop and Fluxus art curated by Alice Denney, at the Washington Gallery of Modern Art, Washington, D.C. Rosenquist's painting Vestigial Appendage (1962) is included in the group exhibition De A à Z 1963: 31 peintres americains choisis par The Art Institute of Chicago, one of the first European exhibitions to include his work, presented at the Centre Culturel Américain, Paris.

The painting, titled Myself, Portrait and Landscape, portrays Rousseau in the costume of an «artist - peintre», as he liked to call himself, complete with artist's beret, palette and brush.

«Cher Peintre» takes the pulse of figurative work by foregrounding a dozen recent exponents plus precursors Francis Picabia, Bernard Buffet, Sigmar Polke, Alex Katz, and Martin Kippenberger.

1976 - New York» 76, Riksutstalliningar, Stockholm and elsewhere in Sweden 1976 - Tokyo International Print Biennial, Tokyo 1967 - Premio International Biella per l'incisione, Biella 1966 - Whitney Annual, Whitney Museum of American Art, New York 1962/1960 - International Prints, Cincinnati Art Museum, Cincinnati, Ohio 1960/59/58 Galérie Ariel, Paris 1959 - Documenta II, Kassel 1958 - Americans in Europe, University of Wisconsin, Madison, Beloit, Racine 1958/1957 - Galérie du Dragon, Paris 1955 - Peintres américains en France 1955 oeuvres récentes, American Legion Paris Post No. 1, Paris 1955 - Exposizione Il Gesto, Rassegna Internazionale delle forme libere, Galeria Schettini, Milan

In December 1873, Monet, Renoir, Pissarro, Sisley, Cézanne, Berthe Morisot, Edgar Degas and several other artists founded the Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs («Cooperative and Anonymous Association of Painters, Sculptors, and Engravers») to exhibit their artworks independently.

1994 - Introduced to madame Bernadette Chirac on the occasion of the exhibition at the «Mairie du XII arrondissement Salon des Peintres et Sculpteurs Contemporains».

Left to right: «Le peintre au chapeau» by Pablo Picasso, 1965.

Ils Sont Peintres (They are Painters) considers paintings that have avoided the figurative, narrative, Neo-Expressionist trends that have defined the medium in recent years.

The artist's 1964 «Le Peintre au Travail» lithograph on paper sold for 2 million pounds ($ 3.2 million) at Dickinson's booth.

The artist's 1964 «Le Peintre au Travail» lithograph on paper sold for 2 million pounds at Dickinson's booth.

A French art critic called Sanjuan: le peintre des rouges» because of his use of the color red in many of his paintings.

Pierre Bonnard (French, 1867 - 1947) Les peintres graveurs Galerie Vollard, 1896 (Bouvet, 38).

Sotheby's Inclu: — Juan Muñoz, «Conversation V 1/1 «Est. 2,360,402 — 3,540,602 EUR — Barceló, «Le peintre vu....

2013 Les formes de la pensée / peintre et philosophie, un récit, Fondation Maeght, Saint Paul, FR Blickachsen 9, in collaboration with the Maeght Foundation, Bad Homburg Kurpark, DE Temptation of the Diagram, Andrea Rosen Gallery, New York, US Sculptures and Reliefs from the Collection Siegfried and Jutta Weishaupt, Kunsthalle Weishaupt, Ulm, DE Lines - A Brief History, Centre Pompidou - Metz, Metz, FR

The Museum of Modern Art, Queens, New York Liebe Maler, male mir... Dear Painter, paint me... Cher Peintre, peins - moi, Centre Pompidou, Paris.

Darren Almond et al., Centro Museo Vasco de Arte Contemporáneo; Centre José Guerrero; Museo de Arte Contemporáneo de Vigo, Luxembourg 2002 Alison M. Gingeras: Cher Peintre..., Lieber Maler..., Dear Painter..., Paris / Wien / Frankfurt / M. 2002 Centre Pompidou (Ed.)

Saint - Paul de Vence, Fondation Maeght, La Sculptures des Peintres, July - October 1997 (another example exhibited).

1984 Summer Exhibition, Royal Academy of Arts, London, UK English Contrasts: Peintres et Sculpteurs Anglais 1950 - 1960, Artcurial, Paris, FR Masters of Modern and Contemporary Sculpture, Marlborough Gallery, London, UK

Dominique Lévy is also presenting Le peintre au chapeau (1965) by Pablo Picasso.