(his birth name is 椙山 浩一, which is pronounced the same)(born April 11, 1931) is
the lead composer of the Dragon Quest series, with other works done for Japanese TV shows, such as Space Runaway Ideon, Cyborg 009 and Gatchaman.
Koji Kondo has been
the lead composer of all of the series» music for the span of Zelda's existence, and since none of the characters ever truly speak in the series, the entire franchise has relied on music cues to give characters personality, give environments personally, evoke proper emotions, and so on.
Not exact matches
Business Insider recently spoke to Matt Novack, one
of the
composers of the series alongside
lead composer Craig Wedren (School
of Rock, Anchorman, GLOW), about the challenges
of composing comedy, and parodying the music
of a nostalgic decade.
Douglas Yeo (bass trombonist with the Boston Symphony), Phil Smith (principal trumpet with the New York Philharmonic), Wendy White (mezzo — soprano with the Metropolitan Opera), Jerry Blackstone (co — director
of the country's
leading conducting program at the University
of Michigan), and Michael Kurick (award — winning
composer on Vanderbilt's faculty) are but a handful
of the hundreds upon hundreds
of Christians active as professional musicians outside
of C — Pop.
England's favourite
composer produced some
of his greatest works after binge - eating and
lead poisoning began to take their toll
Developed by a team
led by McPherson
of technicians,
composers and musicians at Queen Mary, University
of London, TouchKeys allows pianists to try out musical techniques that were previously unimaginable on a keyboard.
In 1909 a coterie
of intellectuals, including writer Franz Kafka,
composer Giacomo Puccini, and poet and aviator Gabriele D'Annunzio, flocked to Brescia, Italy, to watch the world's
leading aviators as they competed for prizes in speed, altitude, and distance.
In a moving and madly viral video last year,
composer Eric Whitacre
led a virtual choir
of singers from around the world.
In terms
of new participants, we find material from stunt performer Isaac Hamon, Weta Workshop
lead concept designer Nick Keller, Weta Workshop sculptors Kim Beaton and Jamie Beswarick, Weta Workshop concept artists Frank Victoria, Lindsey Crummett, Greg Tozer and Johnny Fraser - Allen, hair and makeup designer Peter Swords King, costume designers Ann Maskrey and Bob Buck, costumer Amy Craven, textile artist Kelly Olatunji, Weta Workshop technician Kim Docherty, special makeup and prosthetics supervisor Jason Docherty, prosthetic makeup artist Georgia Allen, master swordsmith Peter Lyon, additional costumer Emma Evans,
lead creatures designer Andrew Baker, digital creature supervisor Simon Clutterbuck, textures technical supervisor Glen Sharah, senior shader TD Christopher George, VFX supervisor Chris White, texture artist Daniel Bennett, actor Manu Bennett, Hobbiton Movie Set and Farm Tour owner Russell Alexander, supervising art director Simon Bright, art director Brian Massey, set dresser Ben Whale, Middle - Earth Minstrel editor / author Bradford Lee Eden, sound designer Dave Whitehead,
composer David Long, and musician Neil Finn.
Then an eccentric antiques dealer and hypnotist (Derek Jacobi)
leads Church to a startling discovery: The source
of the nightmares may lie in a past - life connection to Margaret Strauss, a world - famous pianist allegedly murdered by her
composer - husband Roman... in 1948.
Mozart (Tom Hulce) is an adolescent boor touched by the hand
of God; Emperor Joseph's (Jeffrey Jones) court
composer Salieri (F. Murray Abraham) becomes obsessed and desperately jealous
of Mozart's gift,
leading him to the madhouse and confessions
of murder.
Thomas Newman is one
of the
leading film
composers of his generation, but it was hard to imagine how Skyfall would turn out — action thrillers are not things that figure remotely prominently in his filmography.
So Cuaron, who used the same writer (Steven Kloves), production designer (Stuart Craig),
composer (John Williams) and trio
of leads as the previous two films did, ended up putting the best face on a problematic situation.
His pursuit
of music composition then
lead him to Venice for a period
of studio with the Italian master, Luigi Nono and then finally to Los Angeles to undertake a fellowship with Academy Award - winning
composer, Jerry Goldsmith.
Fellows participate in workshops and creative exercises under the guidance
of leading film
composers and film music professionals acting as Creative Advisors.
Clint Mansell is an English musician,
composer, and former
lead singer
of the band Pop Will Eat Itself.
Usually the preferred
composer for Spike Jonze and the Coen Brothers, last year saw
composer Carter Burwell miss out on scoring duties for the filmmakers» latest efforts in favor
of musicians — indie band Arcade Fire subbing in for «Her» and T. Bone Burnett
leading a group
of cast - members and musicians for a period - authentic folk soundtrack in «Inside Llewyn Davis.»
Remarkably assured in his multiple roles
of director,
lead actor,
composer, and screenwriter, Gallo delivers on his lofty ambitions in this captivating (and at times comedic) drama
of contemporary alienation.
«Stepping Into Darkness: The Visual Design
of Sicario» focuses on crafting the film's look and defining cinematography, «Blunt, Brolin and Benicio: Portraying the Characters
of Sicario» features interviews with the three
leads, «Battle Zone: The Origins
of Sicario» researches the brutal history
of drug violence along the border (it features graphic imagery so beware), and «A Pulse from the Desert: The Score
of Sicario,» which runs about 6 minutes, profiles
composer Jóhann Jóhannsson.
The previously
lead music
composer for Animal Crossing: New Leaf, Manaka Kataoka, is reportedly
leading up the soundtrack for the upcoming Zelda title Breath
of the Wild for Wii U and Nintendo Switch.
Behind the scenes, the creative team was
led by director
of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day,
composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume designer Jany Temime.
His versatility as a
composer has
led to a busy and varied movie - scoring career taking him across musical boundaries from the acclaimed BAFTA - winning film TOUCHING THE VOID to THE LAST KING
OF SCOTLAND.
The film has three unknowns in John Magaro, Will Brill and Jack Huston (who has since broken out with his role on «Boardwalk Empire «-RRB- as the
leads, which shouldn't be a problem as Chase's depiction
of youth with inexperienced talent on his HBO show was stellar, but it also boasts a strong supporting cast with Bella Heathcote as the protagonist Magaro's girlfriend, Christopher McDonald as her father, Molly Price as Magaro's mother, Lisa Lampenelli as his aunt, Brad Garrett as a
composer / producer, and Chase's «Sopranos»
leading man James Gandolfini, who apparently shines as Magaro's father, «a postwar, post-Depression era parent who has given his kid every advantage that he didn't have growing up.»
One person who knows Malick better than many is
composer Hanan Townshend, who has worked regularly with the director ever since a chance encounter
led to him supporting fellow
composer Alexandre Desplat on The Tree
of Life.
ALEX HEFFES (
Composer) is one
of the UK's
leading film
composers.
The elegant and somewhat unconventional presentation
of the campus setting combined female
leads, odd inexplicable occurrence and Brit
composer Jim Williams» at times overwhelming score, suggests a pedigree similar to the Dario Argento classic Suspiria (1977), which to my mind merely suggests that Ducournau is motivated by the macabre best.
Sundance Institute Film Music Program,
led by Peter Golub connects
composers and directors, giving them first - hand experience
of the collaborative process, with the goal
of nurturing the development
of music in film.
This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director
of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx
lead Eric Horton, and
composer Graeme Revell.
Only
composer Thomas Newman (Side Effects) comes up short, his music never achieving liftoff, the music instead sounding as if he's attempting his best John Williams imitation instead
of allowing his own Oscar - winning instincts to
lead him in a personal, and likely more effective, direction.
The creative behind - the - scenes team is
led by director
of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and
composer Howard Shore.
The film was the darling
of Cannes and is already
leading the rumours for next year's Academy Awards ®, but only took home one award; European
Composer.
Amid some
of the most beautiful art and architecture that Europe has to offer, and often accompanied by a soundtrack
of history's most enduring
composers (Bach, Beethoven, Vivaldi, Strauss), the two
leads, Jesse (Ethan Hawke) and Celine (Julie Delpy), search for meaning and permanence in a world that emphasizes disposability.
In an interview with CBC Radio (via Indiewire), Zimmer reveals that his favorite film
composer is Jonny Greenwood,
lead guitarist
of Radiohead.
, like uh
composer David Arnold's fascinating process
of discussing his score - in - progress with the
leads, but they are few and far between the verbal tics
of man to whom investors have entrusted screenplay duties on many occasions.
With no time for meticulous preparation or rehearsals, he chose a rock - solid cast
led by Meryl Streep and Tom Hanks and surrounded himself with a trusted A-team
of collaborators including cinematographer Janusz Kaminski, production designer Rick Carter, costume designer Ann Roth (a Streep favorite), and
composer John Williams.
Composer Irving Berlin didn't want a bio
of his life, so the studio constructed a fictional riff,
leading up to some new thing called «swing.»
The site features «demonstration pages» that include a variety
of different categories, such as genres,
lead instruments, and
composer.
How will they express the true intent
of the
composer without someone
leading the way?
In these interviews you'll be introduced to the
lead game designer,
composer, art director, and the head
of the AurumDust team.
Andrew is the co-founder and
lead designer
of Impact Soundworks, where he develops sample libraries and virtual instruments for
composers.
The previously
lead music
composer for Animal Crossing: New Leaf, Manaka Kataoka, is reportedly
leading up the soundtrack for the upcoming Zelda title Breath
of the Wild for Wii U and Nintendo Switch.
In A
Composer's Guide to Game Music, Winifred Phillips — herself an award - winning composer of video game music — provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in th
Composer's Guide to Game Music, Winifred Phillips — herself an award - winning
composer of video game music — provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in th
composer of video game music — provides a comprehensive, practical guide that
leads an aspiring video game
composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in th
composer from acquiring the necessary creative skills to understanding the function
of music in games to finding work in the field.
With Profile's core team - director Yoshiharu Gotanda and
lead designer Masaki Norimoto, along with
composer Motoi Sakuraba, Exist Archive: The Other Side
of the Sky's development team seems devoted to rekindling the synergy that propelled Valkyrie Profile.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect
of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy
of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you
lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type
of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development
of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series
of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had
composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year
of content updates for Splatoon 2 - when finished, the quantity
of stages will be more than the original - some
of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount
of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside
of the three current options - the future holds any sort
of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
Featuring a soundtrack by
lead singer and
composer of gothic rock band HIM, Ville Valo,
After graduating, she worked at Microsoft as Audio
Lead, Sound Designer, and
Composer on a variety
of projects.
After working at Capcom and Square Enix for much
of her career, she now continues to compose for games through freelance work, and is currently the
lead composer on the upcoming Square Enix flagship titles Final Fantasy XV and Kingdom Hearts III.
Developer Nude Maker assembled a dream team
of developers and artists for the project, including The Grudge director Takashi Shimizu, Silent Hill creature designer Masahiro Ito, Bloodmasque and Tenchu artist Kyoshi Arai, Bubblegum Crisis artist Shinki Aramaki, Castlevania
composer Michiru Yamane, and
of course, the
lead developer for the Clock Tower series, Hifumi Kono.
Developed in collaboration with ω - Force (Omega Force) from KOEI TECMO GAMES and
led by a legendary trio
of creators including series mastermind Yuji Horii, revolutionary
composer Koichi Sugiyama and world - renowned artist Akira Toriyama, the game brings DRAGON QUEST, a franchise with over 100 titles in Japan to - date, back to the West in full force.
The combination
of religious music intertwined with
lead composer Dan Romer's theme illustrates the trials and tribulations that the citizen's
of Hope County endure and offers optimism
of forthcoming changes.