Sentences with phrase «leading artists associated»

Leading artists associated with this movement include Robert Indiana (b. 1928), Jasper Johns (b. 1930), On Kawara (1932 - 2014) and Christopher Wool (b. 1955).

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It provides info from Spielberg, Lucas, ILM digital artist Paul Huston, ILM animation supervisor Steve Rawlins, ILM digital model supervisor Dave Fogler, ILM view paint supervisor Steve Walton, ILM digital compositing supervisors Sean MacKenzie and Jay Cooper, visual effects supervisor / aerial unit / unit director Pablo Helman, ILM digital matte supervisor Richard Bluff, Kerner Optical model supervisor Brian Gernand, ILM lead TD supervisor Craig Hammack, ILM associate visual effects supervisor Marshall Krasser, ILM digital production supervisor Jeff White, ILM creature and simulations supervisor Eric Wong, Kerner Optical lead model maker Nicholas A. D'Abo, and ILM visual effects art director Christian Alzmann.

«Jurassic World» — Indominus Rex Universal Studios / Legendary Pictures VFX Animation Supervisor: Glen McIntosh Associate Animation Supervisor: Kevin Martel Lead Animator: Kyle Winkelman Digital Artist: Rodrick Fransham Creature Supervisor: Kaori Ogino

The positions now open over on the developer's page include Associate Art Director, Cinematic Artist, Cinematic Environment Artist, Cinematic Lead, and more that look to be related to a potential Gears of War 5.

The panel features leading figures in the rapidly changing world of art book publishing, including Margaret Chace, Associate Publisher, Skira - Rizzoli; Paul Chan, artist, Founder of Badlands Unlimited; Sharon Gallagher, President and Publisher of ARTBOOK D.A.P.; and Chul R. Kim, Associate Publisher, The Museum of Modern Art.

Artist Statement Rafael Shimunov is the creative director for the National Working Families Party, and previously the digital lead with the Center for Constitutional Rights and digital communications associate director...

The jury included lead juror Sophie Hackett, the AGO's associate curator of photography; Okwui Enwezor, Nigerian - born, German - based scholar, curator, writer and director of Haus der Kunst, Munich; and New York — based photo and video - based artist Laurie Simmons.

Roslyn Bernstein and Shael Shapiro, co-authors of Illegal Living: 80 Wooster Street and the Evolution of SoHo, will lead a walking tour of George Maciunas's Fluxhouses and other sites associated with the artist

Sophie Hackett, associate curator of photography at the Art Gallery of Ontario (AGO), will lead the 2014 Prize panel which will include luminaries Laurie Simmons, a New York photography and film - based artist, and Okwui Enwezor, director of Munich's renowned Haus der Kunst.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

In addition, this led to a similar retrieval of significant artists from Eastern Europe associated with the Zagreb conceptual scene, specifically the Gorgona Group, which includes Julije Knifer and Mangelos, whose pieces in a recent exhibition titled Meandering, Abstractly, perfectly exemplify the content and quality we can come to expect from the gallery.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

He was, with Donald Judd, Dan Flavin and Sol Lewitt, one of the leading artists of the 1960s, often associated with Minimalism.

With such a large amount of ground to cover, the design team at Cambridge, Massachusetts — based Bruner / Cott & Associates decided to treat the space as a landscape, with artist - dedicated rooms and two - story volumes punctuating the relentlessly horizontal space, according to lead designer and Principal Jason Forney.

The Liverpool Biennial Associate Artists Programme is a three - year partnership led by the Biennial, with ICI and CACTUS Gallery in Liverpool.

Swansea's new paintings, produced over the course of the last year, allude to the artist's background in film and digital art, which has led her to continually introduce elements normally associated with these technologies to otherwise traditional painting techniques.

Like fin de siècle Symbolist artists, Jarman associates blue with melancholy and death, and after 1 hour and 15 minutes, his final vision of a tropical paradise and a delectable encounter with a lover --» His blue jeans / Around his ankles / Bliss in my ghostly eye» — leads him into an Ozymandias - like, moving mediation on loss and forgotten identity.

For example, Ancient & Modern, run by Rob Tufnell and Bruce Haines, is situated in no more than a corridor off Old Street; Associates, the yearlong project run by artist Ryan Gander that closed in 2007, took place in a boxlike storefront on Hoxton Street; and the Bethnal Green gallery Between Bridges is located in what can only be described as a stairwell leading to artist Wolfgang Tillmans's studio.

Leading artists of contemporary time are reviving the still life, a genre that once was more associated with the sixteenth - and seventeenth - century Old Masters than with contemporary art.

Known as a versatile drummer who has mostly been associated with the avant - garde, akLaff is a band leader, American drum - set master, improvisation adept, recording artist and teacher who has traveled all the continents, leading and accompanying ensembles with such musicians as Cecil Taylor, Anthony Braxton, Rashied Ali, Andrew Hill, Ravi Coltrane and more.

Born in Aberdeen, Washington, he lived in New York for much of his life, where he associated with the leading artists of the day, including Jackson Pollock, Philip Guston, Willem de Kooning and Mark Rothko.

This opportunity led to a permanent position with the artist - run centre as an associate curator and administrator until 2009.

Randall Griffey, an associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major paintings.

The Liverpool Biennial Associate Artists Programme is a three - year partnership led by the Biennial with ICI and CACTUS gallery in Liverpool.

The work profoundly impressed Roth, leading to a decisive break with constructivism into post-modern avant - garde practices associated with the Nouveaux Réalistes such as Tinguely and Arman, and the group of artists that were about to become known as Fluxus, including Joseph Beuys and Nam June Paik.

David Clements is an Associate Director at Tanya Bonakdar Gallery, one of the leading contemporary art galleries representing internationally recognized artists like Olafur Eliasson, Ernesto Neto, Susan Philipsz, Tomás Saraceno, and Gillian Wearing.

J. Hanmer Hutchings, who trained at what later became the Royal College of Art, was the head of the school and, together with various artists and academics, led the classes, which were supplemented by lectures on associated subjects.

He's celebrated as one of the leading lights among the artists associated with the Washington Color School (a grouping that took its name from a 1965 exhibition of painting at the Washington Gallery of Modern Art, in DC, and included artists such as Kenneth Noland and Gene Davis) and as a pioneer of American colour field painting.

As an open submission competition, it provides a unique opportunity for artists from all walks of life to be associated with a world - leading institution.

Led by Stephanie de Troy Miller, Registrar / Curatorial Assistant / Lewis B. Cullman Associate for Museum Education, the winners of Guild Hall's Annual Artist Member Exhibition will be interviewed about their winning art work and their artist praArtist Member Exhibition will be interviewed about their winning art work and their artist praartist practice.

This forum includes the contributors to Photography at MoMA: 1960 to Now as lead speakers: Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator of Photography, MoMA; David Campany, Reader in Photography, University of Westminster, London, artist, and writer; Noam M. Elcott, Associate Professor, Department of Art History and Archaeology, Columbia University; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; Roxana Marcoci, Senior Curator, Department of Photography, MoMA; Sarah Hermanson Meister, Curator, Department of Photography, MoMA; Eva Respini, Barbara Lee Chief Curator, Institute of Contemporary Art, Boston; and Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, New York University.

Join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion with Paul McCarthy, artist and lender, and Axel Vervoordt, collector, in conjunction with Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga.

Tuesday, September 12, 12 pm Associate Curator Sarah Montross leads an outdoor tour of abstract works by women artists in the Park.

As well as hosting a fourth ARTIST ROOMS exhibition in April 2017 as part of Hull's UK City of Culture celebrations, the Ferens is the lead Associate Partner for ARTIST ROOMS UK programme until spring 2019, chairing the ARTIST ROOMS Advisory Group of Associate museums and galleries and providing mentoring support through a professional development programme.

Artist Julie Mehretu, left, and Christine Y. Kim, LACMA's associate curator of contemporary art, lead a discussion during Visionary Women Presents: Women in the Arts on Oct. 15 in Los Angeles.

Vertical Thoughts: Morton Feldman and the Visual Arts focuses on the work of the influential American composer Morton Feldman and the many leading visual artists with whom he was closely associated, including Philip Guston, Willem de Kooning, Jackson Pollock and Mark Rothko.

He is currently lead - artist for Chisenhale Gallery's Propeller Project and a LUX Associate Aartist for Chisenhale Gallery's Propeller Project and a LUX Associate ArtistArtist.

Leading German postmodernist artists associated with neo-expressionism, include: Georg Baselitz (b. 1938), Gerhard Richter (b. 1932), Jorg Immendorff (b. 1945), Anselm Kiefer (b. 1945), Bernd Zimmer (b. 1948), Rainer Fetting (b. 1949), Bernd Koberling (b. 1938), Markus Lupertz (b. 1941), and A.R.Penck [Ralf Winkler](b. 1939).

Panelists for Emerging Fields were: Regine Basha, Independent Curator, New York, NY (Lead Consultant) Julia Christensen, Media Artist / 2013 Emerging Fields Awardee, Oberlin, OH Malik Gaines, My Barbarian / 2012 Visual Arts Awardee, New York, NY Chrisstina Hamilton, Director of Visitors» Programs, Stamp School of Art & Design, University of Michigan, Ann Arbor, MI Lindsay Howard, Independent Curator, New York, NY Marina McDougall, Director, Center for Art & Inquiry, Exploratorium, San Francisco, CA Jack Stenner, Associate Professor of Art + Technology, University of Florida, Gainesville, FL

The Baltimore Museum of Art (BMA) is pleased to bring acclaimed American photographer An - My Lê to Baltimore for an artist talk and reception held at the Maryland Insitute College of Art's (MICA) Brown Center on Saturday, October 12 at 2 p.m. Led by BMA Associate Curator of Prints, Drawings & Photographs Ann Shafer, the discussion will explore Lê's fascinating perspective of the military and her creative process.

It is shared with UK museums and galleries including Tate, National Galleries of Scotland and a network of Associate venues through ARTIST ROOMS On Tour, which is a partnership until 2019 with lead Associate Ferens Art Gallery, supported by the National Lottery through Arts Council England, Art Fund and the National Lottery through Creative Scotland.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes: Eduardo Abaroa (artist, Mexico City), Jessica Berlanga Taylor (Chief Curator, Fundación Alumnos47), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tamara Díaz Bringas (researcher and independent curator, Madrid), Sol Henaro (Curator, Museo Universitario Arte Contemporáneo / MUAC, Mexico City), André Mesquita (researcher, São Paulo), Yasmil Raymond (Associate Curator, Department of Painting & Sculpture, The Museum of Modern Art), and Lucía Sanromán (Director of Visual Arts, Yerba Buena Center for the Arts), among others.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of international professionals that includes Mark Beasley (Curator, Performa, New York), María del Carmen Carrión (Associate Director of Public Programs & Research, ICI, New York), Deborah Cullen (Director and Chief Curator, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York), Matthew Higgs (Director, White Columns, New York), Sarah Hromack (Director of Digital Media, Whitney Museum of American Art, New York), Jill Magid (artist, New York), Renaud Proch (Executive Director, ICI), Yasmil Raymond (Curator, Dia Art Foundation, New York), and Franklin Sirmans (Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art).

Sotheby's led the way with a fine group of paintings by School of London artists — figurative painters associated with Francis Bacon and Lucian Freud during the post-war years, who combined a gritty realism with a love of thick paint.

(London, UK) Fourteen works, including many specially produced pieces, have been generously donated to the auction by leading contemporary artists currently or previously associated with Gasworks such as Turner Prize Winner Chris Ofili and Turner Prize nominees Goshka Macuga and Lynette Yiadom - Boakye.

No less a figure than the artist Hans Haacke — whose long - standing commitment to rendering transparent economic, social, and aesthetic structures throughout culture has led him to be immanently associated with the paradigm — used the phrase «consciousness industry» as early as the mid-1980s to describe the sophisticated networks of institutional support necessary to make visible ostensibly adversarial avant - garde artistic gestures.4 Works seeking to emphasize the moral, political, and intellectual forces that determine and enforce culture, he observed, were nevertheless dependent on a museum or gallery platform designed to privilege aesthetic experience.