Sentences with phrase «left photos courtesy»
Image: Left photos courtesy of Azusa Pacific University and Biola University.
https://www.christianitytoday.com/ Not exact matches
Photos, from left: Jerzy Darbowski — DPA / Landov (Apple logo); Rudy Sulgan — Corbis (MOMA); Courtesy of Apple — Via Getty Images (first iPod); Lou Dematteis — Reuters / Landov (G4)
Laguiole, France: Bras Photo courtesy of Bras Dish: Gargouillou This beautifully composed salad by the super-cerebral Michel Bras can have up to 60 individually prepared vegetables, leaves, flowers and seeds, which vary depending on the day.
storyCOLOR PHOTO: PHOTOGRAPH BY EDDIE ADAMS Kalsu is one of 58,226 servicemen killed or missing in action who are honored at the Vietnam Veterans Memorial.COLOR PHOTO: GARY WATROUS (RIPCORD) COLOR PHOTO: COURTESY OF JAN KALSU - MCLAUCHLIN ONE OF THE GUYS When helicopters delivered ammo to Ripcord, Kalsu braved enemy fire to unload the heavy shells with his grunts.TWO COLOR MAPS: STEVE STANKIEWICZ (MAP) COLOR PHOTO: GREG FOSTER (MURAL) FOLLOW THE LEADER As team captain, Kalsu (77, left and below) helped Oklahoma go 10 - 1, winning the Orange Bowl, for which he and other»67 Sooners are commemorated in a mural at the university.B / W PHOTO: RICH CLARKSONB / W PHOTO: (C) 2001, THE OKLAHOMA PUBLISHING COMPANY MEMENTOS For Jan, Jill and Bob Jr. (in»70 and today), Bob's Army medals were no substitute for a husband and a father.
With a pool at the end of your patio, leaving your room is strictly optional photo courtesy Andrea Chrysanthou
COURTESY PHOTO Toni Demeo, left, the first senatorial district's Woman of Distinction of 2012 and ELIH CEO Paul Connor.
COURTESY PHOTO Toni Demeo, left, the first senatorial district's Woman of Distinction and ELIH CEO Paul Connor.
COURTESY PHOTO Southampton Republican leader Ernest Wruck (from left), County Treasurer Angie Carpenter, Riverhead Republican leader John Galla, Southold Republican leader Denis Noncarrow, and East Hampton Republican leader Trace Duryea at Friday's screening.
(LEFT TO RIGHT): Photo by Andreas Kettenburg, Thousand Oaks, California, USA; JAVIER TRUEBA / MADRID SCIENTIFIC FILMS; COURTESY OF D - WAVE SYSTEMS INC..
Lindau Alumni 2017 Ana Torres and Octavio Saucedo, Nobel Laureate Mario Molina, Jose Franco, former President of the Mexican Academy of Sciences, and Arturo Borja, Director of International Cooperation CONACYT, (from left to right) after a discussion on Public Policy at the 67th Lindau Meeting, Photo: Courtesy of Ana Torres
Left Panel is before treatment, and Right Panel is after treatment with natural thyroid pills NDT natural desiccated thyroid Photos taken from and courtesy of Mark Starr MD's book, entitled Hypothyroidism Type 2: The Epidemic.
Photo courtesy of JEREMY BENNING — Scott Speedman, left, and Patricia Clarkson in a scene from Ruba Nadda's «October Gale.»
Left to right: Marion Bailey as Sophia Booth and Timothy Spall as J.M.W. Turner Photo by Simon Mein, Courtesy of Sony Pictures Classics
Courtesy photo Helping raise money for Badger baseball are, from left, senior varsity Badger baseball players Matt Fine, Tyler Eder, Coach John Irish, Cade Jacobs, Austin Barrett, Tim's Auto Group Used Car Manager Robby Hinshaw and Tim's Auto Group GM Ali Hussain.
Courtesy photo
Helping raise money for Badger baseball are, from left, senior varsity Badger baseball players Matt Fine, Tyler Eder, Coach John Irish, Cade Jacobs, Austin Barrett, Tim's Auto Group Used Car Manager Robby Hinshaw and Tim's Auto Group GM Ali Hussain.
Helping raise money for Badger baseball are, from left, senior varsity Badger baseball players Matt Fine, Tyler Eder, Coach John Irish, Cade Jacobs, Austin Barrett, Tim's Auto Group Used Car Manager Robby Hinshaw and Tim's Auto Group GM Ali Hussain.
Photo courtesy Elle magazine © LaToya Ruby Frazier, Photo courtesy Elle magazine; Above left, 2016 MacArthur Foundation Fellows Joyce J. Scott (left) and Kellie Jones.
Installation view of After Effect, 2016 Loie Hollowell Left to right: Linked Lingams in Yellow and Purple, 2015; Linked Lingams in Green, Purple and Red, 2015; Linked Lingams in Blue and Yellow, 2015 Courtesy the artist; Feuer / Mesler, New York; Rashid Johnson; and Ballroom Marfa Photo © Fredrik Nilsen
Installation shot of «Half Human», featuring works by (from left to right) Stephanie Hightower, Pat Lay, Laura Dodson and Artemis Alcalay; photo courtesy Nikos Seferiadis
TOP PHOTOS: Clockwise, from left, World Red Eye; Paul Mpagi Sepuya; © Fred Wilson, courtesy Pace Gallery; Nelson Tejada; Jack Hems © Smoking Dogs Films, courtesy of Lisson Gallery
October 2014: Gathered at the «Archibald Motley: Jazz Age Modernist» at the Los Angeles County Museum of Art (LACMA), from left, LACMA Curator Ilene Fort; Prof. Richard Powell of Duke University, exhibition curator; Valerie Gerrard Browne, wife of Archibald Motley III; Mara Motley, daughter of Browne and Archibald Motley III; Scott Dixon, Mara Motley's husband; Kirkland Bailey, great grand nephew of artist Archibald Motley Jr. Photo courtesy Valerie Gerrard Browne
Provenance, the Invisible Hand, 2009 gouache, hand painting, gold leaf, and silkscreened pigment on paper 60 x 81 1/2 inches (167.7 x 207 cm) Photo: Matt Flynn, courtesy: Cooper Hewitt Museum
Images: main image: Tom Hanks (second from left) as James B. Donovan in Bridge of Spies (photo: courtesy of DreamWorks); inset image: Graduating student with James B. Donovan, president of Pratt Institute (1968 - 70) at Commencement (uncredited photo from A Eulogy for James B. Donovan memorial booklet)
Michal Rovner From left to right: Two, 2002, CultureX # 3, 2003, Culture # 3, 2003 Courtesy of DHC / ART Foundation of Contemporary Art Photo: Richard - Max Tremblay
(Photo: Stephen White, courtesy of Stephen Friedman Gallery) Left: Kehinde Wiley, Anthony of Padua, 2013.
Whitney Biennial 2014 curators (left to right): Anthony Elms, Stuart Comer, Michelle Grabner; Photo Filip Wolak; courtesy Whitney Museum of American Art.
Niki de Saint Phalle Jean Tinguely Per Olof Ultvedt Photo de la Hon repeinte (n.d.), on left Installation View at P.S. 1, 2008 Photo by Matthew Septimus Courtesy P.S. 1 Contemporary Art Center
Installation view of Äppärät, 2015 Melvin Edwards, Left: Angola, 1992; Center: Memory of Winter, 1996; Right: Ogun Again, 1988 Courtesy the artist; Alexander Gray Associates, New York; and Ballroom Marfa © 2015 Melvin Edwards / Artist's Rights Society (ARS), New York Photo © Alex Marks
Installation view of Äppärät, 2015 Left: Charles Ray, Handheld Bird, 2006; Right: Lee Lozano, No title, ca. 1963 - 64 Courtesy the artist, Hauser & Wirth, Matthew Marks Gallery and Ballroom Marfa Photo © Alex Marks
Installation view of Äppärät, 2015 Sophie Jung Floor: Repetitive Strain Injury (Sock it to Me), 2015; Wall right and wall left: Text neck, 2015; Center wall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierry Bal
Photo credits from left to right: Courtesy Shira Toren, Tiffany Burnette, and Edward Kent.
Photo credits from left to right: Courtesy of the artist; courtesy of the artist; courtesy of Zach Feuer Courtesy of the artist; courtesy of the artist; courtesy of Zach Feuer courtesy of the artist; courtesy of Zach Feuer courtesy of Zach Feuer Gallery.
Image: Ben Woodeson, «A Little Slice Of Loneliness» (far left), installation shot, 2015 photo courtesy of Berloni Gallery © 2015.
Photos — left: Installation view of Hilary Lloyd at Blaffer Art Museum by Pete Molick, © Hilary Lloyd, courtesy Sadie Coles HQ, London; Galerie Neu, Berlin; Greene Naftali Gallery, New York.
Left to Right: Wayne Thiebaud, Ripley Ridge, 1977, Private Collection; Richard Diebenkorn, Cityscape # 4, 1963/66, Private Collection courtesy of Van Doren Waxter and Miles McEnery Gallery, New York; Wayne Thiebaud, Urban Freeways, 1979, Private Collection; Photo by Kent Pell, Art © Wayne Thiebaud / Licensed by VAGA, New York, NY, Art © Richard Diebenkorn Foundation
Image Credits from Left to Right: Courtesy Reuben Margolin; Photo by John Berens, Courtesy Bitforms Gallery, New York; and Courtesy Alan Rath and Hosfelt Gallery, San Francisco.
From left, JACK WHITTEN, «Black Monolith IV for Jacob Lawrence,» 2001; HANK WILLIS THOMAS, «Rich Black Specimen # 460,» 2017; SANFORD BIGGERS, «Quilt # 25 (Yemanja),» 2013 Courtesy SCAD Museum of Art, Photo by Dylan Wilson
Photo Credits from left: Dana Lixenberg, Spider, 1993; Sam Contis, Milk Pail, 2013, copyright Sam Contis, courtesy of the artist, Mack Books and Klaus von Nichtssagend Gallery; Image courtesy of the artist and Foxy Production, NY
Installation view, left «Future Fork», Jonathan Peterson (2014); right «See», Plural (2014), photo courtesy Jennifer Yu Photography.
Top: Claude Parent, Vila Drusch, 1963 Bottom Left: photo courtesy of Liverpool Biennial.
(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).
Photo credits clockwise from left: Courtesy of Galerie Bernard Bischoff & Partner, Berlin; Courtesy of Martin Kohout and The Future Gallery, Berlin; Elena del Rivero; Courtesy of Illuminations Films in association with More4 and ZDF in cooperation with ARTE; Joan Rabascall; and Collection of Mr. and Mrs. Paul Orwicz, Connecticut.
Left: Installation by Manny Padernos, 2018 MFA Candidate, New York Studio School; photo: courtesy the artist
-- 3.8.2014, from left to right: computer programmed denim distress, 2013, Textile, Fespa Digital / Fruit Logistica / Airport Security / Silver / TV Static, (TSC), 2014, 2 Glas, Holz, Offsetdruck, Laserstrahldruck, Tintenstrahldruck / 2 glass, inkjet print, laser print, offset print, wood, astro crusto, a, 2012, Inkjet print on paper, clips, Jacket Air to Ground Recognition - Red, 2014, Textile, LeBron X - Dolphins, 2014, Paper, synthetic, textile; Photo: Anders Sune Berg; Courtesy Galerie Buchholz, Berlin / Cologne / Maureen Paley, London / David Zwirner, New York
Surasi Kusolwong, 1 Euro Amsterdam Suitcase Martket (As Long As It Lasts), 2012, photograph and elements of the performance / installation: woven bag made of dried marijuana leaves containing money collected from the market event, bamboo stalk base and fabric works; Photo by Carlos Martinez / courtesy of SMART Project Space.
Installation view from left to right: Lucie Stahl, «Schwarze Pumpe 2,» 2016, «Sourcerer,» 2015, «Excavator (Ausgräber),» 2016, «Schwarze Pumpe 3,» 2016, and «Vattenfall's Chance,» 2016; courtesy Lucie Stahl; Nicolás Fernández, «Everything needs its own absence,» 2014 — 15; courtesy Nicolás Fernández; åyr «ARCHITECTURE,» 2016; courtesy åyr; Project Native Informant, London; photo: Timo Ohler
From left, Ellen Gallagher, Photo by © Philippe Vogelenzang Trunk Archive, Courtesy Gagosian Gallery via The Broad; Adrienne Edwards, Photo by Whitney Browne
King and the High Priest, 2014, Kehinde Wiley, American, b. 1977, 22k gold leaf and oil on wood panel, 40 x 24 x 2 in., Private collection, Montréal, Canada, courtesy of Sean Kelly, New York, © Kehinde Wiley, Photo: Max Yawney.
Left: Ezra Stoller (American, 1915 — 2004) «Seagram Building» New York, NY, 1958 (Photo: courtesy Yossi Milo Gallery, New York).
After Memling's Portrait of Man with a Coin of the Emperor Nero, 2013, Kehinde Wiley, American, b. 1977, oil on wood panel in artist - designed hand - fabricated frame with 22k gold - leaf gilding; with doors open: 24 1/2 x 29 x 5 in., Phoenix Art Museum; Museum purchase with funds provided by The Marshall Bequest, Contemporary Forum, Dr. Eric Jungermann, Ann and Michael Wall, Mr. and Mrs. James G. Bazlen, BMO Private Bank, Dr. and Mrs. Marshall Block, Iris Cashdan - Fishman, Mr. and Mrs. Richard N. Goldsmith, Clark Olson and Nick Butler, Norman McLash, Mr. and Mrs. Charles G. Watts and others, 2013.526, © Kehinde Wiley, Photo: Max Yawney, courtesy of Roberts & Tilton, Culver City, California.
Mexico Dactilar Neckpieces, 2013 Modeled porcelain, 24k gold leaf, silver 3.2 x 5.1 cm with different length chains Photo: Francisco Velázquez Photo courtesy Velvet da Vinci