Sentences with phrase «legacy portrait series»
In honor of his legacy, Long - Sharp Gallery and Young will donate 25 % of the purchase price from the «Obama Legacy Portrait Series» to a charity supported by the Obamas in 2015.
http://www.longsharpgallery.com/ Not exact matches
The paintings form part of a semi-biographical series depicting a unique and provocative portrait of the enduring legacy of China's one - child rule.
The paintings form part of a semi-biographical series depicting a unique and provocative portrait of the enduring legacy of China's one - child ru...
A series of striking portraits depicting the German home front immediately before, during and after the First World War is to tour the UK to commemorate the centenary of the conflict and its legacy.
October 5, 2016 Film Series on Virginia Dwan, Barbara Kruger, and Umberto Eco: Premieres; Portrait of Ellsworth Kelly; Rich Legacy of the Silk Road; Early Works by Buñuel; Annual Rajiv Vaidya Memorial Lecture with Historian Tom Gunning; Selections from the International Festival of Films on Art; and Ciné - Concerts Highlighted in National Gallery of Art Fall Film Season
The Mimbre paintings perfectly interact with the portrait series, as they were inspired by the Mimbres: a tribe that lived in what is now the southwestern part of the United States during the 11th century and whose legacy, among other things, were several artifacts and pottery, which not a lot of people had studied.
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
In two new series of photographic self - portraits, Endabeni and Ga Etsho, and in the film To Move Mountains, Modisakeng reflects on the legacy of colonialism and its effect on post-independence societies in Africa.
In two new series of photographic self - portraits, Endabeni and Ga Etsho, Modisakeng reflects on the legacy of colonialism and its effect on post-independence societies in Africa.
Conceived as a series, these artworks are a continuation of Collinson's investigation of the work of other artists, primarily those whose portraits are recognized as their legacy, like Jean Auguste DominIque Ingres, Édouard Vuillard, and contemporary artists such as Alice Neel, Alex Katz and Marlene Dumas.