Sentences with phrase «libratone zipp»

Libratone will convert its Zipp and Zipp Mini speakers into Alexa - powered smart speakers this fall

She likes to hold the container or a zipp bag in her hands and eat from there.

It is a good thing that I love my speedy and beautiful Wilier Tri-Crono with Zipp Wheels!

Wilier Tri-Crono, Zipp Wheels and ISM Adamo Road Saddle: One big change in my training for this race is that I have been spending more time than ever on my bike; in fact I never have a day off of it.

To address this problem, it has been suggested that electrodes should be placed between the motor point and the tendon, and several collections of guidelines are available for identifying these points (e.g. Zipp, 1982).

Stunning piece designed by Tom Ford for his FW collection for Yves Saint Laurent in 2002 Finest black silk and tulle silk Frayed details Collection Autumn / Winter 2002 Two way front zipp...

Zipp...

Thomas Zipp born 1966 in Heppenheim.

Thomas Zipp took part in numerous group exhibitions at diverse galleries and art.

Cheers, Aaron Zipp, New York

I think Mr. Zipp would really like the beef or chicken Jones Chews.

Zipp Bar Restaurant and Bungalows, Gili Air.

Zipp bar and bungalows is a favourite island haunt with the Bali expat crowd.

Included are: Thomas Zipp (Germany), Louise Lawler (USA), Mark Wallinger, (UK) and Canadian artists Karen Tam, Marianne Nicolson, Joanne Bristol, and Cedric and Nathan Bomford.

PATRICIA LOW CONTEMPORARY Gstaad, St. Moritz, and Geneva LEADERSHIP: Patricia Low ARTISTS: Gavin Turk, Gabriel Vormstein, Thomas Zipp, Darren Almond, Sylvie Fleury ESTABLISHED: 2005 CONTACT: patricialow.com, [email protected], [phone]

Elsewhere there are the joyous folksy hieroglyphs painted by the Hamburg - based artist Monika Michalko (at Produzentengalerie Hamburg), and for contrast, the grey floating faces by Thomas Zipp at Galerie Guido W Baudach, which look like a sea of the Undead.

In the main gallery, Zipp has created an installation of two large conical tubes, which can be attached to each ear.

Zipp's use of neons and electric candles undermines the aura of spirituality normally associated with religious candles and stained glass windows; alternatively the notion of bright lights enticing us into sex shops and brothels permeates his show.

Zipp combines a range of forms - from aluminium paintings to electric candles, oversized conical ear tubes to photographs of life - sized dolls - to transport us into his visionary world.

In uncompromisingly addressing these two themes of religion and deviant sex, Zipp seeks to remind us of their physical, spiritual and psychological effects on the human mind.

Zipp elucidates the aberrations inherent in both practices and proposes the possibility of a more veracious domain, in which religiosity and sexual deviance are inextricably commingled.

Thomas Zipp (Born in Heppenheim, 1966) lives and works in Berlin.

The show and its title are premised on Sigmund Freud's «Three Contributions to the Theory of Sex» (1920), which fixated on our need for deviations from pure connections between the sexual object and sexual aim, and which Zipp uses to navigate us through his uncanny landscape in search of strange interconnecting reference points and dialogues.

For the first time, Zipp has painted directly onto aluminium surfaces, not only marking an innovation in his visual language but also imbuing the work with an iconic, quasi-religious quality.

Alison Jacques Gallery is pleased to announce that Thomas Zipp (b. Heppenheim, Germany, 1966) will be exhibiting in a forthcoming...

Alison Jacques Gallery is pleased to announce that Thomas Zipp (b. Heppenheim, Germany, 1966) will be exhibiting in a forthcoming solo exhibition titled A Primer of Higher Space (The Family of Man) at the Kunsthalle Giessen, Frankfurt, Germany.

Most of the artists were exhibiting in Ireland for the first time and included internationally renowned artists such as John Bock, Thomas Zipp, Andy Hope 1930, Alicja Kwade and Thomas Kiesewetter.

I also lingered around a personal favorite, Thomas Zipp's array of small canvases and drawings hung atop a reproduction of Pollock's The Wooden Horse: Number 10A, 1948 (at Guido Baudach).

The Paragon Press was founded by Charles Booth - Clibborn in 1986 and has since published more than 100 print projects with some of the U.K.'s most renowned artists — Gary Hume, Anish Kapoor, Damien Hirst, Marc Quinn, Rachel Whiteread and Grayson Perry, among others — and, more recently, with leading German artists such as Georg Baselitz, Eberhard Havekost, Corinne Wasmuht, Kai Althoff and Thomas Zipp.

Artists like Marina Abramović, Gottfried Bechtold and Goran Petercol selected classics such as John Cage, Marcel Duchamp and the Croatian avant - garde artist Julije Knifer, Thomas Zipp and Angelika Krinzinger cite classics of photography as their models, such as Eadweard Muybridge and Man Ray.

They represented artists including Karl Haendel, Zak Prekop, Julia Dault, Rebecca Morris and Thomas Zipp, who had a project at this year's Venice Biennale.

Zipp wasn't around, apparently off recuperating from the setup of his giant, canted wooden missiles before the dinner in his honor at Tribeca's Blau Gans.

Further artists include Verena Pfisterer, David Flaugher, Violet Dennison, Grace Weaver, Artun Alaska Arasli, James Beckett, AA Bronson, Keith Boadwee, Judith Hopf, Adelhyd van Bender and Thomas Zipp, and many more.

Zipp was born in 1966 in Born in Freiburg in Breisgaus.

Among Berlin - based artists are Nevin Aladag, Oliver Laric, Yngve Holen, Julius von Bismarck and Thomas Zipp, among others.

Thomas Zipp borrows Sigmund Freud's Three Contributions to the Theory of Sex (1920) for the title of this show at Alison Jacques Gallery in London.

I'm thinking of artists like Benjamin Butler (whose works I saw at the booths of Gallery Tomio Koyama, Tokyo and Kyoto, and Galerie Martin Janda, Vienna); Uwe Henneken (Galerie Gisela Capitain, Cologne, and the Breeder, Athens); Sanya Kantarovsky (Marc Foxx, Los Angeles); Allison Katz (Johan Berggren Gallery, Malmö); Florian Meisenberg (Kate MacGarry, London); Ryan Mosley (Alison Jacques Gallery, London); Anna Parkina (Wilkinson Gallery, London); Qiu Xiaofei (Boers - Li Gallery, Beijing); Peter Stauss (Carlier Gebauer, Berlin); David Brian Smith (Carl Freedman Gallery, London); Alexander Tovborg (Galleri Nicolai Wallner, Copenhagen); the team of Mona Vatamanu and Florin Tudor (Andreiana Mihail Gallery, Bucharest); Emily Wardill (Altman Siegel, San Francisco); and Thomas Zipp (kaufmann repetto, Milan, and Sommer Contemporary Art, Tel Aviv, among others).

Zipp has also created several sound pieces, including, in 2006, a room - sized organ organ titled Geist Über Materie («Spirit over Matter.»)

Mondes du travail comprend des œuvres de: Artist Placement Group (UK), Trisha Baga (USA), Simon Denny (NZ), Harun Farocki (DE), Coco Fusco (USA), Andreas Gursky (DE), Armin Linke (DE), Mark Lombardi (USA), Trevor Paglen (USA), Amalia Pica (AR), Jiri Skala (CZ), Alec Soth (USA), Martine Syms (USA), Pilvi Takala (FI), Angela Vanini (DE), Thomas Zipp (DE)

Filled with grim humor and lithe beauty, Zipp's prints are spare but provide glimpses of another absurd and vital world.

Working Worlds includes works from: Artist Placement Group (UK), Trisha Baga (USA), Simon Denny (NZ), Harun Farocki (DE), Coco Fusco (USA), Andreas Gursky (DE), Armin Linke (DE), Mark Lombardi (USA), Trevor Paglen (USA), Amalia Pica (AR), Jiri Skala (CZ), Alec Soth (USA), Martine Syms (USA), Pilvi Takala (FI), Angela Vanini (DE), Thomas Zipp (DE)

In his paintings, sculptures, and installations, German artist Thomas Zipp draws on historical, religious, and scientific discourses and conflicts, emphasizing what he describes as «the weirdness of mankind.»

Part of Thomas Zipp's 2010 folder of etchings White Reformation this frontispiece offers a typically dadaist preview of the folio's contents.

Thomas Zipp's exhibition with the title Task Dependence of the Effect of Standards on the Perception of a Series of...

Thomas Zipp: Task Dependence of the Effect of Standards on the Perception of a Series of Objects at SVIT, Prague (Czech Republic); Interview with Zdenek Felix and Thomas Zipp, November 29, 2013.

In the interview Zdenek Felix talks about the background of Thomas Zipp's project and the installation on display.

In this installation Thomas Zipp thematizes his long - time interest in the research in the area of psychophysics, specifically in the relationship of man to plants.

In this video, Joep van Liefland (co-director of Autocenter) talks about the history of Autocenter and its diversification; shots feature works by Andrew Gilbert, Olaf Nicolai, Thomas Scheibitz, Thomas Zipp, Martin Eder, Anouk Kruithof, Suse Weber, Stefan Rinck, Tjorg Douglas Beer, Vaclav Girsa, Ben Cottrell, etc..

Thomas Zipp's exhibition with the title Task Dependence of the Effect of Standards on the Perception of a Series of Objects at the gallery SVIT in Prague narrates to several spheres in our society.

Themed after the influential 1943 Surrealist - inspired film Meshes of the Afternoon by Maya Deren and Alexander Hammid, this group show opening Friday presents work by nine painters ranging from David Salle to Thomas Zipp that echos the dreamlike, semi-narrative key of the avant - garde movie (which will also be on view).