Sentences with phrase «light typical color»

Harnessing Ambient Light Typical color displays are essential yet power - hungry components of virtually every digital product with a human - machine interface, from cell phones and computers to home televisions and massive displays at sporting events.

Not exact matches

Sorra makes cutting edge «purple» LED lights that have more of a pure white color and have less of the health issues as typical «blue» LEDs that are used in everything from smart phones to TVs.
Typical moth flowers are light - colored and strongly scented, allowing hungry moths to find them easily in the dark.
Dry earwax, typical in East Asians and Native Americans, is light - colored and flaky, while earwax found in Caucasian and African groups is darker, wetter and, a new study shows, smellier.
Typical stellar twins, because they are the same age, emit the same intensity and color of light.
A typical camera divides visible light into three bands — red, green and blue — and generates images using different combinations of those colors.
The research also suggests graphene could be a very effective material for collecting solar energy, Jarillo - Herrero says, because it responds to a broad range of wavelengths; typical photovoltaic materials are limited to specific frequencies, or colors, of light.
Trump hosted the White House event wearing a light blue trench coat with black buttons, a nod to the typical pastel colors of the holiday.
If your typical color is a golden blonde, consider asking for warm low lights in toffee or chocolate brown.
If your natural coloring is lighter than is typical in your ethnicity then base your color search on eyes, hair and skin tone.
This fall I'm going for very light colors and not the typical dark hues.
Since I love nothing more than light colors and flowing fabrics during summer, I have a typical Leonie summer look again!
When I'm looking for makeup I am needing it to last all day, the lighter colors in this palette faded faster than the darker colors - which is typical, but they as a whole I was able to make it all day workout worrying about my make up disappearing.
Light pink isn't a typical fall / winter color but I assure you that pastels are in all year long.
A denim jacket works well as a layering piece and denim (both the darker and lighter colors) are a genius match with the typical fall colors.
So heartbreaking: (Typical light pink that's offered by many other brand - still moisturizing, but color is nothing special.
In light of spring being just around the corner, we are celebrating it with our typical three - part outfit inspiration featuring pastel - colored scarves from ABO London.
This trench is lighter in color than the typical khaki version but I love it.
As ever, it's odd that Nolan should be such a fervent champion for shooting on celluloid when so many of his images are monotonous and filmed in a color and lighting range that's more typical of digital.
Ours was dipped in the lovely green you see here, dubbed «Appletree,» a bit lighter than your typical British racing colors.
I also like the interior light color - red - as opposed to the typical blue that most cars have.
The lights use a color temperature that supposedly matches natural daylight, easing eyestrain for the driver when compared to typical xenon lights.
Fortunately for Light Publications and their ebook Cinderella Spinderella, what makes their book great isn't just the full - color illustrations, audio read - aloud, realistic page turn, or any of the other typical things we've come to expect from enhanced ebooks.
Other upgrades include an ultra high resolution 1,872 x1, 404, 300 - pixels per inch display, 8 GB of onboard storage instead of the typical 4 GB and an improved integrated lighting system that allows you to adjust not only brightness but color temperature (basically, a «day» and «night» mode).
Other upgrades include an ultra-high 1,872 x1, 404 resolution, 300 - pixels per inch display, 8 GB of onboard storage instead of the typical 4 GB and an improved integrated lighting system that allows you to adjust not only brightness but color temperature (basically, a «day» and «night» mode).
It's typical to find a lighter - colored swipe (crescent) below it.
The pigmented areas of the coat are generally lighter in color than typical of their near kin.
With his long face and light coloring, he was more than just the typical mixed breed commonly found in shelters, the cat was stunning, and many who met him for the first time could n`t help but say, «What an unusual face!»
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arcolor, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arColor, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
His typical use of bold colors and play with light created a beautiful and unusual contrast
When the typical blue LED light is shone through a layer of quantum dots, the crystals break down the light and produce a richer white light that contains all the colors of the spectrum.
You can see the slight color shading in the zoomed - in areas of this test scene, shot under 100 Lux tungsten lighting (typical of the light provided by residential incandescent lamps).
Both sizes of iPad Pro offer the same stellar screen technology, displaying a wider range of colors than typical LCDs, automatically changing color temperature and intensity to match ambient light using a «True Tone» option, and even slowing down or speeding up its refresh rate to match movie viewing or Apple Pencil input via a ProMotion feature.
Developed in conjunction with camera - maker Leica, the system employs a pair of 12MP sensors, one for gathering typical color data, and one monochrome sensor designed to add extra detail and excel in low - light environments.
Today, we got our first glimpse of the Daydream «View,» Google's «soft and cozy» fabric - lined VR viewer that's ’30 percent lighter» than typical headsets and available in three colors: snow, slate, and crimson.
We take the time at each step to feature the best qualities of the property, avoiding the typical pitfalls of real estate photos: many mediocre photos, poor color quality, and rushed photography in poor light and weather, all of which can conspire to make even the most remarkable properties fall flat.
While this is the color temperature of the typical incandescent light most of us are used to, it tends to be rather yellow.
how do you recommend making a living room look light and bright like this house, when your MIL bought you a $ 1600 rug from pottery barn that's the typical deep red, and green and tan colors.
The cloudy setting will add a bit of warmth to the light; the shade setting adds a slight pink tone to eliminate the blue cast that shadows take on in open shade; and sunny option sets the color temperature to something typical of mid-day sun.
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