Sentences with phrase «like few other artists»

Like few other artists she moves resolutely...
Like few other artists she moves freely between painting, sculpture and installations, between art and design, and between East and West.

Not exact matches

There are not a few people who rely on cryptocurrencies, we have seen that over time they have added to the growing faith of the cryptoactive, empresarios, artistas, filántropos, gurús, entrepreneurs, artists, philanthropists, gurus, investors, politicians, economists, and many influential and recognized people around the world who consider that currencies like bitcoin and others have tremendous potential and many practical uses.
Nobody will even know who Tebow is in a few years after everyone realizes he is just a 3rd rate football player that will never amount to anything other than pandering to the sheep that eat up all the religious hopla just like they do when it's spewed from the scam artists on TV who end up getting caught with trannys and smoking meth.
Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.
- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion
I can think of a few other archetypes that seem more common in Eastern games: martial artists, archers without pets, gunslingers... Again, this may simply be a different set of cultural tropes, and perhaps from the perspective of someone in Asia Western games feel like they have better class choices, but I enjoy the variety.
The few great artists the Whitney includes like Jackson Pollock, Willem de Kooning, David Smith, Mark Rothko, Morris Louis, Helen Frankenthaler, and a few others, carry this show on their backs.
Since Saint Laurent developed that iconic dress, many of the largest and a few new celebrity driven design houses have gone on to collaborate with blue chip artists, including Richard Prince, Takashi Murakami, and Yayoi Kusama, while others lease images from the estates of pop artists like Andy Warhol and Jean Michel Basquiat.
On the other end of the scale there were several quite prolific artists spread around the fair: Sigmar Polke, perhaps due to Tate Modern's current retrospective, appeared across several stands alongside artists like Barbara Kruger who crept into a few displays.
I was also looking at a few German artists from the 80's, like Polke and Immendorff, but other than that, the things going on in New York and Europe didn't make sense to me.
Ringgold is one of the few artists included in the exhibition who aligned herself with the mainstream feminist movement, though she, like other black women, often found it lacking, and identified more pointedly as a black feminist.
Few other artists could render a destructive gesture like the burn so delicately and painstakingly.
There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.
Others, like Sarah Lucas, one of the few great artists of her notorious Y.B.A. (Young British Artist) generation, didn't quite rise to the occasion, scattering the British Pavilion with intermittently pervy sculpture against dazzling marigold yellow walls.
Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.
Bradford went to Biennale for the first time a few years out of graduate school, «like every other young artist
While White Elephant artists like Richard Serra, Brice Marden, Jeff Koons and a few other usually male contemporary masters still are most highly valued by the establishment, the art world's Termite infestation has grown exponentially.
Those pieces were in every sense my homage to the first generation of women artists like Louise Bourgeois, Nancy Spero, Hannah Wilke, Carolee Schneemann, and a few others who paved the way in our constant struggle for visibility and power.
However, from there came forth photographic and textual - based works, which of course gave rise to the first generation of conceptual artists like Lawrence Weiner, Joseph Kosuth, and a few other
There're also artists like Daniel Zeller, Steven Charles and few others whose works do not appeal to the natural world; they instead seem to yield to the information world.
Over the past few years, as her work has gradually transitioned more and more into the three - dimensional, real space of the white cube with group and solo exhibitions of her video along with other works like a series of flags and «paintings» on aluminum, Cortright has also continued to become more and more infamous within Internet communities of artists and other visually - minded, new media thinkers who are utilizing the unique terrain of the Internet to modify how art can be made, disseminated and even bought and sold.
I'm discovering quite a few gallery exhibiting artists with BFA's and residencies in their background turning to Etsy or other online retail art sites like the more upscale 1000 Markets.
One of the problems is that when works like Heilmanns receive praise for their wit and ingenuity, it downgrades the expectations and ambitions of other abstract artists; so that now, any number of painters think that slapping a few lines and shapes around on a canvas, in a manner that vaguely represents something or other — place, memory, feeling, whatever — constitutes an abstract painting, in which it is the very ambiguity of the work which constituting the «abstract» bit.
And if you like this, don't forget to check the many other Brazilian designers and artists we've featured: Carlos Motta, Lara Donatoni, and Gooc are just a few.
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