Sentences with phrase «like other artists of his generation»

Tino Sehgal is not like other artists of his generation.

LeWitt, like no other artist of his generation, has always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

Like other artists of his generation, he trained at Tama Art University in Tokyo before becoming one of the key figures of the Mono - ha movement in the 1960s.

She attended the Emily Carr University of Art and Design, where, like other artists of her generation, she encountered the instructor and abstract painter Elizabeth McIntosh, whose fresh and expansive approach to abstract painting has played a critical role in Mouton's art.

Like other artists of his generation, Zucker used minimalist logic to structure his artistic practice, but he sought to expand this logic to maximal effect.

Like no other artist of his generation he maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

LeWitt, like no other artist of his generation, had always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.

Not exact matches

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

While a younger generation of artists, led by Katharina Grosse, Carol Bove, and others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans like Emily Mason never lost faith in its limitless possibilities.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Like her husband, Gwendolyn Knight preferred creating figural compositions rather than the Abstract Expressionist paintings that other artists of her generation embraced.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

Like many others of her generation in the Bay Area, the artist also worked in a figurative style in the 1950s and later.

Other important artists of a younger generation like Lita Albuquerque have recently joined the gallery and their work fits within the context of West Coast Light and Space and Performance.

Like other African artists of his generation, he sought to create a national art and aesthetic, born out of the effects of colonialism and steeped in the history and culture of his country.

I am excited to showcase Andre's work as well as that of other artists of his generation like Guy De Cointet, alongside a younger group.

How do you relate to other mid-career artists of your generation, like Yoshitomo Nara and The Group 1965, or the younger - generation artists around you, like ChimạPom?

Others, like Sarah Lucas, one of the few great artists of her notorious Y.B.A. (Young British Artist) generation, didn't quite rise to the occasion, scattering the British Pavilion with intermittently pervy sculpture against dazzling marigold yellow walls.

Pop Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should be.

Similar to other second - generation Surrealist artists like Frida Kahlo, she channeled her pain into the creative concepts of her art.

In the 1940s, Citron was part of the first generation of New York Abstract Expressionists, working alongside other well - known artists like Jackson Pollock and Mark Rothko.

Joining him were other»90s - generation artists, like Sarah Morris, Matthew Barney, T. J. Wilcox, and Liam Gillick; a smattering of collectors (Ethan Wagner and Thea Westreich, Beth Swofford, Andy Stillpass, Mary and Rebecca Eisenberg); and a current generation of artists, represented by Rachel Rose and Ian Cheng.

Though he rose to prominence through a proliferation of murals and other uncommissioned public art projects from his native Italy to China and North Africa, since 2007 RUN has made his home London, where, like many artists of his generation and background, he's been steadily working to manifest his vision in a proper studio practice, bringing it, so to speak, in off the street.

The works of artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should be.

Those pieces were in every sense my homage to the first generation of women artists like Louise Bourgeois, Nancy Spero, Hannah Wilke, Carolee Schneemann, and a few others who paved the way in our constant struggle for visibility and power.

During the following decade, like most of the other American artists of his generation, he embraced the avant - garde European movements wholeheartedly while searching for his own unique interpretations.

However, from there came forth photographic and textual - based works, which of course gave rise to the first generation of conceptual artists like Lawrence Weiner, Joseph Kosuth, and a few other

He was one of a handful of artists who, building on the success of the Baldessari generation, caught the attention of Europe like no other previous and secured once and for all L.A.'s global ascendency — without ever really seeming to try.

The list of artists included in the show include those both from here and abroad, across a range of media and generations: Nep Sidhu and Rajni Perera, both young Toronto artists, will occupy a significant portion alongside prominent Canadian artists like Jeremy Shaw, Tim Whiten and Carl Beam, as well as artists ranging far across the international field: Meschac Gaba from Benin; Kendell Geers and Dineo Seshee Bopape, both from South Africa; American artist Maya Stovall; and Ethiopian - American artist Awol Erizku, among others.

Fishman's narrow - gauged though prodigious output demonstrates that she, like many other artists of her generation (Brice Marden, Robert Mangold, Bill Jensen, Pat Steir, Robert Ryman), is uninterested in extravagant experimentation with concept, approach, or materiality.