I guess I like it cuz
I like Spaghetti Westerns =p.
Like spaghetti westerns in the past, this is certainly a western, but with a unique Korean flavour.
Rango is iconic
like a spaghetti Western, smart like a»70s conspiracy thriller and lively like a Coen brothers comedy.
This one plays more
like a spaghetti western, with five star students of the Five Venoms clan gone mercenary to search for hidden treasure and ready to kill one another for it.
When it all finally comes to a head it's a shootout, just
like the spaghetti western movies that the film's score evokes.
Burwell first tried approaching
it like a spaghetti western, where each character got their own distinctive motif, but quickly realized that it «simplified them too much.»
The martial arts plus movie,
like the Spaghetti Western, the neo-noir and the collected works of Martin Scorsese, Quentin Tarantino and the Coen Brothers exists as not as a genre in itself but as a response to, subversion of or homage to a previously established genre.
Let the Bullets Fly (Well Go), currently the highest - grossing Chinese film of all time, has a title that suggests shoot - outs and action galore, but in fact this slyly comic satire plays more
like a spaghetti western in twenties - era China, full of bluffs and feints and false identities.
Not exact matches
Come back and see the other
Spaghetti Western inspired recipes this week and be sure to «
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All that i kept thinking of was «Will i look
like Clint Eastwood in a
spaghetti western?»
From characters
like Wonder Woman and fake Gandalf to
western spaghetti spoofs and Star Wars references, it sometimes feels a bit chaotic, but it is still weirdly engaging and entertaining.
When Calvin Candy's servant explains his role in maintaining the estate, Django replies that the white man is «almost
like a nigger,» a bold remark punctuated with one of several ostentatious zooms lifted from the
spaghetti western vernacular — allowing for yet another moment of unlikely humor.
The graphics are very clean, the landscapes are fantastic (particularly at sunrise / sunset), a part of you feels
like you're back in a classic
Spaghetti Western when you play this, it's very authentic looking.
i rather
liked it, and thought it was as emotion - filled as a
spaghetti western could be.
Another Southern - fried
spaghetti western, The Hateful Eight sounds a lot
like Django Unchained without all that awkward, controversial slavery business — which could see it embraced by a grateful voting body.
It should be seen in repertory with evil - children movies
like Rosemary's Baby and Night of the Living Dead2 as much as it should be seen with Leone's quartet of
Spaghetti westerns — signposts, all, along the road to the paranoia cinema of the 1970s, where the conversation's not about the dissolution of traditional societal mores, nor even really about mitigating the collateral of the coming apocalypse.
Leone is even more notable than the other directors on our list as not only did he never receive an Oscar for direction he didn't even once get a nomination despite producing such classic
Spaghetti Westerns like the trilogy of A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly.
That heightened world of the telenovela meets the bad Mexican
spaghetti western — all of that seemed
like it could be a recipe for a type of movie you hadn't seen before.
It's impossible to contest the importance of Sergio Leone's A Fistful of Dollars, the movie that popularized the
spaghetti Western worldwide, launched the big - screen career of Clint Eastwood, and inspired a wave of future filmmakers
like Quentin Tarantino.
-- Sean Kelly [
LIKED] While the film stumbles a bit in the fourth act, I was all in for this feminist
spaghetti western.
The year's weirdest big - budget movie owes more to
spaghetti westerns, silent comedies and midnight films
like «El Topo» than to anything being made today.
One part intimate old school
Western recalling William Wyler's The Big Country, another reveling in the Italian
Spaghetti theatrics directors
like Sergio Leone (The Good, the Bad and the Ugly) and Sergio Corbucci (The Big Silence) practically invented, the movie's most obvious comparison might actually be the works of playwright Tennessee Williams, the scenario at hand owing more to Cat on a Hot Tin Roof than it does Once Upon a Time in the West or Shane.
Often dressed in an anachronistic cassock and with a rather astonishing sweep of leonine hair, Gleeson cuts an imposing and authoritative figure,
like something from a rough - edged
spaghetti western dropped on the dramatic west coast of Ireland.The role provides a fantastic showcase for the actor, as he captures the inner conflict and outward placidity of the character.
Django
like inglorious plays out as a giant homage to
Spaghetti Westerns and is peppered with nods to the genre throughout.
Some of these shots depict recent housing developments that went bust and now seem
like ghost towns, while others depict the remains of the Old West streets constructed to shoot the so - called
spaghetti Westerns in the 1960s and»70s.
In fact, the whole film feels
like one big stand - off as each of the characters continuously suss one another out before it eventually culminates in true Tarantino fashion.With the opening landscapes and the poundingly effective score by Ennio Morricone you could be fooled into thinking that Quentin is out to emulate the classic
spaghetti westerns of Sergio Leone but this is really where the comparison ends.
Some say that a shooter inspired by fighting games and
spaghetti westerns sounds pretty interesting, if that sounds
like something up your alley — keep listening.
The graphics are very clean, the landscapes are fantastic (particularly at sunrise / sunset), a part of you feels
like you're back in a classic
Spaghetti Western when you play this, it's very authentic looking.
My talk is more
like a Hollywood popcorn movie or a bad 1960s «
Spaghetti Western'that laugh along while watching.